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More "Lyric" Quotes from Famous Books
 ... be capable of inspiring the lyric writer and composer, the costume designer and the scenic artist. He must possess imagination, suggest the locale, color and architecture—the atmosphere—of all scenes, select the color schemes for all costumes ...
— The Art of Stage Dancing - The Story of a Beautiful and Profitable Profession • Ned Wayburn
... four are poetry throughout; the three dramas, like all Sanskrit dramas, are written in prose, with a generous mingling of lyric and descriptive stanzas. The poetry, even in the epics, is stanzaic; no part of it can fairly be compared to English blank verse. Classical Sanskrit verse, so far as structure is concerned, has much in common with familiar ...
— Translations of Shakuntala and Other Works • Kaalidaasa
... Dumfries. It was at this time that, being requested to furnish words for The Melodies of Scotland, he responded by contributing over 100 songs, on which perhaps his claim to immortality chiefly rests, and which placed him in the front rank of lyric poets. His worldly prospects were now perhaps better than they had ever been; but he was entering upon the last and darkest period of his career. He had become soured, and moreover had alienated many of his best friends ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... teacher need not resort to the questionable device of giving children fragments and bits of verse and prose to commit to memory. One of the greatest services we can do the young mind is to accustom it to the perception of wholes, and whether this whole be a lyric or a narrative poem like Evangeline, it is almost equally important that the young reader should learn to hold it as such in his mind. To treat a poem as a mere quarry out of which a particularly smooth stone can be chipped ...
— Verse and Prose for Beginners in Reading - Selected from English and American Literature • Horace Elisha Scudder, editor
... these I shall have occasion to speak; but, as the title of the book implies,—for Antiphon means the responsive song of the parted choir,—I shall have chiefly to do with the lyric or song form. ...
— England's Antiphon • George MacDonald
... and kings, Who scourged them ever with hate's sanguineous rods; But who with hope and faith may live at odds? And then these jingling jays with plume-plucked wings, Compete, and laureate laurels are lovely things, Though crowing lyric lauders of ...
— Punch, or the London Charivari, Vol. 103, October 22, 1892 • Various
... listening, with her eyes devoutly fixed on the Libretto of "The Mountebanks," under the firm conviction that she is in direct communication with the Lyric Theatre.) I always understood The Mountebanks was a musical piece, my dear, didn't you? and even as it is, they don't seem to keep very close to the words, as far as I ...
— Punch, or the London Charivari, Vol. 102, April 30, 1892 • Various
... who has penetrated to the English literary consciousness is the Swabian Ludwig Uhland, the sweetest lyric poet of the romantic school. Uhland studied the poems of Ossian, the Norse sagas, the "Nibelungenlied" and German hero legends, the Spanish romances, the poetry of the trouveres and the troubadours, ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... equal to Milton's in his minor poems. Of course any man would be an intensified ass who should attempt to reach the diction of the 'Paradise Lost', or aspire to the tremendous style of Shakespeare. You must not confound things, though. A Lyric diction is one thing—a Dramatic diction is another, requiring the utmost force and conciseness of expression,—and Epic diction is still another; I conceive it to be something between the Lyric ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... back to his study, hoping to persuade him into telling the story of how he had gone down to Dulwich to write a criticism of Innes's concert, and how he had at once recognised that Evelyn had a beautiful voice, and would certainly win a high position on the lyric stage if she ...
— Sister Teresa • George Moore
... fashion, eager to learn and copy the new manners of a society whose moral teacher was Machiavelli, and whose patterns of splendour were the courts of Florence and Ferrara, and to learn the trick of verse that in the hands of Petrarch and his followers had fashioned the sonnet and other new lyric forms. This could not be without its influence on the manners of the nation, and the scholars who had been the first to show the way were the first to deplore the pell-mell assimilation of Italian manners and vices, which was the unintended result of the inroad ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... imprint, clear or faint, is on all our literary forms, except perhaps one. Epic, lyric, elegiac, dramatic, didactic, poetry, history, biography, rhetoric and oratory, the epigram, the essay, the sermon, the novel, letter writing and literary criticism are all Greek by origin, and in nearly every case their name betrays their source. Rome raises ...
— The Legacy of Greece • Various
... times. Now, what do you think, there was a waiter in this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 'S IST LANGE HER, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found its ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... painter would not make a primary study of Angelo's anatomical drawings; a composer of lyric forms of music would not study Sousa's marches; nor would a person writing a story look for much assistance in the arguments of Burke. The most direct benefit is derived from studying the very thing one wishes to know about, not from studying ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... then view 250 The schools of antient Sages; his who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next: There thou shalt hear and learn the secret power Of harmony in tones and numbers hit By voice or hand, and various-measur'd verse, Aeolian charms and Dorian Lyric Odes, And his who gave them breath, but higher sung, Blind Melesigenes thence Homer call'd, Whose Poem Phoebus challeng'd for his own. 260 Thence what the lofty grave Tragoedians taught In Chorus or ...
— The Poetical Works of John Milton • John Milton
... a watchmaker at Crickhowel. He did a good deal of journalistic work and entered the Baptist ministry in 1853. After holding various charges in South Wales, he died Jan., 1873. His fame rests almost entirely on lyric, "The Pauper's Grave," which is one of the most popular in ...
— Welsh Lyrics of the Nineteenth Century • Edmund O. Jones
... Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches with its red-coated ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... a trifle shaken by reason of the sudden tensity which had crept into the atmosphere, she repeated the brief lyric: ...
— The Moon out of Reach • Margaret Pedler
... belonged to the latter of the two forms of speech,—the one spoken in the northern part of the country. This, the langue d'oil, became at length the French language. But the langue d'oc, a soft and musical tongue, survived long enough to become the vehicle of lyric strains, mostly on subjects of love and gallantry, still familiar in mention, and famous as the songs of the troubadours. The flourishing time of the troubadours was in the eleventh and twelfth centuries. Provencal is an alternative name of ...
— Classic French Course in English • William Cleaver Wilkinson
... its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... can rhyme to "prove" Requires some force of will, Yet in the ancient lyric groove We meet them ...
— New Collected Rhymes • Andrew Lang
... sung. There was in her voice an abandon and tragic intensity, a wonderful resonance and power, which captured her hearers as they had never been captured before. First she sang a love-song, then a song of parting. Afterwards came a lyric of country, which stirred her audience deeply. It was a challenge to every patriot to play his part for home and country. It was an appeal to the spirit of sacrifice; it was an inspiration and an invocation. Men's eyes ...
— The Judgment House • Gilbert Parker
... did feed Admetus' heifers white Is no light tale. Upon the lyric string Nor more could I my joyful notes indite, Nor ...
— The Elegies of Tibullus • Tibullus
... upon a craft rigged so, though at her moorings and with sails furled, her slender poles upspringing from the bright plane of a brimming harbour, is to me as rare and sensational a delight as the rediscovery, when idling with a book, of a favourite lyric. That when she is at anchor; but to see her, all canvas set for light summer airs, at exactly that distance where defects and harshness in her apparel dissolve, but not so far away but the white feathers at her throat are plain, is to exult in the knowledge that man once reached such greatness ...
— Old Junk • H. M. Tomlinson
... first opportunity offered of sending her cheaply to Milan. There, among strangers, she was to be perfected in the actress's and the singer's art; then to return to England, and make the fortune of her family on the lyric stage. ...
— Man and Wife • Wilkie Collins
... led to its general adoption. It saved innumerable lives in the eighteenth century, and was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to those of the French lady ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... literature. Not only did Spenser and Shakespeare live then, but a large number of minor poets also rendered the period illustrious. Among the dramatic poets Christopher Marlowe, Beaumont and Fletcher, who wrote together, and Ben Jonson hold an honorable position. The most noted lyric poets of the day were George Herbert, Sir Walter Raleigh, and Sir Philip Sidney. WILLIAM SHAKESPEARE, the greatest of English poets, was born at Stratford-on-Avon in April, 1564. He is supposed to have been educated at the free school of Stratford. When he was about twenty-two, ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... judges. Naturally his chief weapon in the collision is just common sense; it is at the impact of mere common sense that the current system crumbles. It is simply unanswerable common sense which will infuriate those who do not like the book. When common sense rises to the lyric, as it does in the latter half of the tale, you have something formidable. Here Wells has united the daily verifiable actualism of novels like "Love and Mr. Lewisham" and "Kipps," with the large manner of the paramount synthetic scenes in (what general usage compels me to term) ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... are still others to come after us, but our works are not immortal, and they will plagiarise us without protest. Yet I have hopes of Make-Believe, for it had the honour of inaugurating Mr. Nigel Playfair's management at the Lyric, Hammersmith. It is possible that the historians will remember this, long after they have forgotten my plays; more likely (alas!) that their history will be dated A.D. (After Drinkwater) and that the honour will be given ...
— Second Plays • A. A. Milne
... of the various sets of proverbial sayings. It is apparently due to an intellectual movement, perhaps not uninfluenced by Greek thought, and chronologically the latest of the elements composing the Old Testament scriptures. In place of the lyric fervour of prophets, and the devout intuition of psalmists, we have the praise of Wisdom. But that noble portrait is no copy of the Greek conception, but contains features peculiar to itself. She ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... probably more of a true festival than most men experience even in the longest life time. The major with his Greek instinct of drama was a splendid personification of poetic quality; in fact he was himself almost a lyric. From time to time he glanced back at Coleman with eyes half dimmed with appreciation. The people gathered flowers, great blossoms of purple and corn colour. They sprinkled them over the three horsemen and flung ...
— Active Service • Stephen Crane
... shaving. His eyes were of the same inconstant April colour, but they were reflective and rather dull; while Adriance's were always points of high light, and always meaning another thing than the thing they meant yesterday. It was hard to see why this earnest man should so continually suggest that lyric, youthful face, as gay as his was grave. For Adriance, though he was ten years the elder, and though his hair was streaked with silver, had the face of a boy of twenty, so mobile that it told his thoughts before he could put them into words. ...
— Youth and the Bright Medusa • Willa Cather
... extremely healthy. They should have music always at their meals. The theatre, entirely remodelled and reformed, and, under a minister of state, should be an important element of education. I should not object to the recitation of lyric poetry. That is enough. I would not have a book in the house, or even ...
— Lothair • Benjamin Disraeli
... attached to that word. He is said to have displayed both diligence and remarkable quickness of apprehension, combined too with the utmost gravity and modesty. He not only acquired great familiarity with the poets, but composed poetry of his own—dithyrambic, lyric, and tragic; and he is even reported to have prepared a tragic tetralogy, with the view of competing for victory at the Dionysian festival. We are told that he burned these poems, when he attached himself to the society of Socrates. No compositions in verse remain ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... reading at this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read very nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin, and Mill. So it will be understood that Shelley not only gave me my first soul, but led all its first flights. But I do not think that if Shelley had been no more than a poet, notwithstanding my very genuine ...
— Confessions of a Young Man • George Moore
... "An' now again I see the faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends of Erin—the ...
— The Moon Pool • A. Merritt
... the god of intoxication; the one represents for us the world of appearances, the other is, as it were, the voice of things in themselves. The chorus, then, which arose out of the hymns to Dionysus, is the "lyric cry," the vital ecstasy; the drama is the projection into vision, into a picture, of the exterior, temporary world of forms. "We now see that the stage and the action are conceived only as vision: that the sole 'reality' is precisely the chorus, which itself produces the vision, and ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... band, playing tom-tomic strains—the lyric style of dinner-gong music that tears holes in the air. The leader was an imitator of Sousa and had his gymnastic eccentricities down to a fine point. He executed a fantasia on his horn of plenty ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... irrelevant ornaments, but they constitute an organic and integral part of the picture. In both Turgenev and Korolenko the surrounding country reflects the feelings and emotions of the heroes, and takes on a purely lyric character. One might almost say that these country scenes breathe, speak a human language, and ...
— Contemporary Russian Novelists • Serge Persky
... than the fortieth Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of Homer, ...
— The Iliad of Homer • Homer
... circumstance and characters; but his composition and his style illuminate the characters, order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, and by his lofty, clear, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... songs {132} were the earliest expressions which later were combined with dramatic action. The poetry of primitive races has no distinguishing characteristics except metre or rhythm. It is usually an oft-recurring expression of the same idea. Yet there are many fragmentary examples of lyric poetry, though it is mostly egoistic, the individual reciting his deeds or his desires. From the natives of Greenland we have the following about the hovering of the clouds ...
— History of Human Society • Frank W. Blackmar
... poem on "Space" which the Literary Opinion had copied; and he was the greatest possible success. Most of it I feel sure the school didn't understand. But just as he finished the last two lines—those lines the magazine had called "as perfect in winged lyric quality as any lines in the English language could be"—the Byrd, whom Sam had groomed carefully and brought in from the brier-patch for the occasion, rose, and, with his freckles black with the intensity of his comprehension of the poem, ...
— Over Paradise Ridge - A Romance • Maria Thompson Daviess
... is the index of the soul. The voice of the two Pitts was the same voice, we have been told—a deep, rich, cultivated lyric-barytone. It was a trained voice, a voice that came from a full column of air, that never broke into a screech, rasping the throat of the speaker and the ear of the listener. It was the natural voice carefully developed by right use. ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... him. Some lyric voice, whether of hope or joy, or both, had called the soul for an instant to her face—a poor little fluttering soul, that gazed out through her grey eyes at Wyndham—for an instant only, and was ...
— Audrey Craven • May Sinclair
... was praise indeed. His theory was, that as Macaronics were the ultra-extravagance of poetry, he who wrote most recklessly in them did best; in fact, that they should excel in first-rate BADNESS; and from this point of view it is possible that Breitmann's Latin lyric is not devoid of merit, since assuredly nobody ever wrote a worse. The late LORD LYTTON, or "Bulwer," was also kind enough to take an interest in these Ballads, which was to me as gratifying as it was amazing. It was one of the great surprises of my life. I have a long letter from him, ...
