"Love-potion" Quotes from Famous Books
 ... and the golden apples and splendid gifts suspended thereon as I, in my own person, am with your unique "Tristan." Away with all the cares and tribulations of every-day existence! Here one can weep and glow again. What blissful charm, what undivined wealth of beauty in this fiery love-potion! What must you have felt while you created and formed this wondrous work? What can I tell you about it beyond saying that I feel with you ...
— Correspondence of Wagner and Liszt, Volume 2 • Francis Hueffer (translator)
... the cup contains not the poison but the love-potion. In this stroke there is no fairy-tale or pantomime foolery. The course the drama now pursues is determined not by a magic draught, a harmless infusion of herbs, but by the belief of the lovers that they have taken poison and are both doomed. Whether ...
— Richard Wagner - Composer of Operas • John F. Runciman
... with an astrologer, and was taught cabalistic lore and the secrets of the stars, which he ever after believed to control his destiny. His fortune began in his marriage to an aged but very wealthy widow, who almost put an end to his career by administering to him a love-potion. He had already served in the army, fought against the Turks in Hungary, and with his wife's money raised a regiment for the wars in Bohemia. A second marriage with a rich countess added to his wealth; he purchased, at a fifth of their value, about sixty estates ...
— Historical Tales, Vol 5 (of 15) - The Romance of Reality, German • Charles Morris
... not death and surcease of sorrow, as both had believed, but life and misery; for Brangane, who had been commanded to pour the poison in the cup, had followed an amiable prompting and presented the love-potion instead. A moment of bewilderment, and the fated ones are in each other's arms, pouring out an ecstasy of passion. Then her maids robe Isolde to receive the king, who is coming on board the ship ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... the fortunes of a gipsy, Manru, who marries Ulana, a peasant girl, but is won back to gipsy life by the fascinations of Asa, the princess of his tribe. He rejoins his own people in spite of Ulana's entreaties and a love-potion which she administers, but is killed by a gipsy rival, while Ulana in despair throws herself into a lake. Paderewski's music is thoroughly German in style, but he makes clever use of gipsy tunes and rhythms, which give a welcome variety ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild |
