"Accompanist" Quotes from Famous Books
 ... remarks were occasional and disparate, but she guessed his train of thought, supplying easily the missing links. His praise was all inferential, and this made it more delicate and delicious. On bidding him good-night he asked her to come to choir practice. She would have liked to, but her accompanist was coming at ...
— Evelyn Innes • George Moore
... and on this afternoon we were to have our first rehearsal. At that time playing accompaniments was the only thing in music I did not enjoy; later this feeling grew into positive dislike. I have never been a really good accompanist because my ideas of interpretation were always too strongly individual. I constantly forced my accelerandos and rubatos upon the soloist, often throwing the duet entirely ...
— The Autobiography of an Ex-Colored Man • James Weldon Johnson
... when he came to New York, but he had filled the position of secretary to Richard Wagner, and been a member of his household for six years. Before then he had studied at the Leipsic Conservatory (which he entered in October, 1870), and been a chorus master or accompanist at the Vienna Opera. There he came under the eyes of Hans Richter, who sent him to Wagner when the latter asked for a young man who could give him such help on "The Ring of the Nibelung" as Richter had given him on "Die Meistersinger"—that ...
— Chapters of Opera • Henry Edward Krehbiel
... which the whispered words are hung. The Erlking excites the thoughts of the fever-sick boy. The three enticements must be sung very rapidly, without any interruption of the breath. The first I sing as far as possible in one breath (if I am not hampered by the accompanist), or at most in two; the second in two, the third in three; and here for the first time the words "reizt" and "branch ich Gewalt" ...
— How to Sing - [Meine Gesangskunst] • Lilli Lehmann
... was immediately seized and ejected until after the dinner, when he returned with his music. It so happened we had present a member of the Italian Opera, with his beautiful pointed beard, and he had also a beautiful voice. But New York could not supply an accompanist with a pointed beard! So a false beard was preferred to false notes. The speeches were pointed, but not cut as short as the beard—rather too pointed and too long. It was just after the Bryan political crisis. The leading politician in the chair and one of the guests, ...
— The Confessions of a Caricaturist, Vol 2 (of 2) • Harry Furniss
... understand," he said, his voice muffled in an attempt to subdue his anger. "You and Hade were fond of the violin, eh? And for some reason or other you long ago worked up a series of signals on it, as the mind-reader with the guitar-accompanist used to do in the vaudeville shows. Those discordant phrases he started off with were your signal to come to the rescue. And you came. But how did you come? And how did he go? Both by the same way, of course. But—there isn't even a chimney-piece ...
— Black Caesar's Clan • Albert Payson Terhune
... any more sleep. I had such a joyous time last night. I sang the whole of Maliela, and a lot of Thais. I don't know what all. Novelli's a marvel; the best accompanist I've found yet. But, oh, my darling, I did feel such ...
— Mary Wollaston • Henry Kitchell Webster
... well-known accompanist appeared suddenly at the head of the staircase leading from the artists' room. The interval was over, and the audience ...
— Sir George Tressady, Vol. I • Mrs. Humphry Ward
... in The Seraglio (1776), a forgotten opera; the second, said to have been inspired by the death of the author's brother, a naval officer, in The Oddities (1778)—a 'table-entertainment,' where Dibdin was author, actor, singer, musician, accompanist, everything but audience and candle-snuffer. They are among the first in time of ...
— Lyra Heroica - A Book of Verse for Boys • Various
... harmonic interpretation of the modes, it seems to me that there can be no objection to giving vocal parts to the simpler hymns. If it is preferred to sing them in unison, the modal settings will be a guide to the accompanist. But it is my opinion that such settings as I offer will really please, and they may possibly do something to bring these tunes, which have a unique, unmatchable beauty, into favour with choirs that dislike the effort ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... of Handel and Mendelssohn. She had sung them in London, but could not get a hearing for them in the concerts in Paris as they were averse to such vast compositions. I had the honor to be her regular accompanist both at the organ and ...
— Musical Memories • Camille Saint-Saens |