— The Breitmann Ballads • Charles G. Leland
... his scene with M. Dimanche. He was, in short, the embodiment of Moliere's Don Juan, Goethe's Faust, Byron's Manfred, and Maturin's Melmoth—grand pictures drawn by the greatest geniuses of Europe, and to which neither the harmonies of Mozart nor the lyric strains of Rossini are lacking. Terrible pictures in which the power of evil existing in man is immortalized, and which are repeated from one century to another, whether the type come to parley with mankind by incarnating ...
— International Short Stories: French • Various
... in Cherry Time On the Death of Mrs. Jessie Willis Thank God for Pleasant Weather The Master's Song The Missing Ship Jeannie Marsh Lucy Epitaph In Memory of John W. Francis, Jr Nature's Noblemen A Wall-Street Lyric King Cotton Words Adapted to a Spanish Melody Love in Exile To the Evening Star Welcome Home The Sycamore Shade Up the Hudson Only Thine Epigram on Reading Grim's Attack upon Clinton On Hearing that Morse Did ...
— Poems • George P. Morris
... enjoyed his stay in Milan, and breathed with rapture the incense burned in abundance before him. The Italian Journal in its account of the coronation reached lyric heights: ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... completer hours. And I stood listening like a hind, who hears A wood nymph breathing in a forest flute Among the beech-boles of myth-haunted ways: And when it ceased, the memory of the air Blew like a syrinx in my brain: I made A lyric of the notes that ...
— Poems • Madison Cawein
... sat there with the bunches of the camel-dates above him, golden as the sunlight. Then, as the scent of the lyric-flowers, released by evening, warned him of the night dropping like a flight of dark birds on the plain, he rose stiffly, and made his way as ...
— Forsyte Saga • John Galsworthy
... Jesus. Compilers of hymn-books have sought to rectify what they deem a lapse in Christian spirit by the substitution of a verse begining "Christ alone beareth me." But the quality of the interpolated verse is so inferior to the lyric itself that it has not found general acceptance. Others, again, with an excess of zeal, have endeavored to substitute "the Cross" for "a ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... imperfect Lyrics of his. Beranger, no doubt, was The Artist; which still is not the highest Genius—witness Shakespeare, Dante, AEschylus, Calderon, to the contrary. Burns assuredly had more Passion than the Frenchman; which is not Genius either, but a great Part of the Lyric Poet still. What Beranger might have been, if born and bred among Banks, Braes, and Mountains, I cannot tell: Burns had that advantage over him. And then the Highland Mary to love, amid the heather, as compared to Lise the ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald
... restrained by frequent pauses and occasional metrical irregularities, and thus they reflect with faithfulness the paternal agony with which they are filled. They belong to the earlier works of the poet, but they disclose great lyric power and are the first deep notes of the poet's genius. A few lines from the ...
— Life Immovable - First Part • Kostes Palamas
... which music is so often doomed to be wedded—making up by her own sweetness for the dulness of her help-mate—by far the greater number of the songs are full of beauty, and some of them may rank among the best models of lyric writing. The verses, "Had I a heart for falsehood framed," notwithstanding the stiffness of this word "framed," and one or two other slight blemishes, are not unworthy of living in recollection with the matchless air ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... simple order; and where the music required repetition of a line, or a word, the iteration seems to improve the sense and poetical effect. Neither is the piece deficient in the higher requisites of lyric poetry. When music is to be "married to immortal verse," the poet too commonly cares little with how indifferent a yoke-mate he provides her. But Dryden, probably less from a superior degree of care, than from that ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... heads and one another's to find a meaning and an answer to the odd query. It is only quite lately that they have come at all to see that the Dithyramb was a Spring Song, a primitive rite. Formerly it was considered to be a rather elaborate form of lyric poetry invented comparatively late. But, even allowing it is the Spring Song, are we much further? Why should the Dithyramb be bull-driving? How can driving a Bull help the spring to come? And, above all, what are the "slender-ankled" ...
— Ancient Art and Ritual • Jane Ellen Harrison
... Madame George Sand must be gratified this time! Your article this morning upon her autobiography really did hit the bull's-eye, plumb! What fire! what enthusiasm! what lyric strains!" ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... been exalted at the expense of other forms of verse. It is idle to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every authentic utterance of the spirit of man ...
— The Book of Old English Ballads • George Wharton Edwards
... most vigorous activity let thy work be one of waiting, and of great patience in thy fiercest toil. There will come a day of triumph, when the fresh wind will banish the heat, and fan the laurel on thy brow. Such is the true moral of the following lyric:— ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation as expressing an experience in her life, to entitle "Moods." The second ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... in the Crescent city not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars in ...
— John Smith, U.S.A. • Eugene Field
... is one long poem. In our youth We rise and sing a noble epic song, A trumpet note of sound both clear and strong, With idyls now and then too sweet for truth. A lyric of lament, it swells along The tide of years, a protest 'gainst the wrong Of life, an unavailing cry for ruth, A wish to know the end—the end forsooth! 'Tis not on earth. The end which makes or mars The song of life, we who sing seldom know. That ...
— The Argosy - Vol. 51, No. 6, June, 1891 • Various
... and which was held up to ridicule by the great Lockhart. More than ten years followed in which the poet wrote nothing, then he began a literary career which lifted him to the highest place in the literary world, a place which he has since held, and as a lyric poet he ...
— Scientific American Supplement, No. 832, December 12, 1891 • Various
... rite. Her eyes filled with tears. "Harboro!" she cried, "do you need to ask me that?" Her fingers sought his face and traveled with ineffable tenderness from line to line. It was as if she were playing a little love-lyric of her own upon a beautiful harp. And then she fell upon his breast and pressed her cheek to his. "Harboro!" she cried again. She had seen only the suffering in ...
— Children of the Desert • Louis Dodge
... Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of ...
— History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... two—the feeling "I have known that woman before," though the where and the when are mysteries. Some of the modern poets have beautifully treated this feeling. The best example that I can give you is the exquisite lyric by Rossetti ...
— Books and Habits from the Lectures of Lafcadio Hearn • Lafcadio Hearn
... two sometimes to precede the commencement of the bar, and occasional rests, as in musical compositions: if this was attended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Virgil, except in the length of the lines. B. Then there is no relationship between ...
— The Botanic Garden. Part II. - Containing The Loves of the Plants. A Poem. - With Philosophical Notes. • Erasmus Darwin
... his fiery lyric breathe Above her hero-urns; And Scotland, with her holly, wreathe The ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... The dramatic lyric and monologue in which Browning set forth the varieties of passionate experience was an art-form of immense possibilities, which it was a work of genius to discover. To say that Browning, the inventor of this amazingly fine form, was indifferent to ...
— Old and New Masters • Robert Lynd
... artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamen and Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the ...
— The Social Cancer - A Complete English Version of Noli Me Tangere • Jose Rizal
... "I wrote the lyric as well as the melody," said Wilson Hymack, who had already seated himself at the piano. "It's got the greatest title you ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to Mother's ...
— Indiscretions of Archie • P. G. Wodehouse
... to have breakfast that morning, he had made a pretty fair beginning. He was well on his way, had composed a roan-colored lyric of the ranges, discoursed on the subject of love, and had set his spirit free to meander in the realms of imagination. Yet his spirit swept back to him with a rush of wings and a question. Why not get married? And ...
— Sundown Slim • Henry Hubert Knibbs
... in which most of one's capacities are cruelly confined. There are again those who, possessing singular and exclusive sensitivity to aesthetic values, to music, art, and poetry, find the world outside their own lyric enthusiasms flat, stale, and unprofitable. If, as so frequently happens, these combine, along with their peculiar temperaments, little genius and slender means, social and economic life becomes for them a blind alley. Every year at our ...
— Human Traits and their Social Significance • Irwin Edman
... creative, hence spontaneous element in his own nature, while claiming primarily the position of an observant thinker; and he overrated the amount of creativeness implied by the poetry of his wife. He failed to see that, given her intellectual endowments, and the lyric gift, the characteristics of her genius were due to circumstances as much as those of his own. Actual life is not the only source of poetic inspiration, though it may perhaps be the best. Mrs. Browning as a poet ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry of the last ...
— A Shropshire Lad • A. E. Housman
... does not meet with those polished numbers, nor that freedom and spirit, which that species of poetry requires;" and quotes half a stanza, which he declares is "abrupt and insipid." "From twenty-seven odes!" exclaims the writhing poet—"are the whole of my lyric productions to be stigmatised for four lines which are flatter than those that preceded them?" But what the critic could not be aware of, the poet tells us—he designed them to be just what they are. "I knew they were so when they were first written, but they were thought ...
— Calamities and Quarrels of Authors • Isaac D'Israeli
... deep questions of fate and foreknowledge in "Religio Laici," or lashes Shaftesbury in the "Medal," or pours a torrent of contempt on Shadwell in "MacFlecknoe," or describes the fire of London in the "Annus Mirabilis," or soars into lyric enthusiasm in his "Ode on the Death of Mrs Killigrew," and "Alexander's Feast," or paints a tournament in "Palamon and Arcite," or a fairy dance in the "Flower and the Leaf,"—he is always at home, and always aware that he is. His consciousness of his own powers amounts to exultation. ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... hear of it at Stratford, and talk of the prisoner as he strolled with some friend on the banks of Avon. A greater than Shakespeare—as most men thought in those days—Ben Jonson himself, might talk the matter over "at those lyric feasts, Made at the Sun, The Dog, the triple Tun"; for had not he himself languished in a worse dungeon and under a heavier charge than Wither? To be seven-and-twenty, to be in trouble with the Government about one's verses, and to have other young poets, in a ferment of enthusiasm, clinging ...
— Gossip in a Library • Edmund Gosse
... to philosophisings. It grows late apace. (Ah, Hulda, how like opals in the lyric April rain are your eyes in this first faint purple-pink of the tremulous dawn.... Were I a Heine!) In my far-away America, Hulda, in far-away New York, it is now onto midnight. I see Broadway, strumpet of the highways, sweltering ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... story, was known in this country before it appeared in that one, such imitation or suggestion was so rapid that with regard to the French, the Provencals, and the Germans at least, the impression is simultaneous; only the Sicilians beginning distinctly later, forerunners of the new love lyric, wholly different from that of trouveres, troubadours, and minnesingers, of the Italians of the latter thirteenth century. And this simultaneous revelation of mediaeval love takes place in the last quarter of the twelfth century, when Northern France had ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... worthy Joshua! You feel the dawn coming, and then you crow! For lightness of touch and richness of invention, give us a lyric poet! ...
— Chantecler - Play in Four Acts • Edmond Rostand
... is a large district in the south of Invernesshire, having Ben Nevis and other Grampian heights within its compass. It is a classic name in Scottish literature owing to Allan Ramsay's plaintive lyric, ...
— Marmion • Sir Walter Scott
... brief, The lice among your feathers, Stiff-winged and aimless-eyed, With song dead you shall fall; Refuse of some clotted ditch, Seeking no more berries; Why with lyric numbers now Do you ...
— Miscellany of Poetry - 1919 • Various
... depression,—a 'fit of the blues,' which he attributed partly to the damp, lowering weather. Idly he turned over the leaves of a first edition of Tennyson's poems,—pausing here and there to glance at a favourite lyric or con over a well-remembered verse, when the echo of a silvery horn blown clear on the wintry silence startled him out of his semi-abstraction. Rising, he went instinctively to the window, though from that he could see nothing but his own garden, looking blank enough ...
— God's Good Man • Marie Corelli
... the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. The difference resides essentially in ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... the slightest pretence for attaching a charge of obscurity to this new number—there are lights enough for the critics to scan one another's dull blank of visage by. One verse indeed in that expressive lyric of the 'Lost Mistress,' does still seem questionable to me, though you have changed a word since I saw it; and still I fancy that I rather leap at the meaning than reach it—but it is my own fault probably ... I am not sure. With that ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... or pathos, appeared to Alfieri in the light of mere meretricious gewgaws, which took away from the interest of dramatic action without affording him any satisfaction in return. As it was with metre and metaphor and description, so it was also with the indefinable something which we call lyric quality: the something which sings to our soul, and which sends a thrill of delight through our nerves or a gust of emotion across our nature in the same direct way as do the notes of certain voices, the phrases of certain pieces of music: ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... Light, To tread the dreadful way of human birth, His shadow sometimes fell upon the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... his trivial personality, which indeed he never particularly celebrated and which had much better lie buried with his bones. He was thinking, of course, of that pleasure itself; thinking that the delight, half lyric, half sarcastic, which those delicate cameos had given him to carve would be perennially renewed in all who retraced them. Nay, perhaps we may not go too far in saying that even that impersonal satisfaction was not the deepest he felt; ...
— The Life of Reason • George Santayana
... Gluck finished a new opera, "Echo et Narcisse," and with this work decided to close his career, feeling he was too old to write longer for the lyric stage. He was then nearly seventy years old, and retired to Vienna, to rest and enjoy the fruits of all his years of incessant toil. He was now rich, as he had earned nearly thirty thousand pounds. Kings and princes came to ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... The great cathedral spreads its wings; High up, the lyric belfry sings. Behold Ascension Day begun Under the shadow of ...
— Silhouettes • Arthur Symons
... Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the "Sun," The "Dog," the "Triple Tun," Where we such clusters had As made us nobly wild, not mad? And yet each verse of thine Outdid the meat, outdid the frolic wine. My Ben! Or come again, Or send to us, Thy wit's great ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... Lyric Hall lies just this side of the Forty-second Street station along the line of the Sixth Avenue Elevated road, and you can look into its windows from the passing train. It was after one o'clock when the invited guests and their friends pushed ...
