|
|
|
More "Renaissance" Quotes from Famous Books
 ... the sixteenth century has been traced by the antiquaries as far back as the time of Edward III. But in its perfected shape it was a genuine offspring of the English renaissance, a cross between the vernacular mummery, or mystery-play, and the Greek drama. No great court festival was considered complete without such a public show. Many of our great dramatic writers, Beaumont, Fletcher, Ben Jonson, Middleton, ...
— Milton • Mark Pattison
... real or my assumed character. Suffice it to say that the procession took place at night in a large garden and by torchlight (so remote is the date), that the garden was crowded with Puritans, monks, and men-at-arms, and especially with early Celtic saints smoking pipes, and with elegant Renaissance gentlemen talking Cockney. Suffice it to say, or rather it is needless to say, that I got lost. I wandered away into some dim corner of that dim shrubbery, where there was nothing to do except tumbling ...
— Tremendous Trifles • G. K. Chesterton
... pictures of ancient Greece and Rome, and Egypt, and of the world's noblest cathedrals, which decorated the schoolroom walls at St. Ursula's-of-the-Lake. This building, it seemed to her, was of no recognized type of architecture. It was neither classic nor Gothic: not Renaissance, Egyptian, nor Moorish. It gave the impression of being a mere fantastic creation of a gay and irresponsible brain. If a confectioner accustomed to work in coloured sugars were to dream of a superlative masterpiece, his exalted fancy might take ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... silver as a base for artificial denture, and developed a generation of practitioners deficient in that high degree of skill necessary to the construction of dentures upon metallic bases. The recent development of crown-and-bridge work has brought about a renaissance, so that a thorough training is more than ever necessary to successful practice in mechanical dentistry. The simplest crown is of porcelain, and is engrafted upon a sound natural tooth-root by means of a metallic pin of gold or platinum, ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 2 - "Demijohn" to "Destructor" • Various
... pause. "Is there anything amusing about being loved?" she thought; "what patient women the great coquettes of the world must have been! How I wish I were a crisp intelligent old maid, with a talent perhaps for gardening or books on the Renaissance!" ...
— Balloons • Elizabeth Bibesco
... precisely the interpretation of transition periods given by scientific evolutionism. They did not annihilate the conquests of the preceding civilizations, but they preserved, on the contrary, whatever was vital in them and fecundated them for the Renaissance of ...
— Socialism and Modern Science (Darwin, Spencer, Marx) • Enrico Ferri
... and hate was Italian of the Italians, was left indifferent by none of these. How strange to modern ears this thrill of recognition, when one exile, even among the dead, meets another, of their common citizenship of "no mean city!" Of this classic "patriotism" the world requires a Renaissance, that we may be saved from the shallowness of artificial commercial Empires. The new "inter-nationalism" is the sinister product of a generation that has grown "deracinated," that has lost its roots in the soil. It is an Anglo-Germanic thing and opposed to it the proud tenacity of the Latin ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... classic land. He expressed the charm of the old hill-cities of Tuscany, the look of certain lonely grass-grown places which, in the past, had echoed with life; he understood the great artists, he understood the spirit of the Renaissance, he understood everything. The scene of one of his earlier novels was laid in Borne, the scene of another in Florence, and I moved through these cities in company with the figures whom Mark Ambient had set so vividly upon ...
— The Author of Beltraffio • Henry James
... it was conquered and laid waste, and in several parts of Magna Graecia, and of Sicily. From the fall of Rome even to the present day, this phenomenon has been manifested in a very evident manner in the Roman Campagna, in certain parts of which, even up to the time of the Renaissance, it was possible to maintain pleasure houses, but which are now unhabitable during the hot season. In many cases the physical conditions of the soil have undergone no appreciable change during centuries, so that ...
— Scientific American Supplement, No. 458, October 11, 1884 • Various
... It was strong in its great traditions. Plutarch, who lived from about 50 A.D. to 117 or so, is our great exponent of this old religion. To him I shall have to refer constantly. He was a writer of charm, a man with many gifts. Plutarch's Lives was the great staple of education in the Renaissance—and as good a one, perhaps, as we have yet discovered, even in this age when there are so many theories of education with foreign names. Plutarch, then, writing about Delphi, the shrine and oracle of the god Apollo, ...
— The Jesus of History • T. R. Glover
... window on the left was set a great carved Renaissance writing-table, and upon it burned an electric lamp with an artistic shade ...
— The Stretton Street Affair • William Le Queux
... Pater, "Leonardo da Vinci," in The Renaissance. | | For an account of scientific experiments on the time and | | stress rhythm of this sentence, see W. M. Patterson, The | | Rhythm of Prose, New York, 1916, ch. iv. An idea of the | | complexity may be obtained from Patterson's ...
— The Principles of English Versification • Paull Franklin Baum
... poets lived in a period midway between the highest development of Renaissance civilization and the foundation of our modern civilization, and he was thus at once heir to the rich treasures of a glorious past, and endowed with a poetic, or we might say a prophetic insight that makes his ...
— Shakespeare and Precious Stones • George Frederick Kunz
... greatest in the fourteenth century, when his doctrines were openly professed. After the invention of printing, they appeared in numberless editions,—several times in connection with the text of Aristotle. As the age of the Renaissance and of Protestantism approached, they gradually lost their prestige. The chief humanists, like Petrarch, as well as the chief reformers, were bitterly hostile to them. Nevertheless, they contributed important elements to ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... in Italy was favorable, and their literary products derive grace from their good fortune. The Renaissance had a benign effect upon them, and the revival of classical studies influenced their intellectual work. Greek thought met Jewish a third time. Learning was enjoying its resurrection, and whenever their wretched political ...
— Jewish Literature and Other Essays • Gustav Karpeles
... Charles and Philip bought masterpieces, and cared Jittle for the crude efforts of the awkward pencils of the necessary men who came before Raphael. There is not a Perugino in Madrid. There is nothing Byzantine, no trace of Renaissance; nothing of the patient work of the early Flemings,—the art of Flanders comes blazing in with the full splendor of Rubens and Van Dyck. And even among the masters, the representation is most unequal. Among the wilderness of Titians and Tintorets you find but two Domenichinos and two Correg-gios. ...
— Castilian Days • John Hay
... mankind. Vast as the vision was, Dante cannot be called presumptuous for having entertained it. The Rome of the Caesars, the Rome of the Popes, had each transformed the world: Italy was transforming it for a third time at that moment by the spiritual awakening which, beginning with the Renaissance, led by inevitable steps to the Reformation. The great Florentine poet had the right to dream that his country was invested with a providential mission, that his people was a chosen people, which, by its own fault and by the fault of others, had lost its way, but would find it again. Such was Dante's ...
— The Liberation of Italy • Countess Evelyn Martinengo-Cesaresco
... with suppressed yawns; but he bore with the Romantics with a patience hardly to be expected of a man of the Imperial school, who scarcely could make out what the young writers meant. Not so Mme. de Bargeton; she waxed enthusiastic over the renaissance, due to the return of the Bourbon Lilies; she loved M. de Chateaubriand for calling Victor Hugo "a sublime child." It depressed her that she could only know genius from afar, she sighed for Paris, where great men live. For these reasons M. du Chatelet thought he ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... and it is often immoral, but it is always suffused with a certain hue of courtliness, even gentleness. The language is of the most refined delicacy, the thought is never boorish or rude; there is the self-collectedness which we find in the poetry of France and Italy during the Renaissance, and in England during the reign of Queen Anne. It exhibits the most exquisite polish, allied with an avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious metal with the tenuity of gold-leaf. Even the most vivid ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... knew enough about Mrs. Alsager to judge it lucky this respectable married lady was not there—a relief, however, accompanied with speculative glances at London and the morrow. Loder, as our young man was aware, meant the new "Renaissance," but though he reached home in the evening it was not to this convenient modern theatre that Wayworth first proceeded. He spent a late hour with Mrs. Alsager, an hour that throbbed with calculation. She told ...
— Nona Vincent • Henry James
... our delightful boudoirs, our charming salons, our exquisite costumes, our palpitating plays, our interesting novels, our serious books will all be consigned to the garret or be used for old paper and manure! O posterity, above all things do not forget our gothic salons, our Renaissance furniture, M. Pasquier's discourses, the shape of our hats, and the aesthetics of La Revue des ...
— Over Strand and Field • Gustave Flaubert
... in the midst of architecture and tombs of wood, or freestone, or brass, naturally thinks of GOLD as the best enriching and ennobling substance for them; in the midst also of the fever of the Renaissance he writes, as every one else did, in praise of precisely the most vicious master of that school— Giulio Romano*; but the modern poet, living much in Italy, and quit of the Renaissance influence, is able fully to enter into the Italian feeling, and ...
— Introduction to Robert Browning • Hiram Corson
... threefold. It is the work of a writer intelligently familiar with the Greek and Roman classics, and it thus stands beside Elyot's Governour, which appeared two years before, as one of the earliest illustrations of the influence of the Renaissance on our vernacular literature. It is one of the earliest examples, not only of the employment of the English language in the treatment of scholastic subjects, but of the vindication of the use of English in the treatment of such subjects; and, lastly, ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... churches of Italy how mightily the whole people of that land were once moved by the impulses of their religion (which might be, and certainly was, a thing very different from purity and goodness): the Renaissance temples remind us of a studious period passionately enamored of the classic past; in the rococo architecture and sculpture of a later time, we have the idle swagger, the unmeaning splendor, the lawless luxury, of an age corrupted by its own opulence, ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... the Nibelungen-Lieds, the Saxon Rhyme-Chronicles, the poems of Minnesingers and Mastersingers, and Ships of Fools, and Reynard Foxes, and Death-Dances, and Lamentations of Damned Souls. My study since then has been in German chemistry from its renaissance in Paracelsus, and physical science, including both medicine and the evolution of life. Shall I give you a few dozen ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII, No. 28. July, 1873. • Various
... borne in upon him, and the thought of Smith had followed naturally. If anybody could supply distraction, it would be Smith. Faraday, another of the temporary exiles from the News, whom he had met by chance in Washington Square, had informed him of Smith's new position and of the renaissance of Peaceful Moments, and he had hurried to the office to present himself as an unskilled but willing volunteer to the cause. Inspection of the current number of the paper had convinced him that the Peaceful Moments atmosphere, if it could not ...
— The Prince and Betty - (American edition) • P. G. Wodehouse
... was Brunhilda talking to Leonardo da Vinci's Ste. Anne. No, heavens no! Not a saint, a musty, penitential negation like a saint! Only of course, the Ste. Anne wasn't a saint either, but da Vinci's glorious Renaissance stunt at showing what an endlessly desirable woman he could make if he ...
— The Brimming Cup • Dorothy Canfield Fisher
... the bitter accusations of Heine, whose attack in The Baths of Lucca is one of the most scurrilous and venomous pasquils in all literary history. Finally, in the esthetic world, Platen seems largely un-German. His esthetics were of the Classical and Renaissance times; in an age of the breaking down of conventions and of literary revolutions, Platen held himself rigidly aristocratic; he clung to a canon of beauty in an age which ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... sixteenth century began a process of change that was to overturn all this and bring in something radically different. The Renaissance and the Reformation worked in a sense together to build up their own expressive form of society, and when this process had been completed we find still an aristocracy, though rapidly changing in the ...
— Towards the Great Peace • Ralph Adams Cram
... me or merely pulling my leg?" said Mr. Manley. "Surely you can see that Lady Loudwater is pure Italian Renaissance. She is one of those subtle, mysterious creatures that Leonardo and Luini were always ...
— The Loudwater Mystery • Edgar Jepson
... which some of us fancy to be a discovery of M. Zola and M. Catulle Mendes; it had escaped from the control of the Church and had become a mere diversion. Calderon was the one man who could unite the spirit of religion to the form of the drama which the secular renaissance imperiously demanded. He knew the philosophy of Aristotle and the theology of the 'Summa' of St. Thomas as well as any cleric in Spain, though he did not take orders until late in life; and in those ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... of the Italian school appeared to have utterly ruined this understanding and care for local and historical color. Rossini in the last act of Otello and in Guillaume Tell began its renaissance with a boldness for which he deserves credit, but it was left to Meyerbeer to restore it ...
— Musical Memories • Camille Saint-Saens
... six-story houses, attracted my attention. It threw upon the pavement a shadow which the sunshine, penetrating between the badly joined boards, striped with beautiful parallel streaks of gold, such as one sees on the fine black satins of the Renaissance. I strolled over to it and peered ...
— The Memoirs of Victor Hugo • Victor Hugo
... of Fontainebleau is full of interesting reminiscences, but of all the figures it recalls, no figure is more impressive than that of Napoleon. There is much gorgeous furniture in the palace of various sorts, in the style of the renaissance, of Louis XIV., Louis XV., and Louis XVI.; but no piece attracts more attention than the plain mahogany table on which Napoleon signed his abdication. Then how impressive is the bedroom where he spent terrible nights, unable to sleep, and at last seeking in suicide a cure for his ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... to be found upon the earth's surface so many characteristic attributes of Mediaeval Gothic architecture as is to be observed in this land, extending from the Romanesque types of Frejus, Perigueux and Angouleme to that classical degeneration commonly called the Renaissance, a more offensive example of which could hardly be found than in the conglomerate structure of St. Etienne du Mont at Paris, or the more modern and, if possible, even more ugly Cathedral Churches at Arras, Cambrai, or ...
— The Cathedrals of Northern France • Francis Miltoun
... this poem high praise: "Robert Browning is unerring in every sentence he writes of the Middle Ages.... I know no other piece of modern English prose or poetry in which there is so much told, as in these lines, of the Renaissance spirit—its worldliness, inconsistency, pride, hypocrisy, ignorance of itself, love of art, of luxury, and of good Latin. It is nearly all that I have said of the central Renaissance, in thirty pages of The Stones of Venice, put into as many ...
— Browning's Shorter Poems • Robert Browning
... subordinated exactly as it would strike his eye and mind. But even this is insufficient. The heart of man demands more, and so arises a craving after the old nature-mythology of Greece, the old fairy legends of the Middle Age. The great poets of the Renaissance both in England and in Italy had a similar craving. But the aspect under which these ancient dreams are regarded by them is most significantly different. With Spenser and Ariosto, fairies and elves, gods and demons, are regarded in their fancied connection with man. Even in the age of Pope, when ...
