"Victor hugo" Quotes from Famous Books
 ... such movements, and can understand what words are said by the shape of the mouth in uttering them. But the effect was to make the Senator buck like a man who was making grimaces, to wager, like those in Victor Hugo's "Notre Dame." As such the apparition was so over-powering that neither Buttons nor Dick dared to look up for some time. What made it worse, each was conscious that the other was laughing, so that self-control was all the more difficult. Worse still, each knew ...
— The Dodge Club - or, Italy in 1859 • James De Mille
... graves and the ghosts are not laid yet. As well write the history of a churchyard. Forty years before John Richard Green thus explained why he had abandoned the plan of the graveyard, Victor Hugo lashed the front of England with this very thong. "Ireland turned into a cemetery; Poland transported to Siberia; all Italy a galleys—there is where we stand in this ...
— The Crime Against Europe - A Possible Outcome of the War of 1914 • Roger Casement
... to the study of French all day. Anecdotes at breakfast respecting the pride of Victor Hugo. Walked along the Seine, then across the river into Notre Dame—the Westminister Abbey of Paris—worthy of ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... possession of the franchise. Beyond the material gains in legislation, we find a general improvement in the tone of feeling and thought toward women—an approach, indeed, to the sentiment recently expressed by Victor Hugo, that as man was the problem of the eighteenth century, woman is the problem of the nineteenth century. May our efforts to solve this problem ...
— History of Woman Suffrage, Volume III (of III) • Various
... Cristo," the earlier chapters, the prison, and the escape. In later volumes of that romance, methinks, you stoop your wing. Of your dramas I have little room, and less skill, to speak. "Antony," they tell me, was "the greatest literary event of its time," was a restoration of the stage. "While Victor Hugo needs the cast-off clothes of history, the wardrobe and costume, the sepulchre of Charlemagne, the ghost of Barbarossa, the coffins of Lucretia Borgia, Alexandre Dumas requires no more than a room in an inn, where people meet in riding cloaks, to move the soul with the ...
— Letters to Dead Authors • Andrew Lang
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