— Cinderella - And Other Stories • Richard Harding Davis
... is the faithful reproduction of the intention of both poet and composer. This reproduction includes the revelation of the characteristics of the poem itself, whether lyric, dramatic, or in other ways distinctive. It also reveals the musical significance of the composition to which the words are set. The melodic, rhythmic, and even harmonic values must be made clear to the hearer. But interpretation includes more than this reproduction, ...
— The Renaissance of the Vocal Art • Edmund Myer
... midst of his manifold literary labors there happened to Lamartine such a chance as befalls few poets. He had it in his power, once in his life, to do something greater than the greatest lyric, more noble than any verse. At the crisis of the Revolution of 1848, chance (to use the word without irreverence) thrust him, and no other, into the place of master, and held him for one supreme moment alone between France and anarchy,—between, ...
— France in the Nineteenth Century • Elizabeth Latimer
... evening, wishing to enjoy a little music, I went to the Lyric Theatre, and found that the opera chosen for performance was called Sweet Nancy, founded upon a novel with some similar title by Miss RHODA BROUGHTON. The prettiest tune I heard was one that I fancy had been played before, ...
— Punch, Vol. 99., July 26, 1890. • Various
... avoidance of every shocking or perturbing theme. It seems to combine the enduring lustre of a precious metal with the tenuity of gold-leaf. Even the most vivid emotions of grief and love, as well as the horrors of war, were banished from the Japanese Parnassus, where the Muse of Tragedy warbles, and the lyric Muse utters nothing but ditties of exquisite and melting sweetness, which soothe the ear, but never stir the heart: while their meaning is often so obscure as even to elude ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... adopting them on his return home, while with others he was dissatisfied. One of the men who had a reputation there for learning and state-craft he made his friend, and induced him to go to Sparta. This was Thales, who was thought to be merely a lyric poet, and who used this art to conceal his graver acquirements, being in reality deeply versed in legislation. His poems were exhortations to unity and concord in verse, breathing a spirit of calm and order, which insensibly civilised their hearers and by urging them to the pursuit ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... of a popular lyric may be, inevitable as may be the justice of its sentiment, unerring as may be its touch upon reality, still it lacks the note which marks it out for one man's utterance among a thousand. Composing it, the one ...
— Wine, Women, and Song - Mediaeval Latin Students' songs; Now first translated into English verse • Various
... that in the three great departments of poetry,—the epic, the lyric, and the dramatic,—the old Greeks were great masters, and have been the teachers of all subsequent nations ...
— Beacon Lights of History, Volume I • John Lord
... that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of the night ...
— The Way of Ambition • Robert Hichens
... of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... largely objective; they portray events, conditions, and deeds which have passed beyond the stage of thought and have involved the thinker in the actual historical world of vital relationships and dramatic sequence. The lyric poet may sing, if it pleases him, like a bird in the recesses of a garden, far from the noise and dust of the highway and the clamour of men in the competitions of trade and work; but the epic or dramatic poet must find his theme and his inspiration ...
— Books and Culture • Hamilton Wright Mabie
... SEDGER announces the engagement at the Lyric of Mlle. DUSE. The Manager must be prosperous; at all events, he is not going to the Duse, but the Duse is coming to him. And as to the Theatre—well, if it isn't a success, the Duse ...
— Punch, or the London Charivari, Vol. 104, May 13, 1893 • Various
... ignore it. There was a difference now—a difference which their discovery by an outsider had made unpleasantly manifest. De Folligny's appearance at Verneuil had made Markham thoughtful, but Olga's intrusion now had paraphrased their pastoral lyric into unworthy prose. Parnassus wept with them, but no amount of weeping could destroy the ugly doggerel as Olga had written it. Their idyl was smirched, the fair robe of Euterpe was ...
— Madcap • George Gibbs
... all kinds of pagan folk-lore. Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship ...
— The Kalevala (complete) • John Martin Crawford, trans.
... which he spoke, and above all, by his peculiar dialect. He employed, on every occasion, the imagery and style of Scripture. Hebraisms violently introduced into the English language, and metaphors borrowed from the boldest lyric poetry of a remote age and country, and applied to the common concerns of English life, were the most striking peculiarities of this cant, which moved, not without cause, the derision both of Prelatists ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by ...
— A Man and His Money • Frederic Stewart Isham
... claim some capacity in the diviner flights of lyric letters, friend. You are not to despise poetry. Nay—rather contemn those who bring scorn to the name of poet—vain writers for filthy pence—fellows ...
— The Panchronicon • Harold Steele Mackaye
... without one thought of Francesca. At Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja. This is the more remarkable, because Filicaja was the favorite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... first model of my conception, although the decision of the glorious contest now waging in Greece being yet suspended forbids a catastrophe parallel to the return of Xerxes and the desolation of the Persians. I have, therefore, contented myself with exhibiting a series of lyric pictures, and with having wrought upon the curtain of futurity, which falls upon the unfinished scene, such figures of indistinct and visionary delineation as suggest the final triumph of the Greek cause as a portion of the cause ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... the brute day is ended and all mankind sighs for rest and warmth. Then she is her very self. Beauty she has by day, but it is the cold, incomplete beauty of a woman before she has given herself. With the lyric evening she surrenders all the wealth and wonder of her person to her lover: ...
— Nights in London • Thomas Burke
... as containing the 'topmost note in the stupendous agony of the drama,' are rhymed. The management of rhyme is a difficult and very delicate art; it is an instrument that requires a first-class performer, like Mr. Swinburne, to bring out its potency; to this art the English lyric, the ode and the song, owe their musical perfection. Mr. Swinburne, in an essay upon Matthew Arnold's New Poems (1867), has said, truly, that 'rhyme is the native condition of lyric verse in England'; and that 'to throw away the natural grace ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... Does tragedy or comedy favor her most? You see," he added apologetically, "when people begin to talk about anybody, we Grubstreet hacks thrive on the gossip. It is deplorable"—with regret—"but small talk and tattle bring more than a choice lyric or sonnet. And, heaven help us!"—shaking his head—"what a vendible article a fine scandal is! It sells fast, like goods at a Dutch auction. Penny a line? More nearly six pence! If I could only bring myself to deal in such merchandise! If I were only a good rag picker, instead ...
— The Strollers • Frederic S. Isham
... not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment is pure, and the fancy ...
— The Song of the Flag - A National Ode • Eric Mackay
... fair readers should be of opinion that my hero's levity in love is altogether unpardonable, I must remind them that all his griefs and difficulties did not arise from that sentimental source. Even the lyric poet who complains so feelingly of the pains of love could not forget, that at the same time he was 'in debt and in drink,' which, doubtless, were great aggravations of his distress. There were, indeed, whole days in ...
— Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... light from the source from which the promise had come to him. Although his mission was not properly a prophetic one,—although, in the main, it belonged to him to describe poetically what had come to him through prophetic inspiration, yet prophetic inspiration and sacred lyric are frequently commingled in him. The man who is "the sweet psalmist of Israel" claims a [Hebrew: naM] in 2 Sam. xxiii. 1, and, in ver. 2, says that the Spirit of God spake by him, and His word ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The worthy Man ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... then that Pushkin is, he is accordingly at his best only in his lyrics. But the essence of a lyric is music, and the essence of music is harmony, and the essence of harmony is form; hence in beauty of form Pushkin is unsurpassed, and among singers he is peerless. His soul is a veritable olian harp. No sooner does the wind begin to blow than his soul is filled with music. His grace is only ...
— Lectures on Russian Literature - Pushkin, Gogol, Turgenef, Tolstoy • Ivan Panin
... this up all day, This lyric, elegiac, song, Meseems hath come the time to say Farewell! ...
— The Book of Humorous Verse • Various
... pose not marked by ease? Am I going at the knees, Like a "screw" Think! Pooh! The part of Sisyphus Suits me well. Why make a fuss? Eh? Retire,—and leave things thus? What do you think? On the—say the Lyric Stage— For some years I've been the rage, And some histrios touched by age Of Adieu think. But I'm like that "Awful Dad," Though this makes my rivals mad, Don't true Gladdyites feel glad? What do you ...
— Punch, Or The London Charivari, Vol. 100., February 7, 1891 • Various
... occupies a thoroughly legitimate position in the realm of literature, but no position whatsoever in the realm of dramaturgy. Atalanta in Calydon is a great poem; but from the standpoint of the theory of the theatre, it cannot be considered as a play. Like the lyric poems of the same author, it was written to be read; and it was not devised to be presented by actors on a stage before ...
— The Theory of the Theatre • Clayton Hamilton
... and St. Gaudens's equestrian statue of General Sherman. Sculpture was profusely used to beautify buildings. Wholly original and charming were the four groups for the Temple of Music: Heroic Music, Sacred Music, Dance Music, and Lyric Music. Perched in every corner were figures of children ...
— History of the United States, Volume 5 • E. Benjamin Andrews
... happened that the fermenting, formless design for the tragedy, The Vikings at Helgeland, transformed itself temporarily into the lyric drama, ...
— The Feast at Solhoug • Henrik Ibsen
... the characters, order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... the stress Of yearning notes that gush and stream, The lyric joy, the tenderness, And once again the ...
— Lyrics of Earth • Archibald Lampman
... sacred lyrics, and a lyric to be lyrical and heart appealing, must be inevitable. It must be the spontaneous expression of the heart of the author—an expression which had to come. It is the latent secret of the power of true hymns, for ...
— Hymns from the East - Being Centos and Suggestions from the Office Books of the - Holy Eastern Church • John Brownlie
... Flacci . . . Od in locos communes ad lyric poseos studiosorum utilitatem digest. Studio & oper Josephi Langii. Hanovi, typis Wechelianis, apud Claudium Marnium & heredes Joannis Aubrii, ...
— The Library of William Congreve • John C. Hodges
... of the songs, which were set by that admirable composer, Mr. Henry James.' True it is, that the songs are excellent, as are all Cartwright's; for grace, simplicity, and sweetness, equal to any (save Shakspeare's) which the seventeenth century produced: but curiously enough, his lyric faculty seems to have exhausted itself in these half-dozen songs. His minor poems are utterly worthless, out Cowleying Cowley in frigid and fantastic conceits; and his varied addresses to the king and queen are as bombastic and ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... the poet Gascoigne, and the elder of our fascinating trio, is conspicuous for an unswerving, whole-hearted attachment to nature and rural scenes. It is in the pastoral lyric where, with tenderest devotion, he pursues, untrammelled, a light and free-born fancy. His fertile, varied muse, laden with the passionate exaggerations of love-lorn swain, is yet charged with richest ...
— Pastoral Poems by Nicholas Breton, - Selected Poetry by George Wither, and - Pastoral Poetry by William Browne (of Tavistock) • Nicholas Breton, George Wither, William Browne (of Tavistock)
... Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something else to deal with. Bojardo and Ariosto paint nature vigorously, but as briefly as ...
— The Great Events by Famous Historians, Volume 07 • Various
... beside the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly shifted ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. This would make them soon perceive what despicable creatures our common rhymers and play-writers be; and show them what religious, what glorious and magnificent use might ...
— The Spectator, Volume 2. • Addison and Steele
... Copenhagen. It contains a list of native American authors and notices of a number of their works composed in their own tongues. That on "aboriginal poetry" vindicates for native American bards a respectable position among lyric and dramatic composers. ...
— A Record of Study in Aboriginal American Languages • Daniel G. Brinton
... pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty will ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... himself a creature, made by something he calls "Quiet;" and what is this but the Gnostic notion of aeons and their subordination to the great, hid God? No, this brief dramatic lyric is far from being an imagination. Rather say it is a chapter taken from the history of man's traffic in gods. Setebos is creative; lacks moral qualities in that he may be evil or good; acts from spleen, and by simple caprice; ...
— A Hero and Some Other Folks • William A. Quayle
... have already so much variety and so much apparent sincerity that it is impossible to tell in what direction his genius will develop. In whatever style he writes,—the mystical, the historical-dramatic, the impassioned description of natural beauty, the ballad, the love lyric,—he has the peculiarity of seeming in each style to have found the truest ...
— The Unicorn from the Stars and Other Plays • William B. Yeats
... Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, and Pericles statesmanship. This was ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... the cluster that would have rotted on the tree, and bears it to the wine-press to change it into perfumed wine. Listen! there is, a dozen hours from Alexandria, towards the west, not far from the sea, a nunnery, the rules of which, a masterpiece of wisdom, deserve to be put in lyric verse and sung to the sound of the theorbo and tambourines. It may truly be said that the women who are there, submissive to these rules, have their feet upon earth and their faces in heaven. They desire ...
— Thais • Anatole France
... mentioned next. Originally, all poetry was spoken with musical accompaniment; when this primitive literature began to divide up into specialised forms, Lyric was the literary form which retained most of the spirit of music. It includes Songs and Odes, in which the very structure of the poem is determined by the mode of its performance; Psalms and Lamentations; the Traditional Poetry scattered through ...
— Select Masterpieces of Biblical Literature • Various
... (composed in 1903-1905 and published in the latter year), the piano pieces Estampes (1903), and Images, Masques, l'Ile joyeuse (1905), and a few songs. Certain audiences in Paris had heard, nine years before, his setting of Rossetti's "Blessed Damozel" (La Demoiselle Elue), a "lyric poem" for two solo voices, female chorus, and orchestra; in the same year (1893) his string quartet was played by Ysaye and his associates; in 1894 his Prelude a l'Apres-midi d'un Faune was produced at a concert of the National Society of Music; the first two Nocturnes for orchestra, ...