— Literary and General Lectures and Essays • Charles Kingsley
... rich parish of St. Bernard (whose boundary line now touches that of the distended city) lay the plantation, known before Bras-Coupe passed away as La Renaissance. Here it was that he entered at once upon a chapter of agreeable surprises. He was humanely met, presented with a clean garment, lifted into a cart drawn by oxen, taken to a whitewashed cabin of logs, finer than his palace at home, and made to comprehend that ...
— The Grandissimes • George Washington Cable
... intellectual and religious leadership, but largely of public administration under the Hindu kings. No literature existed outside their own, which was mainly of a sacerdotal character; and India had no heritage such as that bequeathed by Greece and Rome to mediaeval Europe which could produce a Renaissance or revival of literacy, leading to the Reformation of religion and the breaking of the fetters in which the Roman priesthood had bound the human mind. The Brahmans thus established, not only a complete religious, ...
— The Tribes and Castes of the Central Provinces of India - Volume II • R. V. Russell
... the burly fellow who under a new name is welcomed joyfully every Christmastide. In another sense, too, "Der Freischtz" is a national opera; the spirit of its music is drawn from the art-form which the people created. Instead of resting on the highly artificial product of the Italian renaissance, it rests upon popular song—folk-song, the song of the folk. Its melodies echo the cadences of the Volkslieder in which the German heart voices its dearest loves. Instead of shining with the light of the Florentine courts it glows with the rays of the setting ...
— Chapters of Opera • Henry Edward Krehbiel
... owes its origin to the author's belief that Venetian painting is the most complete expression in art of the Italian Renaissance. The Renaissance is even more important typically than historically. Historically it may be looked upon as an age of glory or of shame according to the different views entertained of European events during ...
— The Venetian Painters of the Renaissance - Third Edition • Bernhard Berenson
... of Machiavelli rest, but modern Florence has decreed him a stately cenotaph in Santa Croce, by the side of her most famous sons; recognizing that, whatever other nations may have found in his works, Italy found in them the idea of her unity and the germs of her renaissance among the nations of Europe. Whilst it is idle to protest against the world-wide and evil signification of his name, it may be pointed out that the harsh construction of his doctrine which this sinister reputation implies was unknown to his ...
— The Prince • Niccolo Machiavelli
... economic advance and prosperity; intellectually it had been a period of renaissance, but like every such period it did not simply resuscitate what was old, but filled the ancient moulds with an entirely new content. Socially the period had witnessed the consolidation of the new upper class, the gentry, ...
— A history of China., [3d ed. rev. and enl.] • Wolfram Eberhard
... past take the form of metrical, and generally musical, recitation. An excellent and polished school of prose writers is the product of a tendency in national life of later origin than that which calls out the bards and ballad-singers, and is proof of a more advanced culture. The Renaissance in Italy was but the resumption of a life long suspended, and the succession of the phenomena in which was therefore far more rapid than was possible in a nation which had to trace the path without any survivals of a prior awakening; and ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... Bologna was famous throughout the world, having at one time 12,000 students from all parts of Europe. These universities continued to exert a powerful influence until Catholicism triumphed over the abortive attempts at religious reform, and there settled down over the brilliant Italy of the Renaissance an unprogressive and anti-intellectual influence from which she ...
— Colleges in America • John Marshall Barker
... tower in New Mexico in 1945. And, because scientific research is pre-eminently a matter of pooling brains and efforts, the independent scientists had banded together into teams whose leaders acquired power greater than that of any condottiere captain of Renaissance Italy. ...
— The Mercenaries • Henry Beam Piper
... Ruy Blas he informed the director of the Renaissance—for which theatre the piece was intended—that the only actor who could play the part of Ruy was Lemaitre. The result was another of his wonderful creations, which set all Paris wild with excitement. Those who have admired Fechter in this part will perhaps be surprised to hear that in Paris ...
— Lippincott's Magazine of Popular Literature and Science Volume 15, No. 89, May, 1875 • Various
... passing through a very characteristic avenue, in the style of the happiest phases of the Italian Renaissance to be found in Florence, one enters the Court of the Four Seasons, by Henry Bacon of New York. The chief quality of this court is that of intimacy. While by no means so original as the Court of Abundance, it has a charm all of its own, in spite of its conventional architectural ...
— The Art of the Exposition • Eugen Neuhaus
... Pre-Raphaelites imitate no pictures: they paint from nature only. But they have opposed themselves as a body, to that kind of teaching above described, which only began after Raphael's time: and they have opposed themselves as sternly to the entire feeling of the Renaissance schools; a feeling compounded of indolence, infidelity, sensuality, and shallow pride. Therefore they have called themselves Pre-Raphaelite. If they adhere to their principles, and paint nature as it is ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... explored they might merely make him blind, and it may be a sufficient understanding of them to know that they are not worth investigating. In this way the most chaotic age and the most motley horrors might be mirrored limpidly in a great mind, as the Renaissance was mirrored in the works of Raphael and Shakespeare; but the master's eye itself must be single, his style unmistakable, his visionary interest in what he depicts frank and supreme. Hence this comprehensive sort of greatness ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... tending to hinder or to further love. Gower had ability in story-telling, as is shown by the tales about Medea and the knight Florent; but he lacked Chaucer's dramatic skill and humor. Gower's influence has waned because, although he stood at the threshold of the Renaissance, his gaze was chiefly turned backward toward medievalism. His contemporary, Chaucer, as we see, was affected ...
— Halleck's New English Literature • Reuben P. Halleck
... Fr. abaque, tailloir), in architecture, the upper member of the capital of a column. Its chief function is to provide a larger supporting surface for the architrave or arch it has to carry. In the Greek Doric order the abacus is a plain square slab. In the Roman and Renaissance Doric orders it is crowned by a moulding. In the Archaic-Greek Ionic order, owing to the greater width of the capital, the abacus is rectangular in plan, and consists of a carved ovolo moulding. In later examples the abacus is square, ...
— Project Gutenberg Encyclopedia
... the bower of Oak's new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as regards its architecture, and of a proportion which told at a glance that, as is so frequently the case, it had once been the memorial hall upon a small estate around it, now altogether effaced as a distinct property, and merged in the vast tract of a non-resident landlord, which comprised ...
— Far from the Madding Crowd • Thomas Hardy
... "threes." If this view is correct, the ancient warship was a galley with a single row of long oars on either side, and three men pulling together each heavy oar. We know that in the old navies of the Papal States and the Republics of Venice and Genoa in the Middle Ages and the days of the Renaissance, and in the royal galleys of the old French monarchy, there were no ships with superposed banks of oars, but there were galleys known as "triremes," "quadriremes," and "pentaremes," driven by long oars each worked by three, four, or five rowers. It is at least very likely that this was the method ...
— Famous Sea Fights - From Salamis to Tsu-Shima • John Richard Hale
... civilized. Among other things, they have not gone through a "reformation." Take a northern stock, sound in mind and body; infuse into it a perverse disrespect for the human frame and other anti-rational whimsies; muddle the whole, once more, by a condiment of Hellenistic renaissance and add, as crowning flavour, puritan "conscience" and "sinfulness"—mix up, in a general way, good nourishment with ascetic principles—and you will attain to a capacity of luxuriance in certain matters that may well be the envy and despair of ...
— Fountains In The Sand - Rambles Among The Oases Of Tunisia • Norman Douglas
... before his death. He had no idea of standing on his dignity as an author, and was quite willing to undertake the translation of an existing libretto into French verse. We therefore entrusted him with the writing of my Liebesverbot, with a view to a performance at the Theatre de la Renaissance, as it was then called. (It was the third existing theatre for lyric drama, the performances being given in the new Salle Ventadour, which had been rebuilt after its destruction by fire.) On the understanding that it was to be a literal translation, he at once ...
— My Life, Volume I • Richard Wagner
... there are no sporadic instances, no isolated facts, so this flower of our century—the recognition of the rights of all created things, with all that it involves—belongs to universal history. It is the product of the Reformation and the Renaissance, with roots only the records of Rome and ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... point may be singled out in that long movement, generalized under the name of the Renaissance, as critical, it is the introduction of the Greek and Latin literature:—which has remained ever since conspicuously the most powerful and enlarging element, the most effectively educational, among ...
— The Visions of England - Lyrics on leading men and events in English History • Francis T. Palgrave
... mischief. Other noticeable peculiarities of the sovereign's rendering are the smallness of the horse's head and the length of St. George's leg. The total effect, in spite of blemishes, is more spirited than that of No. 344260, but both would equally fill a Renaissance ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... ancients they knew the principle of the mariner's compass. The Egyptians had the water-wheel and the rudimentary blast-furnace. The pendulum clock appears to have been an invention of the Middle Ages. The art of printing from movable type, beginning with Gutenberg about 1450, helped to further the Renaissance. The improved mariner's compass enabled Columbus to find the New world; gunpowder made possible its conquest. The compound microscope and the first practical telescope came from the spectacle makers of ...
— The Age of Invention - A Chronicle of Mechanical Conquest, Book, 37 in The - Chronicles of America Series • Holland Thompson
... another exceedingly interesting personality in the early history of Cologne printing. We give the more elaborate of the two marks used by him and reproduced by Berjeau: the shield contains the Rosicrucian triple triangle on the threshold of a Renaissance door. During the latter end of his career at Cologne, Soter had also an establishment at Solingen, where he printed "several works of a description which rendered too hazardous their publication in the former ...
— Printers' Marks - A Chapter in the History of Typography • William Roberts
... Ireland, then, in the late fifth century and the sixth, holds the lamp. Its light passes to England in the middle of the seventh century, and from thence, near the end of the eighth, to the Court of Charlemagne, where it initiates the Carolingian Renaissance. In the ninth century, when England is a prey to the Danes, the Carolingian Court and the great abbeys of Germany are enjoying a vigorous intellectual life, stimulated and enriched by scholars from Italy and from Ireland. In a general view the tenth and eleventh centuries must figure as a period ...
— The Wanderings and Homes of Manuscripts - Helps for Students of History, No. 17. • M. R. James
... ages than of the times that preceded and followed them; the Church under the Roman empire hardly as yet realized the possibilities of "sermons in stones," and took over, with little change, the model of the secular and religious buildings of pagan Rome; the Renaissance, essentially a neo-pagan movement, introduced disturbing factors from outside, and, though developing a style very characteristic of the age that produced it, started that archaeological movement which has tended in modern times to substitute mere imitations of old models for any attempt ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... High German Period, culminating about 1200 A. D. This was in Germany, as elsewhere in Europe, a time of abundant literary activity. It is the period of the renaissance of the heroic legends of the first period, and their remaking into developed epic poetry; of the writing of romances of chivalry and of antiquity; of the development of the lyric poetry of the Minnesingers; of the growth of popular fables and tales and of the drama. In short, all the forms ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... country where there had never been any sculpture or any painting, nor any architecture to signify. They were talking about reviving the Gothic, but Rodney did not believe in their resurrections or in their renaissance or in their anything. "The Gael has had his day. The Gael is passing." Only the night before he and Harding had had a long talk about the Gael, and he had told Harding that he had given up the School of Art, that he was leaving Ireland, and Harding ...
— The Untilled Field • George Moore
... as in a panorama of Banvard's, the landscape spun out before my eyes. Le Raincy, which I had intended to visit at all events on the same day, but afoot, offered me the roofs of its ancient chateau, a pile built in the most pompous spirit of the Renaissance, and whose alternately round and square pavilions, tipped with steep mansards, I was fain to people with throngs of gay visitors in the costume of the grand siecle. Then came the cathedral of Meaux, before which I reverently took off my cap to salute the great Bossuet—"Eagle of ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII. No. 30. September, 1873 • Various
... in the Renaissance (which was, in certain times and respects, a much gloomier period) this idea of the skeleton had a vast influence in freezing the pride out of all earthly pomps and the fragrance out of all fleeting pleasures. But it was not, surely, the mere dread of death that did this, for these were ages ...
— The Defendant • G.K. Chesterton
... of pictures on the walls, Italian saints, the Renaissance, you know, Botticelli and Luini; her writing-table is near the window, and covered with papers; she evidently writes a great deal. Merat tells me she spends her evenings writing ...
— Sister Teresa • George Moore
... Cabot, "this is but one of many such examples of ancient luxury. Unfortunately, however, most of these extravagant affairs have been melted up by avaricious monarchs who coveted the gems and gold. Such ornate mirrors are a relic of the Renaissance when each object made was considered an art work on which every means of enrichment was lavished. I do not know that I think it any handsomer than are the simpler mirrors with their Venetian frames of exquisitely carved wood, ...
— The Story of Glass • Sara Ware Bassett
... immediate prospect of their ever doing so? Did the Greeks, who attained the supreme heights in art, find happiness in their art? Their history is the record of one long struggle; and so it was with the renaissance of the Middle Ages, and so it is with us; our sciences and arts can never change the complicated conditions in which we live. They have never developed the sympathy and brotherly love which should exist between man and man; we are ...
— When Dreams Come True • Ritter Brown
... Japanese in the presence of good and evil spirits and the national worship of beauty in nature and art. Hearn's father was Greek and his mother Irish. In mind he was a strange mixture of a Florentine of the Renaissance and a pagan of the age of Pericles. In The West Indies he has given the best estimate of the influence of the tropics on the white man, and in Japan: An Interpretation, In Ghostly Japan, Exotics and Retrospections, and others, ...
— The Critic in the Orient • George Hamlin Fitch
... republics, dukedoms, and principalities which lay north and south. But Papal Rome, as the head and heart of a spiritual empire, was still a world-power; and the disunited Italian states were first in the commercial enterprise of the age as well as in the glories of the Renaissance. North of the Papal domain, which cut the peninsula in two parts, stood three renowned Italian cities: Florence, the capital of Tuscany, leading the world in arts; Genoa, the home of Caboto and Columbus, teaching the ...
— Elizabethan Sea Dogs • William Wood
... the most heartening events of the year in the international field has been the renaissance of the French people and the return of the French Nation to the ranks of the United Nations. Far from having been crushed by the terror of Nazi domination, the French people have emerged with stronger faith than ever in the destiny of their country and in the soundness of ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... lost to sight in the naturalistic revival of the Renaissance, which derived its inspiration solely from those periods of Greek and Roman art which were pre-occupied with the expression of external reality. Although the all-embracing genius of Michelangelo kept the "Symbolist" tradition alive, it is the work of El Greco that merits the complete title ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... Northern foundation there was built up a highly complex fabric of romantic and artistic sentiment. The Christian worship of the Virgin Mary harmonized with the Northern belief. The sentiment of chivalry reinforced it. Then came the artistic resurrection of the Renaissance, and the new reverence for the beauty of the old Greek gods, and the Greek traditions of female divinities; these also coloured and lightened the old feeling about womankind. Think also of the effect with which literature, ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... set forth : banqueting in English Renaissance drama' - Manchester University Press ...
