"Shearing" Quotes from Famous Books
 ... Ralph on the stairs. "He's up in his room. He complains his new shoes are too tight. I think it's nervousness. Perhaps he'll let you shave him; I'm sure he'll cut himself. And I wish the barber hadn't cut his hair so short, Ralph. I hate this new fashion of shearing men behind the ears. The back of his neck is the ugliest part of a man." She spoke with such resentment that Ralph ...
— One of Ours • Willa Cather
... corrupt Portuguese. At Melbourne, in a long verandah giving on a grass plot, where laughing-jackasses laugh very horribly, sit wool-kings, premiers, and breeders of horses after their kind. The older men talk of the days of the Eureka Stockade and the younger of 'shearing wars' in North Queensland, while the traveller moves timidly among them wondering what under the world every third word means. At Wellington, overlooking the harbour (all right-minded clubs should command the sea), another, and yet a like, sort of men speak of ...
— Letters of Travel (1892-1913) • Rudyard Kipling
... heart of them, and suddenly before me I saw the face of de Garcia. With a shout I rushed at him. He heard my voice and knew me. With an oath he struck at my head. The heavy sword came down upon my helmet of painted wood, shearing away one side of it and felling me, but ere I fell I smote him on the breast with the club I carried, tumbling him to the earth. Now half stunned and blinded I crept towards him through the press. All that I could see was a gleam of armour in the mud. I threw myself ...
— Montezuma's Daughter • H. Rider Haggard
... voltage in or about working places.] At each mine equipped with electric power after the passage and approval of this act, the current used to operate gathering locomotives, mining machines, shearing machines, drills and other machinery, used in or about the working places of the mine, shall not exceed in pressure or potential, three hundred and twenty-five volts, direct current, as shown at the nearest switchboard, ...
— Mining Laws of Ohio, 1921 • Anonymous
... meant little more than that, dissatisfied with his treatment of a theme, he tried again. He never built as, for instance, Bach and Beethoven built, carefully working out this detail, lengthening this portion, shearing away that, evolving part from part so that in the end the whole composition became a complete organism. There is none of the logic in his work that we find in the works of the tip-top men, none of the perfect finish; but, on the contrary, a very considerable degree of looseness, if not ...
— Old Scores and New Readings • John F. Runciman
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