— Debussy's Pelleas et Melisande - A Guide to the Opera with Musical Examples from the Score • Lawrence Gilman
... necessary, all of Milton, all of Shakespeare but a song or two, much of Dante and some of Homer, to be secured in them for ever. My friend (of the Ramillies) and I were disputing about a phrase I had applied to lyric poetry as the infallible test of its merit. I asked for "the lyric cry," and he scorned me. I could find a better phrase with time; but the quatrain just quoted makes it unmistakable, as I think. Anyhow, it will be conceded that there was some ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... seventy-nine verses. Seventy-eight were quite unprintable, and rejoiced his brother cowpunchers monstrously. They, knowing him to be a singular man, forebore ever to press him, and awaited his own humor, lest he should weary of the lyric; and when after a day of silence apparently saturnine, he would lift ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... volumes. During his Sea and Land ministry he was brought in contact with seamen and this finds expression in his later works taking character from life on the sea. Many of his verses have found place in Christian hymnology, notably such a lyric as "Jesus, Savior, pilot me over life's tempestuous sea," with that sweet verse "as a mother stills her child Thou canst hush the ocean wild." Another hymn was "Wrecked and struggling in mid ocean, clinging to a ...
— The Kirk on Rutgers Farm • Frederick Bruckbauer
... we are a nation in full literary production, boasting authors who rank with the greatest of other countries, there is hardly one poet or prose-writer to-day, of recognized ability, who works for the stage, nor can we count more than one or two high-class comedies or lyric dramas ...
— The Ways of Men • Eliot Gregory
... descriptions are not irrelevant ornaments, but they constitute an organic and integral part of the picture. In both Turgenev and Korolenko the surrounding country reflects the feelings and emotions of the heroes, and takes on a purely lyric character. One might almost say that these country scenes breathe, speak a human language, and whisper ...
— Contemporary Russian Novelists • Serge Persky
... careless rhymes, Burley threw off a rude but spirited translation of that divine lyric. "O materialist!" cried the boy, with his bright eyes suffused. "Schiller calls on the gods to take him to their heaven with them; and you would debase the ...
— My Novel, Complete • Edward Bulwer-Lytton
... out," I began, "why women are so shy about being caught reading poetry. We men—lawyers, mechanics, or what not—may well feel ashamed. If we must read poetry, it should be at dead of night, within closed doors. But you women are so akin to poesy. The Creator Himself is a lyric poet, and Jayadeva [15] must have practised the divine art ...
— The Home and the World • Rabindranath Tagore
... of Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of ...
— History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... ourselves importunately asking wherein lies the secret of great art? And, in the case of literature, we think it at such times no desecration of our delight to put a passage of Shakespeare or of Milton beside a passage of Homer, of AEschylus, or of Dante, an essay of Lamb beside a chapter of Heine, a lyric of Burns by one of Shelley, and to seek for some common measure of ...
— Platform Monologues • T. G. Tucker
... technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's ...
— A Collection of Ballads • Andrew Lang
... edition of Motherwell's Poems, which has just issued from the Glasgow Press, under the auspices of Mr James M'Conechy. William Motherwell must always stand very high in the list of the minor Scottish poets, and one lyric of his, "Jeanie Morrison," is as pathetic as any in the language. But of him so much has already been said in former numbers of MAGA, that we may dispense with present criticism: and we shall merely draw the attention ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... in the three great departments of poetry,—the epic, the lyric, and the dramatic,—the old Greeks were great masters, and have been the teachers of ...
— The Old Roman World • John Lord
... February's few flowers, Ere March came in with Marlowe's rapturous rage: Peele, from whose hand the sweet white locks of age Took the mild chaplet woven of honoured hours: Nash, laughing hard: Lodge, flushed from lyric bowers: And Lilly, a goldfinch in a twisted cage Fed by some gay great lady's pettish page Till short sweet songs gush clear like short spring showers: Kid, whose grim sport still gambolled over graves: And Chettle, in whose fresh funereal verse Weeps ...
— Sonnets, and Sonnets on English Dramatic Poets (1590-1650) • Algernon Charles Swinburne
... side of us were swift hills mottled with green and gold, ahead a curdle of snow-capped mountains, above a sky of robin's-egg blue. The morning was lyric and set our hearts piping as we climbed the canyon. We breathed deeply of the heady air, exclaimed at sight of a big bee ranch, shouted as a mule team with jingling bells came swinging down the trail. ...
— The Trail of '98 - A Northland Romance • Robert W. Service
... caveat for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has been difficult ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... when he was left alone, set to work on a little lyric of joy, with which to welcome the return of his forgiven and ...
— Captain Dieppe • Anthony Hope
... 'Frenchman' imported from sunny Champagne, where Thibaut, the mawkish singer was making verses which his people loved to listen to? Did he teach the young novices French as well as writing? Did he touch the lute himself on Feast-days, and charm them with some new lyric of Gasse Brusle, or delight them with one of Rutebeuf's merry ditties? France was all alive with song at this time, and princes were rivals now for poetic fame. It may be that this 'foreigner' brought in a taste for ...
— The Quarterly Review, Volume 162, No. 324, April, 1886 • Various
... the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took ...
— The Snow Image • Nathaniel Hawthorne
... evenings during the month of May one of these handsome fellows was busy in my garden, diligently picking the potato bugs from the young vines, stopping now and then, especially in his morning visits, to pour out a happy, ringing lyric and to show his handsome plumage. On one occasion he took a couple of potato bugs in his "gros" beak as he flew to the nearby woodland, probably a tempting morsel for his spouse's breakfast. A bird that can sing better than ...
— Some Spring Days in Iowa • Frederick John Lazell
... customs arises is not valid, for customs ratified by Aristophanes, by Rabelais, by Shakespeare, have no right to change. If they have changed, let us try immediately to return from our disgraceful refinements to the nobler and more rarefied heights of lyric laughter, tragic intensity, and wit, for we cannot have the first two without the last. And anyhow, how can a social custom claim precedence over the undying material of the senses and the emotions of man, over the ...
— Lysistrata • Aristophanes
... irresistible charm for him; and he once declared that he would almost rather have been Ireland than Shakespeare; and then it was his delight to write Greek versions of a poem that might attach the mark of plagiarism to Tennyson, or show, by a Scandinavian lyric, how the laureate had been poaching from the Northmen. Now it was a mock pastoral in most ecclesiastical Latin that set the whole Church in arms; now a mock despatch of Baron Beust that actually deceived the Revue des Deux Mondes and caused ...
— Lord Kilgobbin • Charles Lever
... talk of the best poem which the war has produced; and opinions usually vary. My own vote, so far as England is concerned, is still given to Julian Grenfell's lyric of the fighting man; but if France is to be included too, one must consider very seriously the claims of La Passion de Notre Frere le Poilu, by Marc Leclerc, which may be had in a little slender paper-covered book, at a cost, in France, where it ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... skilful repetitions and exquisite versification in his "Ancient Mariner," "Genevieve," "Alice du Clos," but nowhere a systematic burden. Campbell has no burdens in his finest lyric ballads, though the subjects were fitted for them. The burden of the "Exile of Erin" belongs ...
— Thomas Davis, Selections from his Prose and Poetry • Thomas Davis
... canny for my years, from the professors to the poets, listening—to the lyric tenor of Swinburne and the tenor robusto of Shelley, to Shakespeare with his first bass and his fine range, to Tennyson with his second bass and his occasional falsetto, to Milton and Marlow, bassos profundo. I gave ear to ...
— The Beautiful and Damned • F. Scott Fitzgerald
... contemporary spiritual aspirations and troubles. That such may be the case with literature, particularly the more ephemeral kinds thereof, is very likely, since literature, save in the great complex structures of epos, tragedy, choral lyric, is but the development of daily speech, and possibly as upstart, as purely passing, as daily speech itself; moreover, in its less artistic forms, requiring ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... creation, Shakspeare is unique. No man can imagine it better. He was the farthest reach of subtlety compatible with an individual self,—the subtilest of authors, and only just within the possibility of authorship. With this wisdom of life, is the equal endowment of imaginative and of lyric power. He clothed the creatures of his legend with form and sentiments, as if they were people who had lived under his roof; and few real men have left such distinct characters as these fictions. And they spoke in language as sweet as it was fit. Yet his talents never ...
— Essays • Ralph Waldo Emerson
... Michelangelo's style; and, if we are really to believe that he intended to portray the god of love, it offers another instance of his independence of classical tradition. No Greek would have thus represented Eros. The lyric poets, indeed, Ibycus and Anacreon, imaged him as a fierce invasive deity, descending like the whirlwind on an oak, or striking at his victim with an axe. But these romantic ideas did not find expression, so far as I am aware, in antique plastic art. Michelangelo's Cupid is therefore as original ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... poetry contains in all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... which was even already growing up in English society, should not be shocked by the too frequent reminder that the King had several children who were not born in wedlock. Beranger, the once popular French lyric poet, satirized a certain royal personage, a contemporary of William the Fourth, as the King of Yvetot. There was a French legend which told of the conditions under which the descendants of a certain lord of the manor in Brittany had been created by Clotaire kings ...
— A History of the Four Georges and of William IV, Volume IV (of 4) • Justin McCarthy and Justin Huntly McCarthy
... fame. So far from there being any lack of permanent value and power in his verse, any falling from his established rank, the most authoritative critics, more generally today than ever before, acknowledge him to be the greatest lyric poet that ever lived. One can hardly help being awed at the thought of the genius and fascination of the young man whom the gifted ...
— The Friendships of Women • William Rounseville Alger
... (the "Polyolbion" excepted) which he had published in 1620, it is reasonable to conclude that they had been composed between that date and 1627. They prove that his powers were by no means abated. "Nimphidia," in particular, though lacking the exquisite sweetness of some of his lyric pastorals, and the deep emotion of passages in his "Heroicall Epistles," excels all his other productions in airy fancy, and is perhaps the best known of any of his poems. Nor does the "Battaile" itself indicate any decay in poetical power, though we must agree with Mr. Bullen that ...
— The Battaile of Agincourt • Michael Drayton
... low music-hall into which I strayed one evening, one of the nigger corner-men sang a song of which the nature may be sufficiently divined from the refrain, "And the tom-cat was the cause of it all." This lyric being loudly encored, the performer came forward, and, to my astonishment, began to recite a long series of doggerel verses upon Mr. Kipling's illness, ...
— America To-day, Observations and Reflections • William Archer
... Stephen Coleridge has already established his position among the more tuneful writers of true lyric verse, and into all that he writes the poet puts delicacy and true emotion, the former never becomes mere phrase, the latter never degenerates ...
— Great Testimony - against scientific cruelty • Stephen Coleridge
... thoughts occupied them we may see from Dante's great poem describing a vision of the Inferno, Purgatory, and Paradise. This was written in the thirteenth century, and in the same period appeared a short Latin lyric, or hymn, called "Dies Irae," or the Day of Wrath, from an expression used by the old Hebrew prophet Zephaniah. The author was a Franciscan monk named Thomas of Celano, and we may see how deeply he felt from ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... is written in the truest Schubertian style. I like to fancy that the melody with its serene, lyric beauty is a picture of the fair Rosamunde herself. The first variation, a plaintive melody over an agitated accompaniment, I should be inclined, still referring to Rosamunde and regarding each variation as expressing an experience in her life, to entitle "Moods." The second variation is more ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... to birch pastures, where we heard the lowing Of one disconsolate cow. All the warm afternoon, Lulled in a reverie by the myriad tune Of insects, and the chirp of songless birds, Forgetful of the spring-time's lyric words, Drowsed round us while we tried to find the lane That to our coming feet had been so plain, And lost ourselves among the sweetfern's growth, And thickets of young pine-trees, nothing loath, Amidst the wilding loveliness to stray, And spend, if need were, looking ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... The Frenchified lyric poets of the school of Hagedorn and Gleim sing forest-songs, as though they longed after the forest from hearsay. Then, with the resurrected folk-song and the resuscitated Shakespeare, who has poetically explored deeper into the glory of the forest than all others, the English art of ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends ...
— The Moon Pool • A. Merritt
... believe I do recall something, in a hazy sort of way. You had on a rose-colored gown that was distinctly wonderful, and when we tracked the German to the door of your room, you were wearing an evening coat, bright blue. But the main thing was your hair!" Here I became lyric. "An oak-leaf in the sunlight, Miss Falconer! Threads ...
— The Firefly Of France • Marion Polk Angellotti
... endorse the thing. The heart, praise tickles and entices; Of fair one's smile, it oft the price is. See how the gods sometimes repay it. Simonides—the ancients say it— Once undertook, in poem lyric, To write a wrestler's panegyric; Which, ere he had proceeded far in, He found his subject somewhat barren. No ancestors of great renown; His sire of some unnoted town; Himself as little known to fame, The wrestler's praise was rather tame. The poet, ...
— The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine
... breath of morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of streams, ...
— Venetia • Benjamin Disraeli
... his correspondence-office in the Place de la Bourse; and he began to compose for the Troyes newspaper an account of recent events in a lyric style—a veritable tit-bit—to which he attached his signature. Then they dined together at a tavern. Hussonnet was pensive; the eccentricities of the Revolution exceeded ...
— Sentimental Education, Volume II - The History of a Young Man • Gustave Flaubert
... soul and lie Blind to the beauty of the earth, Deaf tho' a lyric wind goes by, Dumb in a ...
— Rivers to the Sea • Sara Teasdale
... "he's a daisy," and remarks, appropriately enough, "that this was well enough for 1898; but we would now be more inclined to render it 'he's a peach.'" Again, Peck renders "illud erat vivere" by "that was life," but, in the words of our lyric American jazz, we would be more inclined to render it "that was the life." "But," as Professor Gaselee has said, "no rendering of this part of the Satyricon can be final, it must always be in ...
— The Satyricon, Complete • Petronius Arbiter
... Esq. a young Irish gentleman, of whom Lord Charlemont had become the friend and patron. He afterwards published "Thoughts on Lyric Poetry, with an Ode to the Moon;" an "essay on Ridicule, Wit, and Humour;" and a translation of the Argonautics of Appollonius Rhodius. He ...