— The Noble Spanish Soldier • Thomas Dekker
... of the Piccolomini. But Marrina, with his doors of the library; Barili, with his marvelous casing of the choir-stalls; Beccafumi, with his bronze and neillo—these are the artists whom one wonders at; these wood-carvers and bronze-founders, creators of the microcosmic detail of the Renaissance which had at ...
— Seeing Europe with Famous Authors, Vol VIII - Italy and Greece, Part Two • Various
... who spring from a fierce untamed stock. Despite the training of Laharpe, Alexander at times showed the passions and finesse of a Boyar. And who shall say that the early Jacobinism and later culture of Napoleon was more than a veneer spread all too thinly over an Italian condottiere of the Renaissance age? These men were too expert at wiles really to trust to the pompous assurances of Tilsit and Erfurt. De Maistre tells us that Napoleon never partook of Alexander's repasts on the banks of the Niemen. For ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose
... striving to rekindle the dead beliefs of France, to rescue Frenchmen from the camp of materialistic or pantheistic ideas, and rally them round that Christian banner which is the banner of true progress and true civilization." The Renaissance is treated as a disastrous but inevitable crisis, in which the idealism of the Middle Ages was dethroned by the naturalism of modern times—"The Renaissance perhaps robbed us of more than it gave us"—and so on. The tone of criticism is instructive enough to the student of Amiel's mind, but the ...
— Amiel's Journal • Mrs. Humphry Ward
... to enter shallow rivers and harbors and to double unknown capes where shoals might have formed, and was therefore much used by the early navigators of the new world. [Footnote: Le Moyen Age et la Renaissance. Tome Second. Marine, par M. A. Jal. fol. V. (Paris 1849.)] Columbus chose two caravels, out of the three vessels with which he made his first voyage; and the third one, which was larger than either of the caravels, was less than one ...
— The Voyage of Verrazzano • Henry C. Murphy
... affair. The street was faced by charming private houses built of grey Caen stone; the fountain with its golden sun-dial, with the seated figure—a life-size replica of Manship's original in the Metropolitan Museum—serenely and beautifully holding its place between the Renaissance facades and ...
— The Dark Star • Robert W. Chambers
... centuries, the last phase of one of the great European eras of civilization. In England, where the Middle Ages had been idealized for generations, some of its leading thoughts did not seem so novel as they did in Holland, where many people regarded the Renaissance and more still regarded the Reformation as a new beginning of a better world; but in England and America, which had been drawn, unlike Holland, into the vortex of war, it had the poignancy of a recall to the standards of reasonableness. It will long maintain its place as a historical book ...
— Erasmus and the Age of Reformation • Johan Huizinga
... both on religious and secular lines; and though in the eighteenth and part of the nineteenth centuries there was a passing invasion of French and Italian fashion, the true and characteristic native music has never died out, and at the present time there is a notable musical renaissance in touch with the spirit and natural genius of ...
— Spanish Life in Town and Country • L. Higgin and Eugene E. Street
... period between the days of chivalry and the dawn of the Renaissance, Bohemia continued to stroll along all the highways of the kingdom, and already to some extent about the streets of Paris. There is Master Pierre Gringoire, friend of the vagrants and foe to fasting. Lean and famished ...
— Bohemians of the Latin Quarter • Henry Murger
... read as a reliable account of the Roman Civil War. However, as a work of poetic literature, it has few rivals; its powerful depiction of civil war and its consequences have haunted readers for centuries, and prompted many Medieval and Renaissance poets to regard Lucan among the ranks of Homer, ...
— Pharsalia; Dramatic Episodes of the Civil Wars • Lucan
... would have to be at the trouble of running up every column of figures over again. Cyril might ride to hounds and row in a boat-race with the best; he might even have some elegant acquaintance with the renaissance and old French, and be capable of distinguishing himself in stately Latin verse, though that sounded more than doubtful when he had been plucked at his university—the inhabitants of Redcross did not, as a rule, pretend to be judges in such matters. What they did know, because ...
— A Houseful of Girls • Sarah Tytler
... continually met by the difficulties of reconciling these forms with the changed conditions of human knowledge, and there are periods when the pressure of these difficulties is felt with more than common force. Such, for example, were the periods of the Renaissance and the Reformation, when changes in the intellectual condition of Europe produced a widespread conviction of the vast amount of imposture and delusion which had received the sanction of a Church that claimed ...
— The Map of Life - Conduct and Character • William Edward Hartpole Lecky
... apparently built up windows above the genuine windows of the nave aisles, whose roofs have their apex about on a level with the sills of the large central lancets, are as much frauds as any of those sham windows in symmetrical Renaissance work, which so excite the ire of ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... go back to our makers!" sighed the Gubbio plate, thinking of Giorgio Andreoli and the glad and gracious days of the Renaissance: and somehow the words touched the frolicsome souls of the dancing jars, the spinning teapots, the chairs that were playing cards; and the violin stopped its merry music with a sob, and the spinnet sighed, thinking of ...
— Bimbi • Louise de la Ramee
... final superiority which, should the occasion arise, would force us to submit to humiliation or destruction, France suddenly refuses to abdicate, and shows, as Renan said: 'her eternal power of renaissance and resurrection.' The disgust of Germany ...
— The Story of the Great War, Volume I (of 8) - Introductions; Special Articles; Causes of War; Diplomatic and State Papers • Various
... would her husband find incentives to exertion; but Reuben was more disposed to settle somewhere on the Continent. He talked of going back to Italy, living in Florence, and—writing something new about the Renaissance. Cecily shook her head; Italy she loved, and she had seen nothing of it north of Naples, but it was the land of lotus-eaters. They would go there again, but not until life had ...
— The Emancipated • George Gissing
... you would wonder to see how well I am served. Achmet cooks a very good dinner, serves it and orders Mahbrook about. Sometimes I whistle and hear hader (ready) from the water and in tumbles Achmet, with the water running 'down his innocent nose' and looking just like a little bronze triton of a Renaissance fountain, with a blue shirt and white skull-cap added. Mahbrook is a big lubberly lad of the laugh-and-grow-fat breed, clumsy, but not stupid, and very good and docile. You would delight in his ...
— Letters from Egypt • Lucie Duff Gordon
... and the less—display to us a really lovely town-hall in the centre, the roof dotted over with rows of windows, while an airy lace-work spire, with a ducal crown as the finish, rises lightly. On to its sides are encrusted other buildings of Renaissance order, while behind is a mansion still more astonishingly embroidered in sculptured stone, with a colonnade of vast extent. Around the place itself stretches a vast number of Spanish mansions, with the ...
— A Day's Tour • Percy Fitzgerald
... Renaissance, as Hadria afterwards called the short-lived epoch, little Martha was visited frequently. Her protectress had expected to have to do battle with hereditary weakness on account of her mother's sufferings, but the child shewed ...
— The Daughters of Danaus • Mona Caird
... a good right to, for he used it with a high intelligence and to admirable effect. It seems to me that though he added little or nothing to the resources of art, as Rossetti undoubtedly did, he employed the precedents of past art, and especially of the Italian renaissance, to better effect than any other artist of our epoch; and, in borrowing as he did, he only followed the example of most of the great old masters, who used material of any kind found in their predecessors' works, in perfectly good conscience. ...
— The Autobiography of a Journalist, Volume II • William James Stillman
... school and left no trace of discipleship. The entire century after his death shows no single European name that need claim the attention of the historian of science. In the latter part of the fifteenth century, however, there is evidence of a renaissance of science no less than of art. The German Muller became famous under the latinized named of Regio Montanus (1437-1472), although his actual scientific attainments would appear to have been important only in comparison with the utter ignorance of his contemporaries. The most ...
— A History of Science, Volume 2(of 5) • Henry Smith Williams
... of Siward, all that he had aroused in her of love, of intelligence, of wholesome desire and sane curiosity—the intellectual restlessness, the capacity for passion, the renaissance of the simpler innocence—had subsided into the laissez faire of dull quiescence. If in her he had sown, imprudently, subtle, impulsive, unworldly ideas, flowering into sudden brilliancy in the quick magic of his companionship, now those flowers ...
— The Fighting Chance • Robert W. Chambers
... last word in modern education, to the Holy Stairs at the Lateran, where you will see the pilgrims mounting on their knees as if Luther and his protest had never happened. Or you can, in five minutes, walk from the Renaissance ...
— Humanly Speaking • Samuel McChord Crothers
... The scientific renaissance brought a wealth of fresh impressions and some freedom from the tyranny of tradition, and the twofold stimulus stirred the speculative activity of a great variety of men from old Claude Duret of Moulins, ...
— Evolution in Modern Thought • Ernst Haeckel
... of his life thereafter is one of travel and adventure in many lands. It is the period of the Renaissance, when wars and conquests, intrigues and romances, poetry and song flourish,—in all of which our Abbe is equally at home! He goes with the Duc de Guise to escort the young widowed Queen, Mary, back to her Scottish throne. He visits Marguerite ...
— Memoirs And Historical Chronicles Of The Courts Of Europe - Marguerite de Valois, Madame de Pompadour, and Catherine de Medici • Various
... problem in the United States. Primarily polemic and ex-parte, this work will hardly attract the attention of the investigator. But when an author like this one, a man of reputation and influence among his people, writes on such subjects as the "renaissance" of the Negro, his constitutional status, and discusses Alexander Hamilton, Frederick Douglass, and Abraham Lincoln, the serious reader might well pause to give this work more than ...
— The Journal of Negro History, Volume 2, 1917 • Various
... of which is now published, is meant to be divided into three volumes; but as "surface as small as possible must be offered to the shafts of Fortune," each volume will make a complete whole in itself, the first telling the literary story of the English up to the Renaissance, the second up to the accession of King Pope, the last up to our own day. The present version has been prepared with the help of M. E. R., who have once more lent me their most kind and valuable assistance. I beg them to accept the expression of my ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... small objects. We have now to take up the story of the rise of this art to an independent and commanding position, of its perfection and its subsequent decline. The beginner must not expect to find this story told with as much fulness and certainty as is possible in dealing with the art of the Renaissance or any more modern period. The impossibility of equal fulness and certainty here will become apparent when we consider what our materials for constructing a history ...
— A History Of Greek Art • F. B. Tarbell
... to undo Stevenson, as though a rat was behind the arras, as in Hamlet. "Stevenson," says he, "is the leader of these countless writers who perceive nothing but the visible world," and these are antagonistic to the great literature, of which Mr Yeats's Secret Rose is a survival or a renaissance, a literature whose watchword should be Mr Yeats's significant phrase, "When one looks into the darkness there is always something there." No doubt Mr Yeats's product all along the line ranks with the great literature—unlike ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... with that ugly entanglement before the Renaissance, from which, alas, most memories of the Middle Ages are derived. Louis XI was a very patient and practical man of the world; but (like many good business men) he was mad. The morbidity of the intriguer and the torturer clung about everything he did, even when it was right. And just as the great ...
— A Miscellany of Men • G. K. Chesterton
... years ago a number of things began to appear in Europe which were the fruit of the Renaissance and of the Reformation ...
— The Free Press • Hilaire Belloc
... concealing one side of Forest Park Boulevard from its other. Houses suddenly take on detached and architectural importance, often as not a gravel driveway dividing lawns, and out farther still, where the street eventually flows into Forest Park, the Italian Renaissance ...
— Humoresque - A Laugh On Life With A Tear Behind It • Fannie Hurst
... its fortunes since. Even after this revival it was not till more than one hundred years later that it began to attain to any wide recognition. And in England this recognition has been mainly due to Mr Pater's delightful essay in his early work "Studies in the History of the Renaissance." Since the publication of this book in 1873, the story of Aucassin and Nicolette has had an ever-growing train of admirers both in England and America, and various translations have appeared on both sides of the Atlantic. It has also been ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... charges against them. And yet the historical truth is already pretty clear to all who look for it honestly and without prejudice. The German Government believed that the Serbian propaganda would annihilate Austria-Hungary, and hoped, moreover, that her last faithful ally would experience a political renaissance as the result of her chastisement of Serbia. That is why they gave Count Berchtold a free hand, in the belief that Count Buelow's success over the Bosnian crisis could be repeated. Meanwhile, however, ...
— My Three Years in America • Johann Heinrich Andreas Hermann Albrecht Graf von Bernstorff
... "flexed-leg prance," in which all the four legs are flexed, so that the hind legs rest on the ground beneath the horse's body, whilst the forelegs "paw" the air. This is seen both in Egyptian, Greek, and Renaissance art (Leonardo, Raphael, and Velasquez). It is by no means so graceful or true to Nature as the next pose, but gives an impression of greater energy and rapidity. The third pose represents a kind of "prancing," and is seen on the frieze of the Parthenon ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... strained itself to death; it became its own burlesque of the bizarre, an extravaganza of extravagance. "The period" (I am again quoting Holbrook Jackson) "was as certainly a period of decadence as it was a period of renaissance. The decadence was to be seen in a perverse and finicking glorification of the fine arts and mere artistic virtuosity on the one hand, and a militant commercial movement on the other.... The eroticism ...
— Modern British Poetry • Various
... accept this resuscitated trio, if at all, very much as they actually went about Tuscany, in long ago discarded young flesh, when the one trait everywhere common to their milieu was the absence of any moral excitement over such-and-such an action's being or not being "wicked." This phenomenon of Renaissance life, as lived in Italy in particular, has elsewhere been discussed time and again, and I lack here the space, and the desire, either to explain or to apologize for the era's delinquencies. I would merely indicate that this point of conduct is the fulcrum ...
— The Jewel Merchants - A Comedy In One Act • James Branch Cabell
... that we can measure his importance in history. It is because his work was infinitely suggestive, because he laid a right foundation for the onward movement of Europe and Christendom, because he was the leader of a true Renaissance and Reformation, that he is so much more than a figure in ...
— Prince Henry the Navigator, the Hero of Portugal and of Modern Discovery, 1394-1460 A.D. • C. Raymond Beazley
... gown, without a scrap of notes and armed only with an old volume of Rabelais in the medieval French, he held us spellbound for an hour and a half—or was it three hours?—with flashing extempore talk about this greatest figure of the Renaissance. ...