— Letters of Horace Walpole, V4 • Horace Walpole
... one: "I may boast that Paul Hayne was my friend, though it was never my good fortune to meet him." Many a soul was upheld and strengthened by him, as was that of a man who wrote that he had been saved from suicide by reading the "Lyric of Action." His album held autographed photographs of many writers, among them Charles Kingsley, William Black, and Wilkie Collins. He cherished an ivy vine sent him ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett
... expected to attach the same importance to the emotions as has been attributed to them by Europeans. Feeling, like Intellect, is not regarded, in the West, as an end in itself. And it is not uninteresting to note that the Americans are the only great nation that have not produced a single lyric of love worth recording. Physically, as well as spiritually, they are a people of cold temperament. Their women, so much and, I do not doubt, so legitimately admired, are as hard as they are brilliant; ...
— A Modern Symposium • G. Lowes Dickinson
... another most very young men in love have found themselves in that condition, and have tormented themselves to the verge of fever and distraction over imaginary hurts and wrongs. Was there ever a true lyric poet who did not at least once in his early days believe himself the victim of a heartless woman? And though long afterwards fate may have brought him face to face with the tragedy of unhappy love, fierce with passion and terrible with violent ...
— Marietta - A Maid of Venice • F. Marion Crawford
... where Love's iteration Seems to warble and to rave; Letters where the pent sensation Leaps to lyric exultation, Like a song-bird ...
— Collected Poems - In Two Volumes, Vol. II • Austin Dobson
... dramatic action. The poetry of primitive races has no distinguishing characteristics except metre or rhythm. It is usually an oft-recurring expression of the same idea. Yet there are many fragmentary examples of lyric poetry, though it is mostly egoistic, the individual reciting his deeds or his desires. From the natives of Greenland we have the following about the hovering of the clouds about ...
— History of Human Society • Frank W. Blackmar
... here reproduce it. I will only say that anything more acute, delicate, and discriminating, and, I must add, more entirely valueless and pedantic, I do not think I ever heard. It must have required immense and complicated knowledge. He was tracing the development of a certain kind of dramatic lyric, and what surprised me was that he supplied the subtle intellectual connection, the missing links, so to speak, of which there is no earthly record. Let me give a single instance. He was accounting for a rather sudden change ...
— The Child of the Dawn • Arthur Christopher Benson
... and sarcastic severity would have been unpleasing, had not he qualified them, by adopting the extravagant humour of Lueian and Rabelais—Prior, lively, familiar, and amusing—Rowe, solemn, florid, and declamatory—Pope, the prince of lyric poetry; unrivalled in satire, ethics, and polished versification—the agreeable Parnel—the wild, the witty, and the whimsical Garth—Gay, whose fables may vie with those of La Fontaine, in native humour, ease, and simplicity, and whose genius for pastoral was truly original. Dr. Bentley stood ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... on the page opposite is a beautiful lyric poem. She might be called "A Hymn to the Night." Every line of her figure is musical, every move suggested, rhythmical. Seen at night, she croons you a slumber song. How subtly Mr. Weinman has told you that she comes to fold the world within her wings - ...
— Sculpture of the Exposition Palaces and Courts • Juliet James
... near the river, was the tavern, where the lights burned late, and the music went to the tune of "Wandering Willie" and "John Barleycorn." On the other side of the street, toward the hills, was the Presbyterian church, where the sermons were an hour long, and the favourite lyric was ...
— The Unknown Quantity - A Book of Romance and Some Half-Told Tales • Henry van Dyke
... piece as a whole will repay very attentive perusal, while here and there in it there is a particular choice bit of work. Here, for example, is a fine lyric ... and here a love-song of rare and exquisite beauty."—New York Evening Post, ...
— Gycia - A Tragedy in Five Acts • Lewis Morris
... primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... Master of the lyric inn Where the rarer sort so long Drew the rein, to 'scape the din Of the cymbal and the gong, Topers of the classic bin,— Oporto, sherris and tokay, Muscatel, and beaujolais— Conning some old Book of Airs, Lolling in their Queen Anne chairs— Catch or glee or madrigal, Writ for viol or virginal; ...
— A Jongleur Strayed - Verses on Love and Other Matters Sacred and Profane • Richard Le Gallienne
... truth and beauty turn to cant on the second delivery, for it makes poetry, as a profession, impossible. The lyric poets have always spent most of their time in trying to write lyric poetry, and the ...
— Emerson and Other Essays • John Jay Chapman
... cutting pigeon-wings, the concertina played "Matamoras," Jones continued his lyric, when two Mexicans leaped at each other, and the concertina stopped ...
— Red Men and White • Owen Wister
... better production than either of Wordsworth's, superior to Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment ...
— The Song of the Flag - A National Ode • Eric Mackay
... sad little love lyric which Baroni himself had set to music specially for the voice of his favourite pupil, and as Diana's low rich notes took up the plaintive melody, the audience settled itself down with a sigh of satisfaction ...
— The Splendid Folly • Margaret Pedler
... was asked to sing, He gave the different nations something national; 'T was all the same to him—"God save the King," Or "Ca ira," according to the fashion all: His Muse made increment of anything, From the high lyric down to the low rational;[cx][194] If Pindar sang horse-races, what should hinder Himself from being as pliable ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... breathed a spirit of freshness and vividness: whether it be the romance of Alexander the Great and the exploits of Rustem, or the love scenes of Zal and Rodhale, of Bezhan and Manezhe, of Gushtasp and Kitayim. That he was also an excellent lyric poet, Firdusi shows in the beautiful elegy upon the death of his only son; a curious intermingling of his personal woes with the history of his heroes. A cheerful vigor runs through it all. He praises the delights of wine-drinking, ...
— Persian Literature, Volume 1,Comprising The Shah Nameh, The - Rubaiyat, The Divan, and The Gulistan • Anonymous
... are exceedingly trifling. We have no remaining inscription earlier than the fortieth Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of ...
— The Odyssey of Homer • Homer, translated by Alexander Pope
... are lyric. In the usual sense. They are not much different from poetry that praises gardens. The content is the distress of love, death, universal longing. The impulse to formulate them in the "cynical" vein (like cabaret songs) may, for example, might have arisen from the wish to feel superior. ...
— The Verse of Alfred Lichtenstein • Alfred Lichtenstein
... is Our purpose to inflame Our soldiers' arteries with lust of fame; To give them something in the lyric line That shall be tantamount to fumes of wine, Yet not too heady, like the champagne (sweet) That lately left them dormant in the street, So that the British, coming up just then, Took them for swine ...
— Punch, or the London Charivari, Vol. 147, September 30, 1914 • Various
... learned to read and write, perhaps an elementary history of the United States, and arithmetic, and occasionally made some little progress in algebra. On Saturdays we used to "speak pieces." Our favorites were some spirited lyric, like "Scots Wha Hae" or Pierpont's "Stand, the ground's your own, my braves," "The boy stood on the burning deck," and "Bernardo del Carpio." Sometimes, though not often, some comic piece was chosen, like Jack Downing's ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... Thackeray described in The Ballad of Bouillabaisse; Maire's, in the boulevard St.-Denis, which dates back beyond 1850; the Cafe Madrid, in the boulevard Montmartre, of which Carjat, the Spanish lyric poet, was an attraction; the Cafe de la Paix, in the boulevard des Capucines, the resort of Second Empire Imperialists and their spies; the Cafe Durand, in the place de la Madeleine, which started on a plane with the high-priced Riche, and ended its career ...
— All About Coffee • William H. Ukers
... the Crescent City not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars ...
— Songs and Other Verse • Eugene Field
... Fair," and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd "Epigrams," in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten "Masques" and "Entertainments." In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several noblemen, and the small earnings of his plays must have formed the bulk of his income. The ...
— The Alchemist • Ben Jonson
... so are many poets greater and less. Some who have seen the world-view, exhibit the same particularism in their lyric moods; although, generally speaking, a poet who once has comprehended the world, will see the parts of it in the light of that wisdom. But Walt Whitman is peculiarly representative of the poetry that can be true, without being wise in the manner that we shall ...
— The Approach to Philosophy • Ralph Barton Perry
... in the main, (not a compromise between meaning and melody, though in certain instances he may have fallen into that, but) a combination of the meaning with the melody, which latter is so important, so vital a part of the lyric poem's meaning, in any worthy sense. "No poetic translation," says Hayward's reviewer, already quoted, "can give the rhythm and rhyme of the original; it can only substitute the rhythm and rhyme of the translator." One might just as well say "no prose ...
— Faust • Goethe
... giving each semitone three, four, five, six, or even seven commas, according to its tendency." As we see, the precept is daring, and an inattentive scholar would only have to forget the last words of the definition to make people say that the great master of lyric art taught his ...
— Delsarte System of Oratory • Various
... HORACE SEDGER announces the engagement at the Lyric of Mlle. DUSE. The Manager must be prosperous; at all events, he is not going to the Duse, but the Duse is coming to him. And as to the Theatre—well, if it isn't a success, the Duse is ...
— Punch, or the London Charivari, Vol. 104, May 13, 1893 • Various
... the romantic love of youth; this was the basis of nearly all novels and of most short stories; its presence was demanded for either primary or secondary interest in the drama; and it was the chief source of inspiration for the lyric. But within the last thirty years all sorts of other subjects have been opened up. To-day the writer's difficulty is, not that he is restricted by literary convention in his choice of material, but that he is so absolutely unrestricted that he may be in doubt where to make his choice. He ...
— Modern American Prose Selections • Various
... wonderful effect when they spring fresh upon the vision of a youth out of the back country. I sang of the look of them in my letters and soon I began to think about them and imperfectly to understand them. They had their epic, lyric and dramatic stages ...
— The Light in the Clearing • Irving Bacheller
... one long poem. In our youth We rise and sing a noble epic song, A trumpet note of sound both clear and strong, With idyls now and then too sweet for truth. A lyric of lament, it swells along The tide of years, a protest 'gainst the wrong Of life, an unavailing cry for ruth, A wish to know the end—the end forsooth! 'Tis not on earth. The end which makes or mars The song of life, we who sing seldom ...
— The Argosy - Vol. 51, No. 6, June, 1891 • Various
... just like Barty to begin a lyric that will probably last as long as the English language with an innocent jingle worthy of ...
— The Martian • George Du Maurier
... to go back to Naples—that thought never even occurred to him. To shake off his old comrade Nina? He certainly would have preferred, for many reasons, that she should have taken to concert-room business; but if she were relying on him for an introduction to the lyric stage, why, he was bound to help her in every possible way. "You know you've got an excellent voice," he continued. "And a very little stage training would fit you for a small part in comedy-opera, if that is what you're thinking of, as a beginning. But I don't ...
— Prince Fortunatus • William Black
... himself once upon a time, if he cared to, could easily have. Added to which of course would be the pecuniary emolument by no means to be sneezed at, going hand in hand with his tuition fees. Not, he parenthesised, that for the sake of filthy lucre he need necessarily embrace the lyric platform as a walk in life for any lengthy space of time. But a step in the required direction it was beyond yea or nay and both monetarily and mentally it contained no reflection on his dignity in the smallest and it often turned in uncommonly handy to be handed a cheque ...
— Ulysses • James Joyce
... improved roads of to-day, for my automobile to penetrate everywhere I wandered afoot. Nor would I wish it to; a few disappointments, a few failures to recapture something of that first fine careless rapture, would instill a lyric melancholy; but too many would make one morbid.... Well, then: at Nant, in those old days, I once had a famous dinner; and naturally, returning, I must try to duplicate it, even though it meant going on to Millau in the ...
— Alias The Lone Wolf • Louis Joseph Vance
... us have a lyric recitation; let us be brief and clear. What do you want? Explain yourself. I don't suppose that you have addressed this rebuke to me solely for the purpose of telling me that you are in love ...
— Serge Panine, Complete • Georges Ohnet
... phenomenal velocity On vertiginous pinnacle of poetic pomposity! Yet deign to cock thy indulgent eye at the petition Of one consumed by corresponding ambition, And lend the helping hand to lift, pulley-hauley, To Parnassian Peak this poor perspiring Bengali! Whose ars poetica (as per sample lyric) Is fully competent to turn out panegyric. What if some time to come, perhaps not distant, You were in urgent need of Deputy-Assistant! For two Princesses might be confined simultaneously— Then, how to homage the pair extemporaneously? ...
— Baboo Jabberjee, B.A. • F. Anstey
... Poetry versus Tour-de-Force; "The Ring and the Book" begun in 1866; analysis of the poem; kinship of "The Ring and the Book" and "Aurora Leigh"; explanation of title; the idea taken from a parchment volume Browning picked up in Florence; the poem planned at Casa Guidi; "O Lyric Love," etc.; description and analysis of "The Ring and the Book," with quotations; compared as a poem with "The Inn Album," "Pauline," "Asolando," "Men and Women," etc.; imaginary volumes, to be entitled "Transcripts from Life" and "Flowers o' the Vine"; Browning's greatest period; Browning's ...
— Life of Robert Browning • William Sharp
... Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend ...
— The Modern Scottish Minstrel , Volume I. - The Songs of Scotland of the past half century • Various
... no space to the specific discussion of epic and drama, as these types are adequately treated in many books. Our own generation is peculiarly attracted by various forms of the lyric, and in Part Two I have devoted especial attention to ...
— A Study of Poetry • Bliss Perry
... the capacity for lofty themes, but, especially as he grows older and more philosophic, and perhaps less lyric, half-seriously attributes whatever he does ...
— Horace and His Influence • Grant Showerman
... (1826?) George Borrow published a small book of poems which is now extremely rare. I have a copy of it. In it there is a lyric in which, with his usual effrontery, he describes a very clever, tall, handsome, accomplished man, who knows many languages and who can drink a pint of rum, ending with the remark that he himself was this ...
— Memoirs • Charles Godfrey Leland
... New Era, The Negro's Reaction to the World War, The Negro's Grievances and Demands, Riots, Lynchings, The South and the Negro, The Negro and Labor Unionism and Bolshevism, Negro Progress, and The Lyric Cry,—a remarkable assortment of first-hand information concerning Negro thought ...
— The Journal of Negro History, Volume 6, 1921 • Various
... With him, as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that ...
— Robert Browning • G. K. Chesterton
... The bold lyric of Burns is but an inspired kind of version of the real address which Bruce is said to have made to his followers; and whoever reads it will see that its power lies not in appeal to brute force, but to the ...
— Sunny Memories Of Foreign Lands, Volume 1 (of 2) • Harriet Elizabeth (Beecher) Stowe
... that word INTELLECTUAL, one lays himself liable to the accusation of having forsaken democracy. For all that, "fundamental brainwork" is behind every respect-worthy piece of writing, whether it be a lightsome lyric that seems as careless as a redbird's flit or a formal epic, an impressionistic essay or a great novel that measures the depth of human destiny. Nonintellectual literature is as nonexistent as education without mental ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie
... more necessary to define sharply the line between poetry of the people and poetry for the people.[2] The latter may still be written; the making of the former is a lost art. Poetry of the people is either lyric or narrative. This difference is roughly that between song and ballad. 'With us,' says Ritson, 'songs of sentiment, expression, or even description, are properly termed songs, in contradistinction to mere narrative compositions which we now denominate ...
— Ballads of Romance and Chivalry - Popular Ballads of the Olden Times - First Series • Frank Sidgwick
... box you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... Adur belongs also another lyric. It is printed in Hawthorn and Lavender, to which I have already referred, and is one of Mr. Henley's most characteristic and ...
— Highways & Byways in Sussex • E.V. Lucas
... in rhythm with her rocking as she snuggled and soothed him. There was silence for another interval. Then she began to croon a song above him as she rocked, though the lyric was plainly ...
— Merton of the Movies • Harry Leon Wilson
... guardians. I was sent to various schools, great and small; and was very early distinguished for my classical attainments, especially for my knowledge of Greek. At thirteen I wrote Greek with ease; and at fifteen my command of that language was so great that I not only composed Greek verses in lyric metres, but could converse in Greek fluently and without embarrassment—an accomplishment which I have not since met with in any scholar of my times, and which in my case was owing to the practice of daily reading off the ...
— Confessions of an English Opium-Eater • Thomas De Quincey
... For the details of the battle of Copenhagen see Southey's Life of Nelson. That conflict has been celebrated, in a noble lyric, by Campbell— ...
— The History of Napoleon Buonaparte • John Gibson Lockhart
... you can understand the feelings of an enthusiast. A set of fine China is like a poem—every individual bit is necessary to the perfection of the whole. I allow that this is not the usual way of looking at it; but my pleasure lies in seeing it entire, making the tea-table into a kind of lyric, elevating the family life by the application of the principles of abstract beauty to its homeliest details. Pardon, Miss Beecham, but Mrs. Tozer is right, and you are wrong. The idea of carrying off a few lines of a poem in one's pocket ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... ancient literature, containing various lyric compositions, and certain triads, in which are arranged historical facts or moral aphorisms, has been shown by Sharon Turner, who has established the high antiquity of many of ...
— The Mabinogion • Lady Charlotte Guest
... George Sand must be gratified this time! Your article this morning upon her autobiography really did hit the bull's-eye, plumb! What fire! what enthusiasm! what lyric strains!" ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... of a slowly moving rhythm restrained by frequent pauses and occasional metrical irregularities, and thus they reflect with faithfulness the paternal agony with which they are filled. They belong to the earlier works of the poet, but they disclose great lyric power and are the first deep notes of the poet's genius. A few ...
— Life Immovable - First Part • Kostes Palamas
... the dream-world and the real, We heard the waxing passion of the song Soar as to scale the heavens on pinions strong. Amidst the long-reverberant thunder-peal, Against the rain-blurred square of light, the head Of the pale poet at the lyric keys Stood boldly cut, absorbed in reveries, While over it keen-bladed lightnings played. "Rage on, wild storm!" the music seemed to sing: "Not all the thunders of thy wrath can move The soul that's dedicate to worshipping Eternal Beauty, everlasting ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various
... in silence through the green and gold lyric of the spring day, an elderly company sadly out of key with the triumphant note of eternal youth which rang through all the visible world. Mrs. Purdon looked at nothing, said nothing, seemed to be aware of nothing but ...
— Americans All - Stories of American Life of To-Day • Various
... birth, and came a child to Ohio; but William H. Lytle, dear to lovers of poetry as the author of the fine lyric, "Antony and Cleopatra," was born in Cincinnati, of the old Scotch-Irish stock, in 1826. He had everything pleasant in life and he enjoyed his prosperity, but when the war came he met its call halfway. At Chickamauga he fell, pierced ...
— Stories Of Ohio - 1897 • William Dean Howells
... could never explain satisfactorily what the "pea-vine" was. His "Ring around and shake a leg, ma lady," was a triumph in the lyric line. ...
— The Great White Tribe in Filipinia • Paul T. Gilbert
... Wild Duck and Hedda Gabler be compared with the last acts of Little Eyolf and Borkman, it will be seen that in the earlier plays it relaxes towards the close, to make room for pure imagination and lyric beauty. The actual drama is over long before the curtain falls on either play, and in the one case we have Rita and Allmers, in the other Ella and Borkman, looking back over their shattered lives and playing chorus to their own tragedy. For my part, I set the highest value ...
— John Gabriel Borkman • Henrik Ibsen
... of the characters, majestically seated, instead of leaning on the window-ledge, has, in Scheffer's picture, I know not what touch of stiffness, of slightly theatrical. And the general impression is a cold dryness which contrasts with the lyric warmth of the story ...
— Saint Augustin • Louis Bertrand
... most striking songs which the war has brought forth, we must class that grim Puritanical lyric, 'The Kansas John Brown,' which appeared originally in the Kansas Herald, and which is, as we are informed, extensively sung in the army. The words are ...
— Continental Monthly, Vol. I, No. VI, June, 1862 - Devoted To Literature and National Policy • Various
... from the final chorus of Elfrida, (says Miss Seward), admirably close this tribute to the memory of him who stands second to Gray, as a lyric poet; whose English Garden is one of the happiest efforts of didactic verse, containing the purest elements of horticultural taste, dignified by freedom and virtue, rendered interesting by episode, and given in those energetic and undulating measures which render blank ...
— On the Portraits of English Authors on Gardening, • Samuel Felton
... Queen's Gate!" said Alexander, when Piers began to look at his watch. "No hurry, my boy! The night is young! 'And'"—he broke into lyric quotation—"'haply the Queen Moon is on her throne, clustered around with all her starry fays.'—I shall never forget this dinner; shall you, Biddy? We'll have a song when ...
— The Crown of Life • George Gissing
... Smith, who was desirous that I should assist him with the works in which he was engaged, particularly 'The Irish Minstrel,' and 'Select Melodies.' Smith was a man of modest worth and superior intelligence; peculiarly delicate in his taste and feeling in everything pertaining to lyric poetry as well as music; his criticisms were strict, and, as some thought, unnecessarily minute. Diffident and retiring, he was not got acquainted with at once, but when he gave his confidence, he was found a pleasant companion and warm-hearted friend. If, as he had sought my acquaintance, ...
— The Modern Scottish Minstrel, Volume IV. - The Songs of Scotland of the Past Half Century • Various
... to Potidaea? Because in the former case every thing is ordered by law, and each of you knows long before-hand, who is the choir-master [Footnote: The choregus, or choir-master, of each tribe, had to defray the expense of the choruses, whether dramatic, lyric, or musical, which formed part of the entertainment on solemn occasions. This was one of the [Greek: leitourgiai], or burdensome offices, to which men of property were liable at Athens, of which we shall see more in other parts of our author.] of his tribe, who the gymnastic [Footnote: ...
— The Olynthiacs and the Phillippics of Demosthenes • Demosthenes
... and sceptres, any more than of the repetition of flowers and stars. The whole imaginative effort of Walt Whitman was really an effort to absorb and animate these multitudinous modern repetitions; and Walt Whitman would be quite capable of including in his lyric litany of optimism a list of the nine hundred and ninety-nine identical bathrooms. I do not sneer at the generous effort of the giant; though I think, when all is said, that it is a criticism of modern machinery that the effort should be ...
— What I Saw in America • G. K. Chesterton
... music. Every teacher should have at his command a wide range of compositions in every form available for the voice. This should include simple exercises, vocalises with and without words, songs of every description, arias of the lyric, dramatic, and coloratura type, and recitatives, as well as concerted numbers of every description. All these compositions should be graded, according to the difficulties they present, both technical in the vocal sense, and musical. For every stage of a pupil's progress the teacher should know exactly ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... lovely lyric which comes from the lips of Mary, has been sung during many centuries as one of the chief canticles of the Christian Church. Its occasion was a visit paid to her kinswoman, Elisabeth, by Mary shortly after she had received the promise of the ...
— The Gospel of Luke, An Exposition • Charles R. Erdman
... thing to write like a madman, but 'tis a very easy thing to write like a fool.'" Nevertheless, the difficult song of distraction is to be heard, a light high note, in English poetry throughout two centuries at least, and one English poet lately set that untethered lyric, the ...
— Essays • Alice Meynell
... acts. It is clear then, that the tibia was certainly used in the declamation of tragedy. But now the song of the tragic chorus, being of the nature of the ode, of course required fides, the lyre, the peculiar and appropriated instrument of the lyric muse. And this is clearly collected, if not from express testimonies; yet from some occasional hints dropt by the antients. For, 1. the lyre, we are told, [Cic. De Leg. ii. 9. & 15.] and is agreed on all hands, ...
— The Art Of Poetry An Epistle To The Pisos - Q. Horatii Flacci Epistola Ad Pisones, De Arte Poetica. • Horace
... and has all an Englishman's fondness for walking. He is martial in spirit, too, and rejoices in the heroic deeds of his countrymen. He can write a spirited war song, as he proved a few years ago when he thrilled all England with the lyric:— ...
— Home Life of Great Authors • Hattie Tyng Griswold
... further. A landscape painter would not make a primary study of Angelo's anatomical drawings; a composer of lyric forms of music would not study Sousa's marches; nor would a person writing a story look for much assistance in the arguments of Burke. The most direct benefit is derived from studying the very thing one wishes to know about, not from studying something else. ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... specimen of Pushkin's lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... without a moment's intermission. It is a crow which has passed round the world century after century, and now passes, as the herald of the coming of the sun. It may yet be made the theme of a majestic musical composition, now that Wagner has come to teach men how to build a lyric drama upon a phrase. Perhaps the coming American national song may have this familiar crow for its inspiration and its burden. We might do worse, perhaps, than to take the rooster for our national ...
— Elbow-Room - A Novel Without a Plot • Charles Heber Clark (AKA Max Adeler)
... man can imagine it better. He was the farthest reach of subtlety compatible with an individual self,—the subtilest of authors, and only just within the possibility of authorship. With this wisdom of life, is the equal endowment of imaginative and of lyric power. He clothed the creatures of his legend with form and sentiments, as if they were people who had lived under his roof; and few real men have left such distinct characters as these fictions. And they spoke in language as sweet as it was fit. Yet ...
— Representative Men • Ralph Waldo Emerson
... occasions when we absolutely need the little cleverness that we possess. The orator needs it when he speaks, the poet when he Versifies, but neither cares how stupid he may become when the oration is delivered and the lyric set down on paper. The stimulant serves to bring out the talent when it is wanted, like the wind in the pipes of an organ. "What will it matter if I am even a little duller afterwards?" says the genius; "I can afford to be dull when I have done." But the truth ...
— Study and Stimulants • A. Arthur Reade
... the immortal lords of fame. So far from there being any lack of permanent value and power in his verse, any falling from his established rank, the most authoritative critics, more generally today than ever before, acknowledge him to be the greatest lyric poet that ever lived. One can hardly help being awed at the thought of the genius and fascination of the young man whom the gifted ...
— The Friendships of Women • William Rounseville Alger
... handicraftsman at his work, a goldsmith hammering out his gold into those thin plates as delicate as the petals of a yellow rose, or drawing it out into the long wires like tangled sunbeams, so perfect and precious is the mere handling of it; or the little lyric interludes that break in here and there like the singing of a thrush, and are as swift and as sure as the beating of a bird's wing, as light and bright as the apple-blossoms that flutter fitfully down to the ...
— Miscellanies • Oscar Wilde
... Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship ...
— The Kalevala (complete) • John Martin Crawford, trans.
... as reflected in literary work. "Lancelot" must be the keystone of any theory constructed concerning the moral evolution of Chretien. The following supposition is tenable, if the chronology of Foerster is correct. After the works of his youth, consisting of lyric poems and translations embodying the ideals of Ovid and of the school of contemporary troubadour poets, Chretien took up the Arthurinn material and started upon a new course. "Erec" is the oldest Arthurinn romance to have survived in any language, but it is almost certainly not the first ...
— Four Arthurian Romances - "Erec et Enide", "Cliges", "Yvain", and "Lancelot" • Chretien de Troyes
... next. Originally, all poetry was spoken with musical accompaniment; when this primitive literature began to divide up into specialised forms, Lyric was the literary form which retained most of the spirit of music. It includes Songs and Odes, in which the very structure of the poem is determined by the mode of its performance; Psalms and Lamentations; the Traditional Poetry scattered through the ...
— Select Masterpieces of Biblical Literature • Various
... Thomas Seccombe, speaks of his 'genuine lyric fire, a poetic energy, and above all an intensity remote from his contemporaries and suggestive (as Cimabue in his antique and primitive manner is suggestive of Giotto and Angelico) of ...