— Shandygaff • Christopher Morley
... Rubens are also to my taste, as well as your smallest Watteau. In the salon to the right, I have noticed the Louis XIII cadence-table, the tapestries of Beauvais, the Empire gueridon signed 'Jacob,' and the Renaissance chest. In the salon to the left, all the cabinet ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc
... popular collection of English prose stories which had been translated from the Latin at the end of the fifteenth century, 'human beings are mere puppets, inhabiting the great fabric of mediaeval thought and mediaeval institution.... It was the work of the Renaissance to recover the literal and obvious sense of human life, as it was the work of the closely-allied Reformation to recover the ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... In the East it still survives, and it is not an uncommon thing to see a crowd at a street corner held by the simple narration of a story. There are signs in the West of a growing interest in this ancient art, and we may yet live to see the renaissance of the troubadours and the minstrels whose appeal will then rival that of the mob orator or itinerant politician. One of the surest signs of a belief in the educational power of the story is its introduction into the curriculum of the training-college ...
— The Art of the Story-Teller • Marie L. Shedlock
... Lorenzo, the Magnificent; time is too short and democracy too rigid for such splendors; but the nearest equivalent to one was the "age," let us call it that, of Theodore Roosevelt. There was the central figure—an age must have a central figure—a buoyant personality with a Renaissance zest for life, and a Renaissance curiosity about all things known, and unknown, and a boundless capacity for vitalizing everyone and everything with ...
— The Mirrors of Washington • Anonymous
... splendid voyagings, just as the real subject of Tasso is behind the battles of Christian and Saracen; and in both poets the inmost theme is broadly the same. It is the consciousness of modern Europe. Jerusalem Delivered and the Lusiads are drenched with the spirit of the Renaissance; and that is chiefly responsible for their lovely poetry. But they reach out towards the new Europe that was then just beginning. Europe making common cause against the peoples that are not Europe; Europe carrying her ...
— The Epic - An Essay • Lascelles Abercrombie
... style of this Tlaxcalan church, as well as that of the churches generally which we visited throughout the country, is of the Spanish Renaissance. Puebla, Guadalajara, and the city of Mexico contain cathedrals which will compare favorably even with those of continental Spain, where the most elaborate and costly religious edifices in the world are to be seen ...
— Aztec Land • Maturin M. Ballou
... any shameless cherub on a Renaissance festoon, danced across the tiled floor, and, pausing directly in front of ...
— Jan and Her Job • L. Allen Harker
... as the awards were made, Miss Hayden was wired to come to Chicago immediately and elaborate her plans. The design is one of marked simplicity. It is in the Italian renaissance style, with colonnades, broken by centre and end pavilions. The structure is to be 200 x 400 feet, and 50 feet to the cornice. There is no dome. The chief feature of ...
— Miss Ashton's New Pupil - A School Girl's Story • Mrs. S. S. Robbins
... living, be suckled at the breasts of the earth, and drink in all that is most profound and sacred in our people, and all its love from the family and the soil. In the greatest age of liberty, among the people with the most ardent worship of beauty, the young Prince of the Italian Renaissance, Raphael, glorified maternity in his transteverine Madonnas. Who is there now to give us in music a Madonna a la Chaise? Who is there to give us music meet for every hour of life? You have nothing, you have nothing in France. When you want to give your people songs, ...
— Jean-Christophe Journey's End • Romain Rolland
... From all sides we hear lamentations about the decadence of art. We are, indeed, far behind the great masters of the Renaissance. The technicalities of art have recently made great progress; thousands of people gifted with a certain amount of talent cultivate every branch, but art seems to fly from civilization! Technicalities make headway, but inspiration frequents artists' ...
— The Conquest of Bread • Peter Kropotkin
... saturated the ground, transform these hillsides into floral terraces, can never be too highly praised. Happy is he who visits either Palestine or Southern California when they are bright with blossoms and redolent of fragrance. The climax of this renaissance of Nature is, usually, reached about the middle of April, but in proportion as the rain comes earlier or later, the season varies slightly. At a time when many cities of the North and East are held in the tenacious ...
— John L. Stoddard's Lectures, Vol. 10 (of 10) - Southern California; Grand Canon of the Colorado River; Yellowstone National Park • John L. Stoddard
... procedure of this new spirit are in no way a return to scepticism or a reaction against thought cannot be better demonstrated than by this resurrection of metaphysics, this renaissance of idealism, which is certainly one of the most distinctive features of our epoch. Undoubtedly philosophy in France has never known so prosperous and so pregnant a moment. Notwithstanding, it is not a return to the old dreams ...
— A New Philosophy: Henri Bergson • Edouard le Roy
... difficulty of it, she piqued herself most especially on knowledge, and could convict him most triumphantly of a barbarian ignorance. Up and down they wandered, and she gave him eyes, whether for Artemis, or Aphrodite, or Apollo, or still more for the significant and troubling art of the Renaissance, French and Italian. She would flit before him, perching here and there like a bird, and quivering through and through ...
— The History of David Grieve • Mrs. Humphry Ward
... the Greeks, who, more than any other race, prized Form—particularly as manifested in its highest expression, the human figure. Painting also was at its climax of technical development during the Renaissance, when life was full of movement, and costume picturesque. But at this period in each of the two arts, skill was regarded as of more importance than the subject. In other words, the perfection of the sculptor's statue or the scene depicted ...
— Style in Singing • W. E. Haslam
... Europe, expressing itself in useless ornament and wanton brutality, the more delicate crafts had no hope of exercise. Even the adventurer upon the road threatened his victim with a bludgeon, nor was it until the breath of the Renaissance had vivified the world that a gentleman and an artist could face the traveller with a courteous demand for his purse. But the age which witnessed the enterprise of Drake and the triumph of Shakespeare knew also the prowess of the highwayman and ...
— A Book of Scoundrels • Charles Whibley
... room, on a pedestal, stands a stiff bust of George Washington. Near it hangs a wonderful Titian portrait, a thing of another world. The furniture looks as if it were, and probably is, plunder from the palace of some prince of the Renaissance. ...
— Mr. Faust • Arthur Davison Ficke
... his most beautiful pictures for him, and Leonardo da Vinci came to his court, and there died in his arms. His palaces, especially that of Blois, were exceedingly beautiful, in the new classic style, called the Renaissance. Great richness and splendour reigned at court, and set off his pretensions to romance and chivalry. Learning and scholarship, especially classical, increased much; and the king's sister, Margaret, Queen of Navarre, ...
— History of France • Charlotte M. Yonge
... admirers imagine to be the most extraordinary history ever penned, and the writer "but one degree removed from inspiration, if not inspired." This wondrous writer I assert to be the famous Florentine of the Renaissance, Poggio Bracciolini, in favour of which view I have tried to make out a case by bringing forward a variety of passages from the "History" and the "Annals" to show an extensive series of contradictions as to facts and characters, departures from truth ...
— Tacitus and Bracciolini - The Annals Forged in the XVth Century • John Wilson Ross
... world has progressed as do the processes of the kindergarten. Artists first received form; then color; the materials, then the synthesis of the two. Notable examples of the world's great compositions may be pointed to in the work of the Renaissance painters, and such examples will be cited; but the major portion of the art by which these exceptions were surrounded offers the same proportion of good to bad as the inverse ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... gentlemen," he remarked, setting down his bag and leaning a green umbrella against it, "has its surprises even at sixty-two. Last night I was ensconced by my own library fire, preparing a paper on the Pagan Renaissance. To-night I am on Baldpate Mountain, with a perforation in ...
— Seven Keys to Baldpate • Earl Derr Biggers
... circuitous route we arrive at 123 Prince Street,[Owner: Miss Margaret Frazer.] the house with a pure Directoire tent room, practically a duplicate of that at Malmaison, and another room with a magnificent painted Renaissance ceiling. How such work became a part of the sturdy two-story "Sea Captains' Houses" is one of Alexandria's mysteries. It is true that both rooms were in a deplorable state of repair, and it was necessary to trace the work on paper, repair the plaster and then continue the interrupted ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... are only two religious possibilities—fetish-dances and spinning dervishes don't count—the Renaissance meant the revival of these two influences, and since the sixteenth century they have both been increasing steadily. Luther was a child of the Old Testament. Since the Exodus, Freedom has always spoken ...
— Dreamers of the Ghetto • I. Zangwill
... upon humanity, and the chaos of brutal barbarism in which Europe weltered for some centuries, caused a widespread pessimism and world-weariness which is foreign to the temper of Europe, and which gave way to energetic and full-blooded activity in the Renaissance and Reformation. Asiatic Mysticism is the natural refuge of men who have lost faith in civilisation, but will not give up faith in God. "Let us fly hence to our dear country!" We hear the words already ...
— Christian Mysticism • William Ralph Inge
... to the eighteenth century. This proof infers the existence from the ideal of God, and so approaches the nature of God through the attribute of perfection. It owes the form in which it was accepted in the Middle Ages and Renaissance to St. Anselm, Archbishop of Canterbury at the close of the eleventh century. He argued from the idea of a most perfect being to its existence, on the ground that non-existence, or existence only in idea, would contradict its perfection. It is evident that ...
— The Approach to Philosophy • Ralph Barton Perry
... much Fun during his Second Time on Earth that he decided to make it a sure-enough Renaissance, so he married a Type-Writer 19 years old, that he met in a Hotel Lobby, and then Joel did ...
— People You Know • George Ade
... trebled, and now numbered approximately seven thousand; the red peril, thanks to Tracy's energetic work, had been lessened; while the fur trade had grown to large and lucrative proportions. With this increase in population and prosperity, there came a renaissance of enthusiasm for voyages of exploration and for the widening of the colony's frontiers. Glowing reports went home to the King concerning the latent possibilities of the New World. What the colony now needed was a strong and vigorous governor who would not ...
— Crusaders of New France - A Chronicle of the Fleur-de-Lis in the Wilderness - Chronicles of America, Volume 4 • William Bennett Munro
... he has been bolstering up the eventual Renaissance. Your father and his kind have kept the seed alive; we ...
— Ghetto Comedies • Israel Zangwill
... father of modern science, so Rene Descartes was the father of modern philosophy. Born in 1596, and perplexed by the movement of scepticism produced by the Renaissance, the French thinker endeavoured to find some ground of certainty in the fact that he at least knew of his own existence. Hence his famous saying: Cogito, ergo sum—"I think, therefore I exist." ...
— The World's Greatest Books—Volume 14—Philosophy and Economics • Various
... is with especial reference to the denial of this principle in modern and Renaissance architecture, that I speak of that architecture with a bitterness which appears to many readers extreme, while in reality, so far from exaggerating, I have not grasp enough of thought to embrace, the evils which have ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... company of those Boston authors who first inspired it with the life so vigorous yet. It was not given us all to be born in Boston, but when we find ourselves in the "Atlantic" we all seem to suffer a sea-change, an aesthetic renaissance; a livelier literary conscience stirs in us; we have its fame at heart; we must do our best for Maga's name as well as for our own hope; we are naturalized Bostonians in the finest and highest sense. With greater reverence and affection than we can express, we younger and youngest ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... not only in our recovery but in 3 straight years of falling crime rates, as families and communities band together to fight pornography, drugs, and lawlessness and to give back to their children the safe and, yes, innocent childhood they deserve. We see it in the renaissance in education, the rising SAT scores for 3 years—last year's increase, the greatest since 1963. It wasn't government and Washington lobbies that turned education around; it was the American people who, in reaching for excellence, ...
— State of the Union Addresses of Ronald Reagan • Ronald Reagan
... curious fascination, we gazed down at the mighty river. Around us was a glow of spring sunshine, above us the renaissance of blue skies. Rags of snow still glimmered on the hills, and the brown earth, as if ashamed of its nakedness, was bursting greenly forth. On the slope overlooking the Klondike, girls in white dresses were gathering the wild crocus. All ...
— The Trail of '98 - A Northland Romance • Robert W. Service
... should, indeed, be {135} acted by the shuddering light of torches, and with the cry of the screech-owl to punctuate the speeches. The scene of Webster's two best tragedies was laid, like many of Ford's, Cyril Tourneur's, and Beaumont and Fletcher's, in Italy—the wicked and splendid Italy of the Renaissance, which had such a fascination for the Elisabethan imagination. It was to them the land of the Borgias and the Cenci; of families of proud nobles, luxurious, cultivated, but full of revenges and ferocious cunning; subtle poisoners, ...
— Brief History of English and American Literature • Henry A. Beers
... particularly when we remember that many of Jonson's notions came for a time definitely to prevail and to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our attention to the drama, Jonson objected to the amateurishness and haphazard ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... of Lassailly's valuable assistance, worked on alone; and at first everything seemed likely to go well with "L'Ecole des Menages."[*] The Renaissance, a new theatre which had opened on November 8th, 1838, with the first representation of Victor Hugo's "Ruy Blas," seemed willing to take Balzac's play to follow this; and M. Armand Pereme, a distinguished antiquary whom Balzac ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... such enviable intimacy with that courageous heart. The faint fragrance of her exquisite flesh clung to it still. He held it to his lips and kissed it. Then he stopped, to turn about and look upward at the tall hostelry behind him. High up below the renaissance cornice he beheld the lights glow forth in the rooms ...
— The Voice on the Wire • Eustace Hale Ball
... in common with the best spirits of his time, aimed at innovation. It had become palpable to the Italians that the Renaissance was over, and that they must break with the traditions of the past. This, as I have already pointed out, was the saving virtue of the early seventeenth century; but what good fruits it might have fostered, had not the political and ecclesiastical conditions of the ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... None of these portraits seem very good, save the miniature, but that is an exquisite work, and with it, and the suggestions of the bust, it is easy to reconstruct the beauty of this terrible being. The type is that most admired by the late Renaissance, and, in some measure, immortalized by Jean Goujon and the French. The face is a perfect oval, the forehead somewhat over-round, with minute curls, like a fleece, of bright auburn hair; the nose a trifle over-aquiline, ...
— Hauntings • Vernon Lee
... of pipe she would have suffered in that room. The portieres, held back by cords, gave a vista through two elegant salons, one white and gold, comparable only to that of the hotel Forbin-Janson, the other in the style of the Renaissance. The dining-room, which had no rival in Paris except that of the Baron de Nucingen, was at the end of a short gallery decorated in the manner of the middle-ages. This gallery opened on the side of the courtyard upon a large ...