— The Rowley Poems • Thomas Chatterton
... of the third ornithological lyric Miss Sherwin roused from her attitude of inspired vision and breathed to Carol, "My! That was sweet! Of course Raymond hasn't an unusually good voice, but don't you think he puts such a lot of ...
— Main Street • Sinclair Lewis
... often fancy those treasures most valuable that are beyond our reach, and hence when we run over the names of the authors in this library we think perhaps too much of those which are now missing. The student in the museum could have read the lyric poems of Alcaeus and Stersichorus, which in matter and style were excellent enough to be judged not quite so good as Homer; the tender lamentations of Simonides; the warm breathings of Sappho, the tenth muse; ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 11 (of 12) • S. Rappoport
... frightful,"—"un pays aspre et affreux." Even the early troubadours and trouveres, poets and rhapsodists, loving to admire and enlarge and extol, are silent concerning the mountains. Despourrins, the poet of the Pyrenees, sang of love and lyric inspiration; but he rarely looked up to seek the higher inspiration of their hills and snows. It is inexplicable that the power of the sublime should have been withheld from the age of romance and poetry and nearness to nature, and bestowed ...
— A Midsummer Drive Through The Pyrenees • Edwin Asa Dix
... be judged of by my extracts or by anybody's extracts from his last-published volume.[68] Do you remember his grand ode upon Childhood—worth, to my apprehension, just twenty of Dryden's 'St. Cecilia's Day'—his sonnet upon Westminster Bridge, his lyric on a lark, in which the lark's music swells and exults, and the many noble and glorious passages of his 'Excursion'? You must not indeed blame me for estimating Wordsworth at his height, and on the other side I readily confess to you that he is occasionally, and not unfrequently, heavy ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... on to singing and nearly brought down the roof of Pinoli's restaurant. Cholmeley, the awful being of whose classic taste in Greek iambics I once stood in awe, sang with great feeling a fragment of lyric literature of which the following was, as far as ...
— Gilbert Keith Chesterton • Maisie Ward
... did not acknowledge, "Bartholomew Fair," and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... "Playboy." The first was written straight from the heart. We feel Synge must have followed those people carrying the dead body, and touched to the quick by the caoine, passed the touch on to us, for in the lyric swell of the close we get the true emotion. Here alone is he in the line of greatness. This gripped his heart and he wrote out of himself. But in the other work of his it was otherwise. He has put his method on record: he listened through a chink ...
— Principles of Freedom • Terence J. MacSwiney
... and herd! sleep, darkling thorpe and croft, Safe from the weather! 30 He, whom we convoy to his grave aloft, Singing together, He was a man born with thy face and throat, Lyric Apollo! Long he lived nameless: how should spring take note Winter would follow? Till lo, the little touch, and youth was gone! Cramped and diminished, Moaned he, "New measures, other feet anon! My dance is finished?" 40 No, ...
— Browning's Shorter Poems • Robert Browning
... never wilfully leaves a point unguarded, never allows himself to be caught in undress. Thoreau spurns this punctiliousness, and thus impairs his average execution; while for the same reason he attains, in favored moments, a diction more flowing and a more lyric strain than his teacher ever allows himself, at least in prose. He also secures, through this daring, the occasional expression of more delicate as well as more fantastic thoughts. And there is an interesting ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... and we see that they stand for tendencies in the critical activity of every nation. The ideal of the impressionist is to bring a new piece of literature into being in some exquisitely happy characterization,— to create a lyric of criticism out of the unique pleasure of an aesthetic hour. The stronghold of the scientist, on the other hand, is the doctrine of literary evolution, and his aim is to show the history of literature as the history of a process, and the work of literature as a product; to explain it from its ...
— The Psychology of Beauty • Ethel D. Puffer
... literature, had an irresistible charm for him; and he once declared that he would almost rather have been Ireland than Shakespeare; and then it was his delight to write Greek versions of a poem that might attach the mark of plagiarism to Tennyson, or show, by a Scandinavian lyric, how the laureate had been poaching from the Northmen. Now it was a mock pastoral in most ecclesiastical Latin that set the whole Church in arms; now a mock despatch of Baron Beust that actually deceived the Revue des Deux Mondes and caused quite a ...
— Lord Kilgobbin • Charles Lever
... gobble-gobble, moo-moo, baa-baa, etc., as long as the laureate's imagination and the infant's breath hold good. The tune is pretty, and I do not know, or did not, when I was young, a more fascinating lyric. ...
— The Diary of a Goose Girl • Kate Douglas Smith Wiggin
... the Blue!" The young person was a little taken aback, not remembering the allusion, for a moment, when the old gentleman repeated emphatically,—"The Red and the Blue, ye know—Tom Campbell." It was in reference to a couple of stanzas, addressed to the United States by that great lyric poet, scarcely equaled in his ...
— Old New England Traits • Anonymous
... same thing occurred when the contralto was prominent, or the tenor, or the baritone, or the basso, each of whom it was confidently asserted by competent Delisleville judges might have rendered him or herself and Delisleville immortal upon the lyric stage if social position had not placed the following of such a profession entirely out of the question. There had indeed been some slight trouble in one or two of the best families, occasioned by the musical fervour of youthful scions ...
— In Connection with the De Willoughby Claim • Frances Hodgson Burnett
... the faithful reproduction of the intention of both poet and composer. This reproduction includes the revelation of the characteristics of the poem itself, whether lyric, dramatic, or in other ways distinctive. It also reveals the musical significance of the composition to which the words are set. The melodic, rhythmic, and even harmonic values must be made clear to the hearer. But ...
— The Renaissance of the Vocal Art • Edmund Myer
... Macbeth,[36] as containing the 'topmost note in the stupendous agony of the drama,' are rhymed. The management of rhyme is a difficult and very delicate art; it is an instrument that requires a first-class performer, like Mr. Swinburne, to bring out its potency; to this art the English lyric, the ode and the song, owe their musical perfection. Mr. Swinburne, in an essay upon Matthew Arnold's New Poems (1867), has said, truly, that 'rhyme is the native condition of lyric verse in England'; and that 'to throw away the natural grace of rhyme from a modern ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... is in error as to the incompleteness of Mr. Wilde's Life of Dante. Mr. Wilde, more than a year before his death, informed us that his work was nearly ready for the printer; and at the same time he confided to us for perusal his admirable translations of specimens of Italian Lyric Poets. We hope the descendants of our learned and ingenious friend will place these works, so creditable to his temper, scholarship, ...
— The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... a truce to philosophisings. It grows late apace. (Ah, Hulda, how like opals in the lyric April rain are your eyes in this first faint purple-pink of the tremulous dawn.... Were I a Heine!) In my far-away America, Hulda, in far-away New York, it is now onto midnight. I see Broadway, strumpet ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... trio! The event of the evening! General Hardshell Jackson, Senor Lupe de Tamale, and the renowned lyric barytone, James Russell Lowell Mason, will combine in a grand farewell concert. Ascend the platform, Senor!" he cried to the Mexican lad, who stood, wide-eyed, in a corner. Then he gestured ...
— Stanford Stories - Tales of a Young University • Charles K. Field
... schools of antient Sages; his who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next: There thou shalt hear and learn the secret power Of harmony in tones and numbers hit By voice or hand, and various-measur'd verse, Aeolian charms and Dorian Lyric Odes, And his who gave them breath, but higher sung, Blind Melesigenes thence Homer call'd, Whose Poem Phoebus challeng'd for his own. 260 Thence what the lofty grave Tragoedians taught In Chorus or Iambic, teachers best Of moral prudence, ...
— The Poetical Works of John Milton • John Milton
... forest or the garden. Many mornings and evenings during the month of May one of these handsome fellows was busy in my garden, diligently picking the potato bugs from the young vines, stopping now and then, especially in his morning visits, to pour out a happy, ringing lyric and to show his handsome plumage. On one occasion he took a couple of potato bugs in his "gros" beak as he flew to the nearby woodland, probably a tempting morsel for his spouse's breakfast. A bird that can sing better than a warbling ...
— Some Spring Days in Iowa • Frederick John Lazell
... belief. To the Blessed Virgin, King Edward III dedicated his principal religious foundation; and Chaucer, to whatever extent his opinions or sentiments may have been in accordance with ideas of ecclesiastical reform, displays a pious devotion towards the foremost Saint of the Church. The lyric entitled the "Praise of Women," in which she is enthusiastically recognized as the representative of the whole of her sex, is generally rejected as not Chaucer's; but the elaborate "Orison ...
— Chaucer • Adolphus William Ward
... Sidney Lanier's poems — published three years after the poet's death — predicted with confidence that Lanier would "take his final rank with the first princes of American song." Anticipating the appearance of this volume, one of the best of recent lyric poets, who had been Lanier's fellow prisoner during the Civil War, prophesied that "his name to the ends of the earth would go." Indeed, there was a sense of surprise to those who had read only the 1877 edition of Lanier's poems, when his ...
— Sidney Lanier • Edwin Mims
... and exquisite versification in his "Ancient Mariner," "Genevieve," "Alice du Clos," but nowhere a systematic burden. Campbell has no burdens in his finest lyric ballads, though the subjects were fitted for them. The burden of the "Exile of Erin" ...
— Thomas Davis, Selections from his Prose and Poetry • Thomas Davis
... widely practised than in the earlier ages. Finn's Song to May, here translated, is of a good type, frank and observant, with a fresh air in it, and a fresh pleasure in its writing. I have no doubt that at this time began the lyric poetry of Ireland, and it reached, under Christian influences, a level of good, I can scarcely say excellent, work, at a time when no other lyrical poetry in any vernacular existed in Europe or the Islands. It was religious, mystic, and chiefly pathetic—prayers, hymns, dirges, regrets in ...
— The High Deeds of Finn and other Bardic Romances of Ancient Ireland • T. W. Rolleston
... feelings flew high. They were not then in any danger of being contradicted by facts, and nothing could check their illusions or intimidate them. They wrote to each other two or three times a week in a passionately lyric style. They hardly ever spoke of real happenings or common things; they raised great problems in an apocalyptic manner, which passed imperceptibly from enthusiasm to despair. They called each other, "My blessing, my hope, my beloved, my Self." They made a fearful hash of the word ...
— Jean-Christophe, Vol. I • Romain Rolland
... To tread the dreadful way of human birth, His shadow sometimes fell upon the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... the well known 'Korner's Prayer,' and 'The Vow.' From Mrs. T. Sedgwick we find a fine bold song, 'For a' that and a' that,' of course to the good old air of that name—a lyric of such decided merit in most respects that we regret to notice in it the venerable bull of 'polar stars,' quizzed long ago in another writer. Our contributor, Henry Perry Leland, has in this collection two songs, both strongly marked with the camp, neither setting forth ...
— The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... 1921 "Literary Digests," and the silent, sullen, group of waiting patients, each trying to look unconcerned and cordially disliking everyone else in the room,—all these have been sung by poets of far greater lyric powers than mine. (Not that I really think that they are greater than mine, but that's the customary form of excuse for not writing something you haven't got time or space to do. As a matter of fact, I think I could do it much better than it ...
— Love Conquers All • Robert C. Benchley
... Spain's school the poem on "Space" which the Literary Opinion had copied; and he was the greatest possible success. Most of it I feel sure the school didn't understand. But just as he finished the last two lines—those lines the magazine had called "as perfect in winged lyric quality as any lines in the English language could be"—the Byrd, whom Sam had groomed carefully and brought in from the brier-patch for the occasion, rose, and, with his freckles black with the intensity of his comprehension of the poem, spread ...
— Over Paradise Ridge - A Romance • Maria Thompson Daviess
... in all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer is the most artistic, and best ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... to surfeiting With lyric draughts o'ersweet, from rills that rise On Hybla not Parnassus mountain: come With beakers rinsed of the dulcifluous wave Hither, and see a magic miracle Of happiest science, the bland Attic skies True-mirrored by an ...
— The Poems of William Watson • William Watson
... composition and his style illuminate the characters, order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, and by his ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... poets, who represent the three vices of Dutch literature—of losing themselves in the clouds, of creeping on the ground, of entangling themselves in the meshes of mysticism—are grouped a number of epic, comic, satiric, and lyric poets, most of whom flourished in the seventeenth and a few in the eighteenth century. Many of them are renowned in Holland, but none possesses sufficient originality to attract the attention ...
— Holland, v. 1 (of 2) • Edmondo de Amicis
... part of the year 1861, before Lincoln's Emancipation Proclamation had given deliverance to the captives, and when "the north star" was an object dear to many a slave who longed to breathe the free air of Canada. The Rev. E. H. Dewart says of it: "This spirited lyric is alike creditable to the talents, patriotism, and independence of its author. Its loyalty is an intelligent attainment, free from ...
— Canadian Wild Flowers • Helen M. Johnson
... the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's ...
— A Collection of Ballads • Andrew Lang
... reprint of the 1891 volume; but it has been thought well to include, in an appendix, certain of the poems which appeared in one or other of the first two issues, but were omitted from the 1891 issue, together with a little Greek lyric, with its English equivalent, ...
— Ionica • William Cory (AKA William Johnson)
... a creature, made by something he calls "Quiet;" and what is this but the Gnostic notion of aeons and their subordination to the great, hid God? No, this brief dramatic lyric is far from being an imagination. Rather say it is a chapter taken from the history of man's traffic in gods. Setebos is creative; lacks moral qualities in that he may be evil or good; acts from spleen, and by simple caprice; is loveless; to be feared, ...
— A Hero and Some Other Folks • William A. Quayle
... prose. Between each is an interlude, in prose or verse, representing the "talk by the way," of art-students, Austrian police, and poor girls, all bearing on some part of the action. Pippa's prologue and epilogue, like her songs, are in varied lyric verse. The blank verse throughout is the most vivid and dignified, the most coloured and yet restrained, that Browning ever wrote; and he never wrote anything better for singing than some of ...
— An Introduction to the Study of Browning • Arthur Symons
... that?" cried Solling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have ...