— Paz - (La Fausse Maitresse) • Honore de Balzac
... far on in his younger son's life. His works attest that he had talents and ideals of no mean order. But I do not propose to enter here upon the vexed question as to how far the "Renaissance" characteristics of the later works attributed to his hand are his own or his son's. Learned and exhaustive arguments have by turns consigned the best of these works to the father, to the son, and back again to the father. In at least one instance of high authority the same writer has, at different ...
— Holbein • Beatrice Fortescue
... effectually reopened these questions until the modern period. It went on from Plato and Aristotle just as the art of the seventeenth and eighteenth century went on from Raphael and Michael Angelo. Effectual criticism was absolutely silent until the Renaissance, and then for a time was but a matter of scattered utterances having only the slightest collective effect. In the past half century there has begun a more systematic critical movement in the general ...
— First and Last Things • H. G. Wells
... shutting the gate upon that sackcloth which is the sign of death. A recent writer allows that Shakespeare, Raleigh, Bacon, and all the Elizabethans shuddered at the horror and mystery of death; the sunniest spirits of the English Renaissance quailed to think of it. He then goes on to observe that there was something in this fear of the child's vast and unreasoned dread of darkness and mystery, and such a way of viewing death has become obsolete through the scientific and philosophic developments of the later centuries. ...
— The world's great sermons, Volume 8 - Talmage to Knox Little • Grenville Kleiser
... the same with that ugly entanglement before the Renaissance, from which, alas, most memories of the Middle Ages are derived. Louis XI was a very patient and practical man of the world; but (like many good business men) he was mad. The morbidity of the intriguer and the torturer ...
— A Miscellany of Men • G. K. Chesterton
... inspiration, I had had an omen of its coming in the form of a sudden and decisive alteration in my tastes—more particularly in music. It would even be possible to consider all 'Zarathustra' as a musical composition. At all events, a very necessary condition in its production was a renaissance in myself of the art of hearing. In a small mountain resort (Recoaro) near Vicenza, where I spent the spring of 1881, I and my friend and Maestro, Peter Gast—also one who had been born again—discovered that the phoenix music that hovered over us, wore ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche
... during the second half of the sixteenth and the first half of the seventeenth century if she did not actually begin, at any rate she encouraged and actively aided, the religious wars."—"The Catholic Church, the Renaissance and Protestantism" (London, Kegan Paul, Trench, Truebner & Co., Ltd., 1908), ...
— Our Day - In the Light of Prophecy • W. A. Spicer
... been queen of the world: first, when Julius Caesar ushered in an age of light; and second, when Columbus, child of Genoa, the same city that mothered Mazzini, sailed the seas. The first Italian Renaissance we call the Age of Augustus; the second, the Age ...
— Little Journeys to the Homes of the Great, Volume 9 - Subtitle: Little Journeys to the Homes of Great Reformers • Elbert Hubbard
... forefathers, often joining in the chorus, the sounds of the voices carrying a long distance. On the opposite side of the square, in the center of which was a fine statue of Margaret of Austria, adjoining the recently restored "Halles," a fine building in the purest Renaissance was being constructed, certainly a credit to the town, and an honor to its architect, attesting as it did the artistic sense and prosperity of the people. This, too, ...
— Vanished towers and chimes of Flanders • George Wharton Edwards
... discover some principle for the explanation of the natural phenomena. To accomplish this end, mathematics, physics, metaphysics, etc., were resorted to. The other great epoch, which may be termed the Renaissance of Greek Philosophy, was conceived by the Supreme Greek thinker, Socrates, who forms the subject thesis ...
— The Journal of Abnormal Psychology - Volume 10
... our day is confined almost exclusively to its humble life. The Renaissance and the Revolution swept away in most parts of the country moated castle, abbaye, grange, and chateau, to replace them with luxurious but conventional piles and ruins humbly restored and humbly inhabited. Many a farmhouse with unkempt cour and dishevelled pelouse is the relic ...
— Lippincott's Magazine, August, 1885 • Various
... (lit. five hundred), the Renaissance in literature and art in the 16th century, the expression 5 hundred standing for ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... one cared a farthing for the rats! If I omit this believe me it is but on account of the multitude and splendour of those who have attended at the production of this volume. For the stories in it are copied straight from the best authors of the Renaissance, the music was written by the masters of the eighteenth century, the Latin is Erasmus' own; indeed, there is scarcely a word that is mine. I must also mention the Nine Muses, the Three Graces; Bacchus, the Maenads, the Panthers, the Fauns; and I owe ...
— The Path to Rome • Hilaire Belloc
... was nothing to distinguish Alessandro Farnese from other ecclesiastics of the Renaissance. As Cardinal he seemed destined, should he ever attain the Papal dignity, to combine the qualities of the Borgian and Medicean Pontiffs. But before his elevation to that supreme height, he lived through the reigns of Julius II., Leo X., Adrian VI., and Clement VII. Herein lies the peculiarity ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... than one hundred years later that it began to attain to any wide recognition. And in England this recognition has been mainly due to Mr Pater's delightful essay in his early work "Studies in the History of the Renaissance." Since the publication of this book in 1873, the story of Aucassin and Nicolette has had an ever-growing train of admirers both in England and America, and various translations have appeared on both sides of ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... beauty, I wonder?" Matravers remarked. "I hold myself a very poor judge of woman's looks, but I can at least recognize the classical and Renaissance standards. The beauty which this woman possesses, if any, is of the decadent order. I do not recognize it. I ...
— Berenice • E. Phillips Oppenheim
... blind, and it may be a sufficient understanding of them to know that they are not worth investigating. In this way the most chaotic age and the most motley horrors might be mirrored limpidly in a great mind, as the Renaissance was mirrored in the works of Raphael and Shakespeare; but the master's eye itself must be single, his style unmistakable, his visionary interest in what he depicts frank and supreme. Hence this comprehensive sort of greatness too is impossible in an age when moral confusion is pervasive, when ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... with the Romantics with a patience hardly to be expected of a man of the Imperial school, who scarcely could make out what the young writers meant. Not so Mme. de Bargeton; she waxed enthusiastic over the renaissance, due to the return of the Bourbon Lilies; she loved M. de Chateaubriand for calling Victor Hugo "a sublime child." It depressed her that she could only know genius from afar, she sighed for Paris, where great men live. For these reasons M. du Chatelet thought ...
— Lost Illusions • Honore De Balzac
... this Montenegrin prince. Slim, elegant, his hair curled and waved, smooth-shaven and powdered and decked with strange orders, he had a sharp eye an ingratiating manner and spoke with a vaguely Italian accent, faintly suggestive of a renaissance Cardinal. Of ancient aristocratic lineage, his brothers, it seemed, had driven him into exile at the age of ten, because of his liberal opinions; since when he had travelled the world for his instruction and pleasure... a philosopher prince. ...
— Tartarin de Tarascon • Alphonse Daudet
... 'trochees,' and out of these two 'feet,' or their representatives, a metre, certainly very beautiful, has grown up gradually, which attained perhaps its greatest perfection in the verse of Pope. But the poets of this metre, like renaissance architects, lost all perception of the laws of the original artists, and set themselves, whenever it was possible, to convert the original verses into such as their own system would have produced. We see the beginnings of this practice even in the first Folio, when there exist Quartos ...
— The Works of William Shakespeare [Cambridge Edition] [9 vols.] - Introduction and Publisher's Advertising • William Shakespeare
... of looking glass. Voluminous amber draperies shrouded the windows, and deadened the sound of rolling wheels, and the voices and footfalls of western London. The drawing rooms of those days were neither artistic nor picturesque—neither Early English nor Low Dutch, nor Renaissance, nor Anglo-Japanese. A stately commonplace distinguished the reception rooms of the great world. Upholstery stagnated at a dead level of fluted legs, gilding, plate ...
— Phantom Fortune, A Novel • M. E. Braddon
... of the Renaissance the documents of ancient and modern history were scattered in innumerable private libraries and in innumerable depositories of archives, almost all of them inaccessible, not to mention those which lay hidden ...
— Introduction to the Study of History • Charles V. Langlois
... the half-pagan Christianity of the Renaissance very comforting, and do devout souls find consolation therein? The ambitious man, the rascal, the tyrant, the rake, all those haughty sinners who abuse life, and whom Death holds by the hair, are destined to be punished, without doubt; ...
— The Devil's Pool • George Sand
... spectacle in this closing fifteenth century: All the concentrated splendor from the fall of Byzantium hanging over her like a luminous cloud before dispersing as the Renaissance; Lorenzo de' Medici, at Florence, directing the intellectual currents of Europe; Angelo and Raphael creating the world's sublimest masterpieces in art; her great Genoese son uncovering another hemisphere; Savonarola, like an inspired prophet of ...
— A Short History of France • Mary Platt Parmele
... this renaissance of the Hindu faith, this wide, politic, self-adapting system, we find not only Buddhism, Philosophy, the early Aryanism, and the stiff cultus of Brahmanism, but there is also a large infusion of the original superstitions of the Dravidians, Kohls, Santals, and other nature ...
— Oriental Religions and Christianity • Frank F. Ellinwood
... found that he was in mourning for his mother. She was not a clever woman in a worldly sense, yet her sympathy, from the hourly appeals to it, had grown as fine as intellect. She was hopelessly ignorant of ancient history and the Italian Renaissance; but she had a genius for the affections, and where a greater mind would have blundered over a wound, her soft hand went by intuition to the spot. It was very pleasant to sit in a rosewood chair in her parlour, to hear her gray silk rustle as she crossed her feet, and ...
— The Battle Ground • Ellen Glasgow
... the progress of musical and mechanical art." Its preservation during the Commonwealth period is possibly due to the personal influence of Oliver Cromwell. About that date (1831) the organ was rebuilt by Elliott and Hill. It was fitted into the old cases, of Renaissance design. From the similarity of these cases to some which are known to have inclosed organs built by Renatus Harris, the old organ has sometimes been attributed to him; but there is "no record whatever of the employment of Harris by the Dean ...
— Bell's Cathedrals: The Cathedral Church of Ely • W. D. Sweeting
... "Atlantic Monthly", which had been identified with the New England Renaissance, slow to recognize the value of the new Southern story-writers and poets. In 1873, while Mr. Howells was editor, Maurice Thompson's poem, "At the Window", was hailed by the editor and by Longfellow as "the work of a new and original singer, fresh, joyous, and true." The author received encouraging ...
— Sidney Lanier • Edwin Mims
... when the winter rains have saturated the ground, transform these hillsides into floral terraces, can never be too highly praised. Happy is he who visits either Palestine or Southern California when they are bright with blossoms and redolent of fragrance. The climax of this renaissance of Nature is, usually, reached about the middle of April, but in proportion as the rain comes earlier or later, the season varies slightly. At a time when many cities of the North and East are held in the tenacious grip of winter, their gray skies ...
— John L. Stoddard's Lectures, Vol. 10 (of 10) - Southern California; Grand Canon of the Colorado River; Yellowstone National Park • John L. Stoddard
... private armies. If a beginning at that were made tomorrow, using the battle at Pelton's store to mobilize public opinion, it would still take two decades to get anything really significant done. And a renaissance of technological and scientific progress—Today, the manufacturers changed the 'copter models twice a year—and, except for altering the shape of a few chromium-plated excrescences or changing the contours slightly, ...
— Null-ABC • Henry Beam Piper and John Joseph McGuire
... hope that their friendship—since it was to be no more—might prove a survival, or rather a veritable renaissance, of the beautiful old Greek spirit in such matters. And, though the blind chance that mismanaged the world had chained them to uncongenial, though certainly well-meaning, persons, this was no logical reason why he and Patricia ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... many of the cities of Belgium, Furnes is a town of the past. To stand in the great square, surrounded by buildings which would delight the heart of any artist, is to travel back through three centuries of time. Spain and the Renaissance surround us, and we look instinctively towards the Pavilion for the soldiers of Philip, or glance with apprehension at the door of the Palais de Justice for the sinister form of Peter Titelmann the Inquisitor. Around this very square marched the procession of the Holy Office, in all the insolent ...
— A Surgeon in Belgium • Henry Sessions Souttar
... but not "King Lear." What is "King Lear" but poor life staggering in the fog?' and the slow cadence, modulated with so great precision, sounded natural to my ears. That first night he praised Walter Pater's 'Essays on the Renaissance:' 'It is my golden book; I never travel anywhere without it; but it is the very flower of decadence. The last trumpet should have sounded the moment it was written.' 'But,' said the dull man, 'would you not have given us time to ...
— Four Years • William Butler Yeats
... one wing, which in his time and that of his grandchildren was the only inhabited part of the chateau. This third building erected by Francois I. is more vast and far more decorated than the Louvre, the chateau of Henri II. It is in the style of architecture now called Renaissance, and presents the most fantastic features of that style. Therefore, at a period when a strict and jealous architecture ruled construction, when the Middle Ages were not even considered, at a time when literature was not as clearly welded to art ...
— Catherine de' Medici • Honore de Balzac
... be little doubt that Donne himself—the father of all the conceits and elaborations of the seventeenth century—wrote under the impulse of a Naturalistic reaction against the conventional classicism of the Renaissance. Precisely the same contradictions took place in France. Nature was the watchword of Malherbe and of Boileau; and it was equally the watchword of Victor Hugo. To judge by the successive proclamations of poets, the development of literature offers a singular ...
— Books and Characters - French and English • Lytton Strachey
... wonder to see how well I am served. Achmet cooks a very good dinner, serves it and orders Mahbrook about. Sometimes I whistle and hear hader (ready) from the water and in tumbles Achmet, with the water running 'down his innocent nose' and looking just like a little bronze triton of a Renaissance fountain, with a blue shirt and white skull-cap added. Mahbrook is a big lubberly lad of the laugh-and-grow-fat breed, clumsy, but not stupid, and very good and docile. You would delight in his guffaws, and the merry games and hearty laughter of my menage is ...
— Letters from Egypt • Lucie Duff Gordon
... in the New Renaissance—yes. In the Deluge that shall engulf the world, his place is in the ...
— The Golden Scorpion • Sax Rohmer
... been made because men "theorised," because a Galileo, or a Luther, or a Calvin, or a Voltaire, Rousseau, Bentham, Spencer, Darwin, wrote and put notes of interrogation. Had they not done so none of those things could have been accomplished. The greatest work of the renaissance was the elimination of physical force in the struggle of religious groups, in religious struggles generally; the greatest work of our generation will be elimination of physical force from the struggle of the political groups and from political ...
— Peace Theories and the Balkan War • Norman Angell
... you pumping me or merely pulling my leg?" said Mr. Manley. "Surely you can see that Lady Loudwater is pure Italian Renaissance. She is one of those subtle, mysterious creatures that Leonardo and Luini were ...
— The Loudwater Mystery • Edgar Jepson
... independent of its date or country. The current literary taste varies, we know, at different periods and in different places. There are successive fashions and schools of literature and literary principle—an Attic, an Alexandrian, an Augustan, a Renaissance Italian, an Elizabethan, a Louis Quatorze, a Queen Anne, a nineteenth century Romantic. And yet from each and all of these there will stand out one or two writers, sometimes more, whom we have enthroned in the literary Pantheon, and whose place there among the gods seems only to grow the more assured ...
— Platform Monologues • T. G. Tucker
... suffused with a certain hue of courtliness, even gentleness. The language is of the most refined delicacy, the thought is never boorish or rude; there is the self-collectedness which we find in the poetry of France and Italy during the Renaissance, and in England during the reign of Queen Anne. It exhibits the most exquisite polish, allied with an avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious metal with the tenuity of gold-leaf. ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... like Twachtman and Robinson, as likewise Kenneth Hayes Miller and Arthur B. Davies for reasons that I think are rather obvious: both Hayes Miller and Arthur B. Davies having skipped over the direct influence of impressionism by reason of their attachment to Renaissance ideas; having joined themselves by conviction in perhaps slight degrees to aspects of modern painting. Miller is, one might say, too intellectually deliberate to allow for spontaneities which mere enthusiasms ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... all the liberties, reforms and political achievements of society have been gained by nations thrilling and throbbing to one great enthusiasm. The Renaissance does not mean a single Dante, nor Boccaccio, but a national enthusiasm and a "god within all minds." The Reformation is not a single Savonarola, nor Luther, but a universal enthusiasm and "a god within," all heart and conscience. If we study ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... colonizing people, like the Anglo-Saxons. The native shed something of his insularity and became a traveler, going first to view the places where trade had opened the way, and returning with wider interests and a larger horizon. Above all, the first dawn of the Renaissance is heralded in England, as in Spain and Italy, by the appearance of a ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... possessed a theatre—a really fine edifice, in truth—the interior and exterior arrangement of which combined every style of architecture. It was at once Byzantine, Roman, Gothic, Renaissance, with semicircular doors, Pointed windows, Flamboyant rose-windows, fantastic bell-turrets,—in a word, a specimen of all sorts, half a Parthenon, half a Parisian Grand Cafe. Nor was this surprising, the theatre ...
— A Winter Amid the Ice - and Other Thrilling Stories • Jules Verne
... an essential part of the drama. When the creative genius of Greece had set toward its ebb, they were divorced, and music was only set to lyric forms. Such remained the status of the art till, in the Italian Renaissance, modern opera was born in the reunion of music and the drama. Like the other arts, it assumed at the outset to be a mere revival of antique traditions. The great poets of Italy had then passed way, and it was left for music ...
— The Great German Composers • George T. Ferris
... A renaissance of mediaeval feeling the movement in art assuredly involved, but the essential part of it was another thing, of which mediaevalism was palpably independent. How it came to be considered the fundamental element is ...
— Recollections of Dante Gabriel Rossetti - 1883 • T. Hall Caine
... not come till the Church was almost in extremis; till decay of faith following on decay of morals threatened her very existence. The catastrophe was hastened by the fatal pouring of the new wine of the later Renaissance into the old, now worn-out bottles of Mediaevalism, thereby paganising Rome and corrupting the College of Cardinals to so large an extent, that the election to the papacy of a Rodrigo Borgia was ...
— Studies from Court and Cloister • J.M. Stone
... and Hefner Alteneck's "Kunstwerke and Geraeths Schaften des Mittelalters und der Renaissance"; Bucher's "Geschichte der Technischen Kunst"; Burckhardt's "Additions to Kugler's Geschichte der Baukunst, and Geschichte der Renaissance in Italien"; Demmin's "Studien ueber die Stofflich-bildenden Kuenste"; Von Falke's "Geschichte des deutsches Kunstgewerbes"; Scherer's "Technik und Geschichte ...
— Intarsia and Marquetry • F. Hamilton Jackson
... visited the places where she had lived. I repeatedly went to Modena and Mantua, whose archives are inexhaustible sources of information regarding the Renaissance, and from them I obtained most of my material. My friends there, as usual, were of great help to me, especially Signor Zucchetti, of Mantua, late keeper of the Gonzaga archives, and ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... has been bolstering up the eventual Renaissance. Your father and his kind have kept the seed alive; we ...
— Ghetto Comedies • Israel Zangwill
... up a highly complex fabric of romantic and artistic sentiment. The Christian worship of the Virgin Mary harmonized with the Northern belief. The sentiment of chivalry reinforced it. Then came the artistic resurrection of the Renaissance, and the new reverence for the beauty of the old Greek gods, and the Greek traditions of female divinities; these also coloured and lightened the old feeling about womankind. Think also of the effect with which literature, ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... the most popular collection of English prose stories which had been translated from the Latin at the end of the fifteenth century, 'human beings are mere puppets, inhabiting the great fabric of mediaeval thought and mediaeval institution.... It was the work of the Renaissance to recover the literal and obvious sense of human life, as it was the work of the closely-allied Reformation to recover the literal ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... named after Cardinal Zeno, who lies in the magnificent central tomb beneath a bronze effigy of himself, while his sacred hat is in crimson mosaic on each side of the altar. The tomb and altar alike are splendid rather than beautiful: its late Renaissance sculptors, being far removed from Donatello, Mino, and Desiderio, the last of whom was one of the authors of the beautiful font in the adjoining Baptistery. Earlier and more satisfactory reliefs are those of an angel on the right of the altar and a Madonna and Child ...
— A Wanderer in Venice • E.V. Lucas
... the mediaeval craftsman, but seized by him only as a phantom. Magician or witch, voluptuous, destroying Venus or cold and ungrasped Helen, what was the antique to the art born of the Middle Ages and developed during the Renaissance? Was the relation between them that of tuition, cool and abstract, or of fruitful lore, or of deluding and ...
— The Contemporary Review, Volume 36, September 1879 • Various
... them selected data to work upon. A directive idea may be suggested by a series of ideas which lead the recipient of them to expect that the series will be continued. Then he will not perceive if the series is broken. In the Renaissance period no degree of illumination sufficed to resist the delusion of astrology, because it was supported by a passionate fantasy and a vehement desire to know the future, and because it was confirmed by antiquity, the authority of whose opinions was overwhelmingly suggested by all the faiths ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... whether, after his death, the good bishop's bones reposed beneath some gorgeous tomb, bedizened with the incongruous half-Pagan statues of the Renaissance; but this at least is certain, that Rondelet's disciples imagined for him a monument more enduring than of marble or of brass, more graceful and more curiously wrought than all the sculptures of Torrigiano or Cellini, Baccio Bandinelli or Michael Angelo himself. For ...
— Historical Lectures and Essays • Charles Kingsley
... canal before the museum, nor that immense cenotaph of Thorwaldsen's, adorned with horrible mural painting, and containing within it a collection of the sculptor's works, nor in a fine park the toylike chateau of Rosenberg, nor the beautiful renaissance edifice of the Exchange, nor its spire composed of the twisted tails of four bronze dragons, nor the great windmill on the ramparts, whose huge arms dilated in the sea breeze like the sails of ...
— A Journey to the Interior of the Earth • Jules Verne
... reestablishment, reconstitution, reconstruction; reproduction &c 163; renovation, renewal; revival, revivessence^, reviviscence^; refreshment &c 689; resuscitation, reanimation, revivification, reviction^; Phenix; reorganization. renaissance, second youth, rejuvenescence^, new birth; regeneration, regeneracy^, regenerateness^; palingenesis^, reconversion. redress, retrieval, reclamation, recovery; convalescence; resumption, resumption; sanativeness^. recurrence &c (repetition) 104; rechauffe ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... birth. But his life shows how this belief isolated him. Nor was the coincidence between the artistic spirit of the age and its limitations accidental. Just in proportion as the spirit of individualism penetrated society, and began to show itself as the Renaissance, architecture declined. The Egyptian pyramids are marvels to us, because we are accustomed to look upon the laborer as a man. But once allow that he is only so much brute force,—cheap, readily available, and to be had in ...
— The Atlantic Monthly, Volume 10, Number 60, October 1862 • Various
... Shelbyville—and the noncommissioned substantial first citizens of the county, were shaking hands among themselves, and nodding and smiling, full of the fine feeling of that moment. It was a triumph of chivalry, they said; they had witnessed the renaissance of the old spirit, the passing of which, and the dying out and dwindling of it in the rising generation, they had so long and ...
— The Bondboy • George W. (George Washington) Ogden
... the Greek renaissance. Great men come in groups, like comets sent from afar. Athens was seething with thought and feeling: Pericles was giving his annual oration—worth thousands of weekly sermons—and planning his dream in marble; Phidias was cutting away the needless portions of the white stone of Pentelicus and liberating ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... of them in an awed silence. Was it possible the world contained such mean and treacherous monsters? And why did it matter so much to a man who knew everything?—who held all the classics and all the Renaissance in the hollow of his hand, to whom "Latin was no more difficile, than to a blackbird 'tis to whistle"? Then, gradually, she began to have the courage to laugh; to try a little soft teasing of her new friend and mentor, who was at once so wonderful and so absurd. And the ...
— Lady Connie • Mrs. Humphry Ward
... themselves of the unique chance of producing monuments of characteristically developed timber architecture, have known no better than to slavishly imitate the incongruous features of stone houses in the style of the Renaissance. Indeed, we shall feel that San Francisco is badly off for fine buildings of all and every kind. If daylight still allows we may visit the Mission Dolores, one of the interesting old Spanish foundations that form the origin of so many places in California, ...
— The Land of Contrasts - A Briton's View of His American Kin • James Fullarton Muirhead
... busy Quarter, where so many people are confined throughout the day in work-shops and studios, a breathing-space becomes a necessity. The gardens of the Luxembourg, brilliant in flowers and laid out in the Renaissance, with shady groves and long avenues of chestnut-trees stretching up to the Place de l'Observatoire, afford the great breathing-ground for ...
— The Real Latin Quarter • F. Berkeley Smith
... aisles of the presbytery, in place of the original Norman aisles. In the latter year (1524) the side screens of the presbytery were added by Bishop Fox, whose motto can be read on them. The work of Fox, whose chapel is behind the reredos to the south, began in 1510, and was carried out under early Renaissance influence. He found the choir and presbytery converted, to a great extent, to the Decorated style, though the Norman aisles remained. He completed the transformation, adding the above-mentioned screens, together with a wooden vaulting. He would probably have ...
— Bell's Cathedrals: The Cathedral Church of Winchester - A Description of Its Fabric and a Brief History of the Episcopal See • Philip Walsingham Sergeant
... Edmund's father had been Duke of Ferrara instead of Earl of Gloster, they would have said that Edmund could have been nothing but an Italian. Change the name and country of Richard III., and he would be called a typical despot of the Italian Renaissance. Change those of Juliet, and we should find her wholesome English nature contrasted with the southern dreaminess of Romeo. But this way of interpreting Shakespeare is not Shakespearean. With him the differences ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... unduly prominent. This being the case, it has occurred to me that I may be so fortunate as to interest a Cambridge audience while I set before them some of the results at which I have arrived in investigating the position, the arrangement, and the fittings of libraries in the medieval and renaissance periods. It will, of course, be impossible to attempt more than a sketch of so extensive a subject, and I fear that I must omit the contents of the bookcases altogether; but I shall hope, by a selection of typical illustrations, to make you realise what some of the libraries, monastic, ...
— Libraries in the Medieval and Renaissance Periods - The Rede Lecture Delivered June 13, 1894 • J. W. Clark
... Aristotle maintained their credit, their influence being greatest in the fourteenth century, when his doctrines were openly professed. After the invention of printing, they appeared in numberless editions,—several times in connection with the text of Aristotle. As the age of the Renaissance and of Protestantism approached, they gradually lost their prestige. The chief humanists, like Petrarch, as well as the chief reformers, were bitterly hostile to them. Nevertheless, they contributed important elements ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... exploited, proudly. "Built every inch of it from the busy little ptomaines. Coral insects nothing on that, eh? And here's the sort of people I practice on. Old Leathersham, now—he has a corking chateau—French Renaissance. And Mrs. Charity Givens—she has a Georgian shack. And, oh, yes, here's Iva Payne. She's one of my most profitable patients—sick ...
— Ptomaine Street • Carolyn Wells
... rather—for there is the greater and the less—display to us a really lovely town-hall in the centre, the roof dotted over with rows of windows, while an airy lace-work spire, with a ducal crown as the finish, rises lightly. On to its sides are encrusted other buildings of Renaissance order, while behind is a mansion still more astonishingly embroidered in sculptured stone, with a colonnade of vast extent. Around the place itself stretches a vast number of Spanish mansions, with the usual charmingly 'escalloped' roof, all resting on a prolonged colonnade or ...
— A Day's Tour • Percy Fitzgerald
... his room, a huge apartment, one side entirely taken up by book-shelves filled with works of fiction. The walls were covered with rough stone-blue paper, forming an admirable background to small plaster casts of Assyrian bas-reliefs and large photogravures of Renaissance portraits. Underneath an enormous baize-covered table in the centre of the room were green cloth bags filled apparently with books, padlocked tin chests, and green pasteboard deed-boxes. The lawyer was sitting up in ...
— Vandover and the Brute • Frank Norris
... Scholastic philosophy, that is to say, the controversy of the Scotists and the Thomists, was now growing out of date. Plato was extolled at the expense of Aristotle. Greek, and even Hebrew, was eagerly sought after. Latin itself was assuming another aspect; the Renaissance Latin is classical Latin, whilst Mediaeval Latin is dog-Latin. The physical universe now began to be inquired into with a perfectly fresh interest, but the inquiries were still conducted under the aegis ...
— German Culture Past and Present • Ernest Belfort Bax
... were known over Europe long before the Renaissance, some credit its introduction, into Italy at least, to the Florentine painter, Botticelli (1446-1510). The applied work, or "thought work," of the Armenians so appealed to him that he used it on hangings ...
— Quilts - Their Story and How to Make Them • Marie D. Webster
... Professor of Mental and Moral Philosophy, English Literature, and European History, in a Western university, and had recently published a volume entitled "Theism and Pantheism in the Literature of the English Renaissance," which was well spoken of, and was already in ...
— Stories by American Authors, Volume 8 • Various
... almost instinctive, to remember that our forefathers reached these shores by virtue of knowledge which they owed to the astronomical researches of Egyptians and Chaldeans, who inspired the astronomers of Greece, who inspired those of the Renaissance in Italy, Spain, and Germany, keeping alive and developing not merely the art of measuring space and time, but also that conception of order in external nature without which the growth of organized knowledge, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... interference, if not a positive impertinence. But, in spite of the traditional teacher, the school is destined to rise to a higher level and enter upon a more rational procedure. And we must look to the dynamic teacher to usher in the renaissance—the teacher who has the vitality and the courage to break away from tradition and write integrity into the course of study as one of the big goals and think all the while toward integrity, physical, mental, ...
— The Reconstructed School • Francis B. Pearson
... any one of them as essential to a profitable reading of any other has been shown by the publication of each with a separate title-page and without numeration of the volumes, while all three bear the same general heading of "Renaissance in Italy." ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... in his actual son; he also gave them a great general in his son-in-law, trained in his camp. But the tendency of the first-rate man to remain a bachelor is very strong, and Sidney Lee once showed that, of all the great writers of England since the Renaissance, more than half were either celibates or lived apart from their wives. Even the married ones revealed the tendency plainly. For example, consider Shakespeare. He was forced into marriage while still a minor by the brothers of ...
— In Defense of Women • H. L. Mencken
... perpetual motion devices. The most comprehensive treatment is H. Dircks, Perpetuum mobile, London, 1861; 2nd ser., London, 1870. So far as I know there has not previously been much discussion of the history of such devices before the renaissance. ...
— On the Origin of Clockwork, Perpetual Motion Devices, and the Compass • Derek J. de Solla Price
... Italian mediaeval town when its art was being born, a Jewish village when Christ wandered into its streets, a musician or a painter's life at a time when Greek art was decaying, or when a new impulse like the Renaissance or the French Revolution came upon the world." When that effort of the historians had established itself, and we have seen it from blossoming to fruitage, people began to wonder that no poet had ever tried to do this kind of work. It seemed eminently fitted for ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... mosaics: childish, dreary, all stiff and agape, but so solemn and pathetic, and full of the greatest future. For out of those Cosmati mosaics, and those barbarous frescoes of the old basilicas, will come Giotto and all the Renaissance; and out of those Church songs will come Dante; they are all signs, poor primitive rhymes and primitive figures, that the world is teeming again, and will bear, for centuries to come, new spiritual wonders. ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... other striking events and their place in the development of mankind can be readily estimated. It is clear enough that the barbarian invasions marked the death of the classical world, already mortally wounded by the rise of Christianity. It is clear enough that the Renaissance emancipated the human intellect from the trammels of a bastard mediaevalism, that the Reformation consolidated the victory of the "new learning" by including theology among the subjects of human debate. But the French Revolution seems to defy complete analysis. Its complexity was great, ...
— History of the French Revolution from 1789 to 1814 • F. A. M. Mignet
... burghers, and matters were put upon so friendly a footing that, in 1540, the bishop-duke began the erection at Anizy of a new chateau, to be surrounded with an extensive and beautiful park. The plans were made by the first architects and artists of the Renaissance; the sculptors of Francis I. were employed to decorate the facade with statues—the new buildings were connected with what remained of the earlier chateau by a grand gallery; pavilions flanked the main edifice and adorned the grand cour d'honneur. King Francis, during ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... the eye versed in architecture identifies it at once as a product of that enlightened era. Later owners, the successive Barons Bangletop, have added to its original dimensions, putting Queen Anne wings here, Elizabethan ells there, and an Italian-Renaissance facade on the river front. A Wisconsin water tower, connected with the main building by a low Gothic alleyway, stands to the south; while toward the east is a Greek chapel, used by the present occupant as a store-room for his wife's trunks, she having lately ...
— The Water Ghost and Others • John Kendrick Bangs
... The period at the close of the eighteenth and the beginning of the nineteenth century is adorned with a glorious list of mighty names, among which are Gauss, Lagrange, Legendre, Laplace, Monge, Carnot, Poncelet, Cauchy, Fourier, Steiner, Von Staudt, Moebius, Abel, and many others. The renaissance may be said to date from the invention by Monge(17) of the theory of descriptive geometry. Descriptive geometry is concerned with the representation of figures in space of three dimensions by means of space of two dimensions. The method commonly used consists in ...
— An Elementary Course in Synthetic Projective Geometry • Lehmer, Derrick Norman
... of the transitoriness of the beauty of the world—of youth and fame and flowers—and turned him both to serious epicureanism and to serious writing. By the year 1550 he was leading the young men of France in a great literary renaissance—a reaction against the lifeless jingle of ballades and punning rhymes. Like du Bellay, he asked himself and his contemporaries: "Are we, then, less than the Greeks and Romans?" And he set out to lay the foundations in France of a literature as individual in its genius as the ancient ...
— Old and New Masters • Robert Lynd
... Captain Bowler, rubbing his nose, "you are a member of 'The Encouragers of Egyptian Renaissance,' and 'The Teutonic Tombs Club,' and 'The Society for the Recovery ...
— The Napoleon of Notting Hill • Gilbert K. Chesterton
... do, that the criticism of Delacroix was just, it is evident that, until we give to the modern student of painting a similar training to that which the early one had, we cannot expect him to attain the executive powers of the Italian renaissance, nor can we be sure that he appreciates the subtlety of the work of the masters, any more than the member of a village choir can understand the finesse of the highest order of musical execution, or its first violinist appreciate the touch of a Joachim or a Sarasate. For it is just ...
— The Autobiography of a Journalist, Volume I • Stillman, William James
... cannot perhaps boast a world-wide reputation, but as we adverted to its state of decadence, we think it right also to advert to its renaissance. May it go on and prosper. Whether the salutary reform which has been introduced within its walls has been carried as far as could have been desired may be doubtful. The important question of the school appears to be somewhat left to the ...
— Barchester Towers • Anthony Trollope
... in the twelfth century, shows the arrival of Count Roger's Persian and Greek workmen, captives from Thebes, Corinth, and Athens. The fresh designs show fragments of Greek taste, such as masks and foliage, and give one a slight foretaste of the Renaissance.[260] ...
— Needlework As Art • Marian Alford
... as in Hamlet. "Stevenson," says he, "is the leader of these countless writers who perceive nothing but the visible world," and these are antagonistic to the great literature, of which Mr Yeats's Secret Rose is a survival or a renaissance, a literature whose watchword should be Mr Yeats's significant phrase, "When one looks into the darkness there is always something there." No doubt Mr Yeats's product all along the line ranks with ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... leader-page of the Daily Mail. As Shakespeare is not living now, his place, of course, is filled by Mr. Charles Whibley. But there is some sense in the apparently silly remark. The column of the morning paper has, without doubt, provoked the creation of a new form and has brought forth a renaissance of the essay. If Shakespeare would not have written for the daily papers, Bacon unquestionably would have ...
— Hilaire Belloc - The Man and His Work • C. Creighton Mandell
... many characteristic attributes of Mediaeval Gothic architecture as is to be observed in this land, extending from the Romanesque types of Frejus, Perigueux and Angouleme to that classical degeneration commonly called the Renaissance, a more offensive example of which could hardly be found than in the conglomerate structure of St. Etienne du Mont at Paris, or the more modern and, if possible, even more ugly Cathedral Churches at Arras, Cambrai, or Rennes ...
— The Cathedrals of Northern France • Francis Miltoun
... answer to our nation's call, our men went out to fight and all our people were bound up in a fellowship of devotion to a common cause, so stimulated were we that we almost were convinced that out of such an experience there might come a renaissance of spiritual quality and life. Is there anybody who can blind his eyes to the facts now? Every competent witness in Europe and America has had to say that we are on a far lower moral level than we were before the war. Crimes of sex, crimes ...
— Christianity and Progress • Harry Emerson Fosdick
... a marvellous success. It was a revival of the beautiful fetes of the Renaissance. The sixteenth century, so elegant, so picturesque, lived anew. A painter, who was then but twenty-nine, and who had already a great vogue, M. Eugene Lamy, perpetuated its memory in a series of twenty-six watercolors, ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... naturally. If anybody could supply distraction, it would be Smith. Faraday, another of the temporary exiles from the News, whom he had met by chance in Washington Square, had informed him of Smith's new position and of the renaissance of Peaceful Moments, and he had hurried to the office to present himself as an unskilled but willing volunteer to the cause. Inspection of the current number of the paper had convinced him that the Peaceful Moments atmosphere, if it could not cure, ...
— The Prince and Betty - (American edition) • P. G. Wodehouse
... both in Verona and Florence, and which still exists in noble masses in the retired streets and courts of either city; too soon superseded, in the great thoroughfares, by the effeminate and monotonous luxury of Venetian renaissance, or by the heaps of quarried stone which rise into the ruggedness of their native cliffs, in the Pitti ...
— Val d'Arno • John Ruskin
... hurried and agitated turning and returning of a light cane—I had long coveted it—held behind his back in his remarkably beautiful hands. If I had not admired the cane so much, and the fighting centaurs on its handle—a fine piece of Renaissance work— this symptom of extreme disturbance might have escaped me. But, how could M. Termonde fail to be disturbed by the disappearance of his best friend? Nevertheless, his voice, a soft voice which made all his ...
— Stories of Modern French Novels • Julian Hawthorne
... which, framed round by this huge iron nave, appeared a side entrance of St. Eustache with its rose and its tiers of arched windows. And then, with an air of defiance, he would remark that all the middle ages and the Renaissance put together were less mighty than the central markets. Afterwards, as they paced the broad new streets, the Rue du Pont Neuf and the Rue des Halles, he explained modern life with its wide footways, its lofty houses, and its luxurious shops, to the two urchins. He predicted, too, the advent ...
— The Fat and the Thin • Emile Zola
... Menneske,[21] a study of "genius" and its relation to civilization, reprinted his essay in Samtiden and supplemented it with three short chapters. In the first of these he endeavors to show that in the sonnets Shakespeare gives expression to two distinct tendencies of the Renaissance—the tendency toward a loose and unregulated gratification of the senses, and the tendency toward an elevated and platonic conception of friendship. Shakespeare sought in both of these a compensation for his own disastrous love affair and marriage. ...
— An Essay Toward a History of Shakespeare in Norway • Martin Brown Ruud
... daughter of Valdemar IV., known as "Atterdag," because of his favourite proverb: "I Morgen er der atter en Dag."[11] This powerful monarch kept his subjects in such incessant turmoil by his numerous wars for acquiring territory "that they had not time to eat"! The Renaissance chapel erected by Christian IV., in which his tomb stands, is very beautiful. This popular monarch, alike celebrated as architect, sailor, and warrior, was one of the most impressive figures in Danish history. The mural paintings of the chapel ...
— Denmark • M. Pearson Thomson
... of the casts in the Museum, prepared by Mr. H.W. Kent, the curator, to whom we are indebted for the figures which we shall quote, shows 124 numbers in the Greek and Roman section, and 103 in that of the Renaissance. Among these are some of the largest casts made, such as the selection from the Pergamon reliefs, the Nike of Samothrace and the Font of Siena. They were all made expressly for the Museum, and imported from London, Paris, Berlin, Munich, ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... to dream of a new Renaissance, under which the life of reason will at last be the life of mankind. Though there is little sign of improvement in human nature, a favourable conjunction of circumstances may bring about a civilisation very much better than ours to-day. For a time, at any rate, war may be practically abolished, ...
— Outspoken Essays • William Ralph Inge
... we find the strongest evidence of the presence of what may fairly be called true sexual inversion when we investigate the men of the Renaissance. The intellectual independence of those days and the influence of antiquity seem to have liberated and fully developed the impulses of those abnormal individuals who would otherwise have found no clear expression, ...
— Studies in the Psychology of Sex, Volume 2 (of 6) • Havelock Ellis
... on the steps of the Throne beside the Virgin—and later a step higher? First, Mary the Virgin and Mary the Matron; later, with a change of Precedence, Mary the Matron and Mary the Virgin. Let the artist get ready with his canvas and his brushes; the new Renaissance is on its way, and there will be money in altar-canvases—a thousand times as much as the Popes and their Church ever spent on the Old Masters; for their riches were as poverty as compared with what is going to pour into the treasure-chest of the Christian-Scientist ...
— Innocents abroad • Mark Twain
... touched upon, but then how well Angelico communicates the feeling with which it inspired him! Yet simple though he was as a person, simple and one-sided as was his message, as a product he was singularly complex. He was the typical painter of the transition from Mediaeval to Renaissance. The sources of his feeling are in the Middle Ages, but he enjoys his feelings in a way which is almost modern; and almost modern also are his means of expression. We are too apt to forget this transitional character of his, ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... the upper member of the capital of a column. Its chief function is to provide a larger supporting surface for the architrave or arch it has to carry. In the Greek Doric order the abacus is a plain square slab. In the Roman and Renaissance Doric orders it is crowned by a moulding. In the Archaic-Greek Ionic order, owing to the greater width of the capital, the abacus is rectangular in plan, and consists of a carved ovolo moulding. In later examples the abacus is square, except where there are angle volutes, when it is slightly ...
— Project Gutenberg Encyclopedia
... at that time was the Renaissance, and he often applied to me for free seats, as he was too poor to pay for the luxuries of art. Ah, poverty, what a sorry counsellor art thou, and how tolerant we ought to be to those who have ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... the canvas of Botticelli or Garofalo; to eat frugally, sitting close by some shop of flowers and birds, and watching all the while the humours and the pageants of the streets by quaint corners, rich with sculptures of the Renaissance, and spanned by arches of architects that builded for Agrippa, under grated windows with arms of Frangipanni or Colonna, and pillars that Apollodorus raised; to go into the great courts of palaces, murmurous with the fall ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... Ages almost obliterated the expression of creative energy in the Western World, the Renaissance, the Reformation and the industrial revolution, following in quick succession, proclaimed its reawakening, and to-day there is scarcely a group of people—in Egypt, in Ireland, in Korea, in the Philippines, ...
— The Next Step - A Plan for Economic World Federation • Scott Nearing
... didactique du moyen age s'addressant specialement aux femmes (Cahors, 1903), an admirably complete collection of analyses of all the chief works of this sort produced in western Europe from the time of St Jerome to the eve of the Renaissance. It is full of plums for adventurous ...
— Medieval People • Eileen Edna Power
... "Is there anything amusing about being loved?" she thought; "what patient women the great coquettes of the world must have been! How I wish I were a crisp intelligent old maid, with a talent perhaps for gardening or books on the Renaissance!" ...
— Balloons • Elizabeth Bibesco
... importance to what it expresses. Sculpture reached its apogee under the Greeks, who, more than any other race, prized Form—particularly as manifested in its highest expression, the human figure. Painting also was at its climax of technical development during the Renaissance, when life was full of movement, and costume picturesque. But at this period in each of the two arts, skill was regarded as of more importance than the subject. In other words, the perfection of the sculptor's statue or the scene depicted by the painter was of more ...
— Style in Singing • W. E. Haslam
... does not see that he is without the morbidezza of culture; that he finds no appogiatura in art; that he never rises at midnight, amid lightning and rain, to emit an inarticulate cry of aesthetic anguish in some metrical construction of the renaissance period. She does not miss in him that yearning after the unattainable, which in some mysterious wise fills us with a mute despair; which has in it yet I know not what of sweetness amid the delirious aspirations with which it distracts us. ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... houses! The large main building, as distinguished from the lower stone portions to the north which represented a fragment of the older Elizabethan house, had been in its day the crown and boast of Jacobean house-architecture. It was fretted and jewelled with Renaissance terra-cotta work from end to end; each gable had its lace work, each window its carved setting. And yet the lines of the whole were so noble, genius had hit the general proportions so finely, that ...
— Robert Elsmere • Mrs. Humphry Ward
... the passing away of the so-called dark ages. For long it was rather the privilege of the rich and powerful. The great mass of the people were not deemed worthy of learning, and education itself in any general application did not have a recognized standing in society. After the Renaissance, however, had ushered in a new age, and when the desire for learning was the master passion among many men in Southern and Western Europe, it is natural to suppose that efforts should have more frequently been made to instruct the deaf child; and after this time we are prepared ...
— The Deaf - Their Position in Society and the Provision for Their - Education in the United States • Harry Best
... and useless argumentation, by no means calculated to advance the right discipline of the mind. The theological education of the modern clergy, although very dry, gives us no idea of this, for the Renaissance has introduced into all our teachings, even the most irregular, a share of belles lettres and of method, which has infused more or less of the humanities into scholasticism. The science of the Jewish doctor, of the sofer or scribe, ...
— The Life of Jesus • Ernest Renan
... Monograms on Pottery and Porcelain of the Renaissance and Modern periods, with historical notices of each Manufactory.... By William Chaffers. Fourth edition. London, 1874. ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... remained nearly two years, Goethe's mind and art underwent another notable change. He himself called it a spiritual rebirth. Freed from all oppressive engagements, he gave himself to the study of ancient sculpture and architecture, reveled in the splendors of Renaissance painting, and pursued his botanical studies in the enticing plant-world of the Italian gardens. Venice, Naples, Vesuvius, Sicily, the sea, fascinated him in their several ways and gave him the sense of being richer for the rest of his life. Sharing ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... 87 is generally characteristic, not only of Claude, but of the other painters of the Renaissance period, because they were all equally fond of representing this overhanging of rocks with buildings on the top, and weeds drooping into the air over the edge, always thinking to get sublimity by exaggerating the projection, ...
— Modern Painters, Volume IV (of V) • John Ruskin
... spacious and rich beyond the power of words to depict. The platform—corresponding to the chancel of an Episcopal church—is a mosaic work, with richly carved seats following the sweep of its curve, with a lamp stand of the Renaissance period on either end, bearing six richly wrought oxidized silver lamps, eight feet in height. The great organ comes from Detroit. It is one of vast compass, with AEolian attachment, and cost eleven thousand dollars. It is the gift of a single individual—a ...
— Pulpit and Press • Mary Baker Eddy
... that is the "Reorganisation of Servius"; the first three centuries of the republic, that is the "Coming of the Sibyl"; the closing centuries of the republic, that is the "Decline of Faith"; and finally the early empire and the "Augustan Renaissance." Like all attempts to cut history into sections these divisions are more or less arbitrary, but their convenience sufficiently justifies their creation. They must be thought of however not as representing independent blocks, ...
— The Religion of Numa - And Other Essays on the Religion of Ancient Rome • Jesse Benedict Carter
... has himself related, arrived at Edinburgh on June 29, 1552. The coming of such a man at such a time must have been an event of extraordinary interest. In England the Italy of the Renaissance had been in a measure realized by men of learning and intellect through the reports of the numerous scholars—John Tiptoft, Earl of Worcester, Henry Parker, Lord Morley, Howard Earl of Surrey, and ...
— Jerome Cardan - A Biographical Study • William George Waters
... trace of discipleship. The entire century after his death shows no single European name that need claim the attention of the historian of science. In the latter part of the fifteenth century, however, there is evidence of a renaissance of science no less than of art. The German Muller became famous under the latinized named of Regio Montanus (1437-1472), although his actual scientific attainments would appear to have been important only in comparison with the utter ignorance of his contemporaries. The most distinguished worker ...
— A History of Science, Volume 2(of 5) • Henry Smith Williams
... when compared with the small republics, dukedoms, and principalities which lay north and south. But Papal Rome, as the head and heart of a spiritual empire, was still a world-power; and the disunited Italian states were first in the commercial enterprise of the age as well as in the glories of the Renaissance. North of the Papal domain, which cut the peninsula in two parts, stood three renowned Italian cities: Florence, the capital of Tuscany, leading the world in arts; Genoa, the home of Caboto and Columbus, teaching the world the science of navigation; and Venice, mistress of the ...
— Elizabethan Sea Dogs • William Wood
... literature being the expression of the mind, literature, it follows, is the soul of an age, the surviving and immortal part of it; and in the literature of the Cinquecento you shall behold for the looking the ardent, unmoral, naive soul of this Renaissance that was sprawling in its lusty, naked infancy and bellowing hungrily for the pap of knowledge, and for other things. You shall infer something of the passionate mettle of this infant: his tempestuous ...
— The Life of Cesare Borgia • Raphael Sabatini
... belfry, I stopt in the yard before a handsome porch of the Renaissance, the second story of which is formed of a series of small triumphal arches, with inscriptions. The first is dedicated to Caesar; the second to Augustus; the third to Agrippa, the founder of Cologne; the fourth ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... Metaphysical Society in 1869 was not without interest as a sign of the times. As in the new birth of thought which put a period to the Middle Ages, so in the Victorian Renaissance, a vast intellectual ferment had taken immediate shape in a fierce struggle with long established orthodoxy. But whereas Luther displaced Erasmus, and the earlier reformers fought out the quarrel with the weapons of the theologian rather than those of ...
— The Life and Letters of Thomas Henry Huxley Volume 1 • Leonard Huxley
... had no intellectual bias, scarcely any sentiment, but "went straight to the mark: the enjoyment of physical beauty." The position of women in Venice was a great contrast to that attained by the Florentine lady of the Renaissance, who was highly educated, deeply versed in men and in affairs, the fine flower of culture, and the queen of a brilliant society. The love for colour and gorgeous pageantry was of Semitic intensity and seemed insatiable, and the gratification of the senses was a deliberate ...
— The Venetian School of Painting • Evelyn March Phillipps
... teacher of Heine's who was so busy inditing a study of Universal Peace that his boys had all the chance they could wish for pummeling one another. But I've been thinking, Reuben. And I'm going to see if I can't save what's left of the ship. I'm no Renaissance cherub on a cloudlet, but I'm going to knuckle down and see if I can't jibe along a little better with my old Dinky-Dunk. I've decided to back off and give him his chance. If he's set on selling Alabama Ranch, on the terms he's mentioned, I'm not going to object. ...
— The Prairie Child • Arthur Stringer
... serious motive, the question of Woman, her wrongs, her rights, her education, her capabilities, was not "in the air" in 1847. To be sure it had often been "in the air." The Alexandrian Platonists, the Renaissance, even the age of Anne, had their emancipated and learned ladies. Early Greece had Sappho, Corinna, and Erinna, the first the chief of lyric poets, even in her fragments, the two others applauded by all Hellas. The French Revolution had begotten Mary Wollstonecraft Godwin and her ...
— Alfred Tennyson • Andrew Lang
... is one of the most famous men in history—as a man more famous than Michelangelo or Shakespeare or Mozart—because posterity has elected him the member for the Renaissance. Most great artists live in what they did, and by that we know them; but what Leonardo did gets much of its life from what he was, or rather from what he is to us. Of all great men he is the most representative; we cannot think of him ...
— Essays on Art • A. Clutton-Brock
... for romance provided by this period (the Renaissance) are inexhaustibly rich, and Mr. Maurice Hewlett is admirably equipped for the task of ...
— Helen Redeemed and Other Poems • Maurice Hewlett
... is on the point of acquiring that final superiority which, should the occasion arise, would force us to submit to humiliation or destruction, France suddenly refuses to abdicate, and shows, as Renan said: 'her eternal power of renaissance and resurrection.' The disgust of ...
— The Story of the Great War, Volume I (of 8) - Introductions; Special Articles; Causes of War; Diplomatic and State Papers • Various
... visit every part and see the various buildings with one's own eyes: besides, in no language does there exist any book dealing with the architecture of the country as a whole. There are some interesting monographs in Portuguese about such buildings as the palace at Cintra, or Batalha, while the Renaissance has been fully treated by Albrecht Haupt, but no one deals at all adequately with what came before the time of ...
— Portuguese Architecture • Walter Crum Watson
... chemistry and other forms of science, new ways of making his farm productive, and the educated agriculturist is rising to be an intellectual factor in the development of our country. Everywhere we see Life awakening—a great renaissance! ...
— The Warriors • Lindsay, Anna Robertson Brown
... not come within either of the three classes of renaissance. It is neither Florentine, Roman, or Venetian. Any man can originate such a style if he will only drink the right kind of whiskey long enough and then describe ...
— Remarks • Bill Nye
... older temple on a site that seems to have been called Amada, at any rate in the later days, and so named after a city in Nubia, apparently by one of the Amen-hetep Pharaohs who had conquered it. Its style is beautiful, being of the best period of the Egyptian Renaissance under the last ...
— The Ancient Allan • H. Rider Haggard
... Alexander the Great (B.C. 323) a Greek dynasty, that of the Ptolemies, established itself at Alexandria, and another Greek dynasty at Pergamon. Both were distinguished—like Italian despots of the Renaissance—for the splendour and the culture of their courts, and they rivalled one another in the extent and richness of their libraries; but, if we are to believe Strabo, the library at Pergamon was not begun until the reign of Eumenes ...
— The Care of Books • John Willis Clark
... Grammarian's Funeral" is an elegy of a typical pioneer scholar of the Renaissance period, sung by the leader of the chorus of disciples, and interspersed with parenthetical directions to them, while they all bear the body of their master to its appropriate burial-place on the highest mountain-peak. A humorous sense of disproportion ...
— Dramatic Romances • Robert Browning
... Mont, beside the Pantheon, but it failed to disperse the faithful, who were taking part in the outdoor service of homage to Sainte-Genevive, the protectress of Paris, whose remains are buried in this small church of the Gothic-Renaissance period (1517-1620), one of the most beautiful of all the sacred edifices ...
— Paris War Days - Diary of an American • Charles Inman Barnard
... word or two farther in its interpretation and defense—the saying, namely, that "faith cannot dwell in hideous towns," and that "familiarity with beauty is a most powerful aid to belief." This is a curious saying, in front of the fact that the primary force of infidelity in the Renaissance times was its pursuit of carnal beauty, and that nowadays (at least, so far as my own experience reaches) more faith may be found in the back streets of most cities than in the fine ones. Nevertheless the saying is wholly true, first, because carnal beauty is not true beauty; secondly, because, ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... commemorate the friendship and assistance given to her by the author of the History of the Italian Renaissance, whose admiration for her work made him persuade her to undertake her Claude. It was Taine who bore witness to her 'veritable erudition on the fine arts of the Renaissance,' when in 1871, lecturing in Oxford, he used to visit Mark Pattison and his young wife at Lincoln College, and described the 'toute jeune femme, charmante, gracieuse, a visage frais et presque mutin, dans le plus joli nid de vieille architecture, ...
— The Life of the Rt. Hon. Sir Charles W. Dilke, Vol. 2 • Stephen Gwynn
... caravel; which was a vessel of light draught adapted to enter shallow rivers and harbors and to double unknown capes where shoals might have formed, and was therefore much used by the early navigators of the new world. [Footnote: Le Moyen Age et la Renaissance. Tome Second. Marine, par M. A. Jal. fol. V. (Paris 1849.)] Columbus chose two caravels, out of the three vessels with which he made his first voyage; and the third one, which was larger than either of ...
— The Voyage of Verrazzano • Henry C. Murphy
... He was somehow in keeping with his room, this warm, untidy, comfortable room that smelt of tobacco and old leather, where there was such a curious jumble of things artistic and sporting: a few pictures and bas-reliefs, nearly all of the pre-Renaissance Italian School, a big stuffed trout in a glass case, a fox's brush and mask, an old faded cricket cap; and over the carved mantelshelf, the portrait of a Georgian beauty in powder and patches, whose oval face, heavy-lidded eyes, and straight features were ...
— The Ffolliots of Redmarley • L. Allen Harker
... we are to have a renaissance of art, there must be a complete standing aloof from the academic system. That system has had time enough. Where and who are its men? Can it point to one painter who can hold his own with the men of, ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... face, all cockled with wrinkles like a sheet of crumpled tissue paper, but very beautiful in its age. It was a face that a modern French painter would have loved to paint—a face that a sculptor of the Renaissance would have delighted to reproduce in faithful, ...
— The Dictator • Justin McCarthy
... to me. He is tainted with the perfidy of the man who has made a pact with the enemy (with the Church, the aristocracy, with those in power), and then conceals the fact. Philosophically, in spite of his enthusiasm for the Renaissance, he appears vulgar and pedestrian to me, although he towers above all his contemporaries on account of the success of a single invention, that of Don Quixote and Sancho, which is to literature what the discovery of Newton was ...
— Youth and Egolatry • Pio Baroja
... Portfolio paper so soon as I am done with this story, that has played me out; the story is to be called When the Devil was well: scene, Italy, Renaissance; colour, purely imaginary of course, my own unregenerate idea of what Italy then was. O, when shall I find the story of my dreams, that shall never halt nor wander nor step aside, but go ever before its face, and ever swifter and louder, ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
Copyright © 2025 Free-Translator.com
|
|
|