— The Most Interesting Stories of All Nations • Julian Hawthorne
... The genealogy of the lyric is still more complicated than these sources imply, but the specimens given are enough to show the nature of the ore from which Burns extracted the pure ...
— Robert Burns - How To Know Him • William Allan Neilson
... over the words of the hymn, which was familiar to me, though strangely enough is to be found in but few collections. It is a perfect lyric, both in its grave language and its beautiful balance; and it is too, so far as such a composition can be, or ought to be, intensely dramatic. The thought is just touched, and stated with exquisite brevity and restraint; there is not a word too much or ...
— The Thread of Gold • Arthur Christopher Benson
... if she could have it after her taste, would be the past made present. She has many aspirations, and few of them are realized, but all of them are sketched in faint hues upon the mist of her mediaeval atmosphere. She is, in the language of a lyric from her ...
— Paul Patoff • F. Marion Crawford
... Immortal they are, no doubt, and deserve to be by reason of their style—"fame's great antiseptic." But their philosophy is thin after all, and will not bear discussion. As exercise for a grown man's thought, I will back a lyric of Blake's or Wordsworth's, or a page of Ibsen's Peer Gynt against the whole ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... de Journaux and the other little masterpieces of story-telling in verse are unfortunately untranslatable, as are all poems but a lyric or two, now and then, by a happy accident. A translated poem is a boiled strawberry, as some one once put it brutally. But the tales which M. Coppee has written in prose—a true poet's prose, nervous, vigorous, flexible, and firm—these can be Englished by taking thought ...
— Ten Tales • Francois Coppee
... the period are valuable as indicating that the Anglo-Saxons were familiar with various types of poetry. "Deor's Lament," describing the sorrows of a scop who had lost his place beside his chief, is a true lyric; that is, a poem which reflects the author's feeling rather than the deed of another man. In his grief the scop comforts himself by recalling the afflictions of various heroes, and he ends each stanza ...
— Outlines of English and American Literature • William J. Long
... when he was asked to sing, He gave the different nations something national. 'Twas all the same to him—'God save the King' Or 'Ca ira' according to the fashion all; His muse made increment of anything From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... I confess that this lyric, except for its penultimate verse, soon to be quoted, does not seem to me what Mr. Chesterton calls it—"delightful." Nothing, plainly, did bring these two together; she may have looked jealously at his models, and he at her piano-tuner ...
— Browning's Heroines • Ethel Colburn Mayne
... affectation of carelessness. "I merely looked in to see how you were getting on. There's no news. The government seem to be in a mess, but even their own friends are ashamed of their vacillation. They're talking of still another lyric theatre; you'll have to save up your voice, Linn—by Jove! you fellows will be in tremendous request. What else? Oh, nothing. There's been a plucky thing done by a servant-girl in rescuing two children ...
— Prince Fortunatus • William Black
... ethereal of all sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, ...
— The Snow Image • Nathaniel Hawthorne
... diverse opinions as to Thomas Moore's greatness, but there can scarcely be two as to his lyric gift. He could write charming love-songs, simple and yet full of colour, and, given the Oriental theme, it is no wonder that youths and maidens of his day sighed and smiled over "Lalla Rookh" as over nothing that had yet been written for them. It is a delightful ...
— Greenwich Village • Anna Alice Chapin
... madrigal, catch, round, chorus, chorale; antiphon[obs3], antiphony; accompaniment, second, bass; score; bourdon[obs3], drone, morceau[obs3], terzetto[obs3]. composer &c. 413; musician &c. 416. V. compose, perform &c. 416; attune. Adj. musical; instrumental, vocal, choral, lyric, operatic; harmonious &c. 413; Wagnerian. Adv. adagio; largo, larghetto, andante, andantino[obs3]; alla capella[It][obs3]; maestoso[obs3], moderato; allegro, allegretto; spiritoso[obs3], vivace[obs3], ...
— Roget's Thesaurus
... the things. Of course, there are still others to come after us, but our works are not immortal, and they will plagiarise us without protest. Yet I have hopes of Make-Believe, for it had the honour of inaugurating Mr. Nigel Playfair's management at the Lyric, Hammersmith. It is possible that the historians will remember this, long after they have forgotten my plays; more likely (alas!) that their history will be dated A.D. (After Drinkwater) and that the honour will be given to "Abraham Lincoln." I like to think that in this event ...
— Second Plays • A. A. Milne
... I've looked on Ida with a Trojan's eye; Athos, Olympus, AEtna, Atlas, made These hills seem things of lesser dignity, All, save the lone Soracte's height displayed, Not NOW in snow, which asks the lyric ...
— Childe Harold's Pilgrimage • Lord Byron
... other evening, wishing to enjoy a little music, I went to the Lyric Theatre, and found that the opera chosen for performance was called Sweet Nancy, founded upon a novel with some similar title by Miss RHODA BROUGHTON. The prettiest tune I heard was one that I fancy had been played before, ...
— Punch, Vol. 99., July 26, 1890. • Various
... 'Anthology' there are none that have become very popular, none that are capable of affording any very keen delight to the lover of poetry. One sees that their author's lyric gift was not of the highest order. What is heard is not so much the note of honest feeling as the effort of an active intellect, searching heaven and earth for clever and striking things to say. ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... of modern times, Petrarch [1] is the Italian songster of Laura and love. In the harmony of his Tuscan rhymes, Italy applauds, or rather adores, the father of her lyric poetry; and his verse, or at least his name, is repeated by the enthusiasm, or affectation, of amorous sensibility. Whatever may be the private taste of a stranger, his slight and superficial knowledge should humbly acquiesce in the judgment of a learned nation; ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... mazurka-rhythm), and Op. 22 (Andante spianato and Polonaise), besides the solo rondos Opp. 1, 5, 16, and the variations Op. 12 and the essays in chamber music Opp. 3, 8, 65. Meanwhile, however, the mature lyric style of his second period already began with Op. 6 (4 mazurkas), and though it is not confined to small forms, the larger mature works (beginning with the ballade Op. 23 and excepting only the sonata Op. 58 and the Allegro de ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... here. Get on your horse and let's go to the woods. Wouldn't you like to? The hills are one long glory to-day." It was not the note of her prayer, it was well-ordered and calm. Still, Steering's heart leaped like a boy's at her friendliness, and he began to speak his gratitude in a lyric tune: ...
— Sally of Missouri • R. E. Young
... of a true festival than most men experience even in the longest life time. The major with his Greek instinct of drama was a splendid personification of poetic quality; in fact he was himself almost a lyric. From time to time he glanced back at Coleman with eyes half dimmed with appreciation. The people gathered flowers, great blossoms of purple and corn colour. They sprinkled them over the three horsemen and flung them deliriously under the feet of the little nags. Being now mounted Coleman ...
— Active Service • Stephen Crane
... activity let thy work be one of waiting, and of great patience in thy fiercest toil. There will come a day of triumph, when the fresh wind will banish the heat, and fan the laurel on thy brow. Such is the true moral of the following lyric:— ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... time, but I still hope to treat the traditional English Carols separately. I ought to admit here that the confidence with which I claimed, in my Third Series, a place on the roll for The Jolly Juggler, has abated, and I now consider it to be no more than a narrative lyric ...
— Ballads of Robin Hood and other Outlaws - Popular Ballads of the Olden Times - Fourth Series • Frank Sidgwick
... like that of the book of Daniel. The contact with the outside world makes possible a phase of literature such as that to which the books of Job and Ecclesiastes belong. The deepening of the inner life gave the world the lyric of the Psalms, some of which are credibly assigned to a period so late as ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... For the lyric poets the cuckoo is "companion of the spring," "darling of the spring;" coming with the daisy, and the primrose, and the blossoming sweet-pea. Where the sound came from I could not tell; it puzzled Wordsworth, with younger eyes than mine, to ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... division of the poetic realm. Beyond it lies still another; for there are spiritual harmonies which the mind alone cannot compass, and which the senses alone cannot interpret. The hand-books know little of spiritual harmonies, and do not go beyond their academic classifications of lyric and epic, and their catalogues of pentameters, hexameters, or alexandrines. But the student can for himself push his observation beyond, and come to the poetry of the higher imagination, where he can be forgetful of the mere form and disdainful ...
— The World's Best Poetry, Volume 8 • Various
... 1150 to 1190. The lyric poets of this period were for the most part Austrian and Bavarian knights who lived remote from the French border and were little influenced by the now well-developed art of the troubadours and trouvres. They got their impulse rather ...
— An anthology of German literature • Calvin Thomas
... would call this poetry; and so it is. But what poetry! They would call it a Hebrew song, a Hebrew lyric; and so it is. But what a song! There is something in us, if we be truly delicate and high-minded people, which will surely make us feel a deep difference between it and common poetry, or common songs; which made our forefathers read or chant it in church, and use it, as ...
— Westminster Sermons - with a Preface • Charles Kingsley
... job, and that the way in which they perpetually play into each other's hands is not an everlasting coincidence. Gudge, the plutocrat, wants an anarchic industrialism; Hudge, the idealist, provides him with lyric praises of anarchy. Gudge wants women-workers because they are cheaper; Hudge calls the woman's work "freedom to live her own life." Gudge wants steady and obedient workmen, Hudge preaches teetotalism—to workmen, ...
— What's Wrong With The World • G.K. Chesterton
... out of fashion; Sloppy words are never said; Voices once a-throb with passion Shake with merriment instead; Poets qualified to tackle Lyric metres when inspired Stoop to make the ladies cackle— Nothing ...
— Punch, or the London Charivari, Vol. 147, July 15, 1914 • Various
... not attempt in this place to say anything particular of your lyric poems, though they are the delight and wonder of the age, and will be the envy of the next. The subject of this book confines me to satire; and in that an author of your own quality, whose ashes I will not disturb, has given you all the commendation which his self- sufficiency could afford to any ...
— Discourses on Satire and Epic Poetry • John Dryden
... only as one with you and me, being, in fact, the third canto cut into two, because I found it too long. Remember this, and don't imagine that there could be any other motive. The whole is about 225 stanzas, more or less, and a lyric of 96 lines, so that they are no longer than the first single cantos: but the truth is, that I made the first too long, and should have cut those down also had I thought better. Instead of saying in future for so many cantos, say ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... infidelity to his friend, and by the aid of virtue in the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation he was appointed musical director of Cologne Cathedral. ...
— My Life, Volume I • Richard Wagner
... omnibuses; the stillness which was of peace lay over all things. And some of this had entered Kitty's heart. She was not deeply read, but nevertheless she had her share of poetical feeling. And to her everything in the venerable city teemed with unexpressed lyric. What if the Bridge of Sighs was not true, or the fair Desdemona had not dwelt in a palace on the Grand Canal, or the Merchant had neither bought nor sold in the shadow of the Rialto bridge? Historians are not infallible, and ...
— The Lure of the Mask • Harold MacGrath
... young men turn their heads to look at her. She has the appeal of a folk-song And her cheap clothes are always in rhythm. When the strike was on she gave half her pay. She would give anything—save the praise that is hers And the love of her lyric body. ...
— The Ghetto and Other Poems • Lola Ridge
... the decision of grave burgesses at the polls was not apparent; but the Anti-Federationists feared that it might, and before noon was come they had engaged two bands and had composed in committee, the following lyric in ...
— The Old Wives' Tale • Arnold Bennett
... slowly moving rhythm restrained by frequent pauses and occasional metrical irregularities, and thus they reflect with faithfulness the paternal agony with which they are filled. They belong to the earlier works of the poet, but they disclose great lyric power and are the first deep notes of the poet's genius. A few lines ...
— Life Immovable - First Part • Kostes Palamas
... 1878. Ayala was nominated to the post of president of congress shortly before his death, which occurred unexpectedly on the 30th of January 1879. The best of his lyrical work, excellent for finish and intense sincerity, is his Epistola to Emilio Arrieta, and had he chosen to dedicate himself to lyric poetry, he might possibly have ranked with the best of Spain's modern singers; as it is, he is a very considerable poet who affects the dramatic form. In his later writings he deals with modern society, its vices, ideals and perils; ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... the view of interesting her friends, or producing good humour and happiness in the family circle. She had formed the acquaintance of Neil Gow, the celebrated violinist, and composed, at his particular request, the words to his popular tune "Farewell to Whisky,"—the only lyric from her pen which has hitherto been published. In all the collections of Scottish song, it appears as anonymous. In the present work, it is printed from a copy in one of ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various
... Mrs. Pritchard displayed all the dignity of distress. That Great Britain was not barren of poets at this period, appears from the detached performances of Johnson, Mason, Gray, the two Whiteheads, and the two Whartons; besides a great number of other bards, who have sported in lyric poetry, and acquired the applause of their fellow-citizens. Candidates for literary fame appeared even in the higher sphere of life, embellished by the nervous style, superior sense, and extensive erudition of a Corke; by the delicate taste, ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... fashion he varies the rhymes, passing as the subject or the accompaniment of the word-music may require, from the couplet to the quatrain, and from the quatrain to the irregularly rhymed 'Pindaric'; always, however, taking care that, except in the set lyric, the quatrain shall not fall too much into definite stanza, but be interlaced in sense or sound sufficiently to carry on the narrative. The result, to some tastes, is a medium quite unsurpassed for the particular purpose. The only objection to it at all capable of being maintained, that ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... by being in its essence and origin an inscriptional poem, took in the later periods so wide a range of subject and treatment that it can perhaps only be limited by certain abstract conventions of length and metre. Sometimes it becomes in all but metrical form a lyric; sometimes it hardly rises beyond the versified statement of a fact or an idea; sometimes it is barely distinguishable from a snatch of pastoral. The shorter pieces of the elegiac poets might very often well be classed as epigrams but for the uncertainty, due to the form in which their text has ...
— Select Epigrams from the Greek Anthology • J. W. Mackail
... historical primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. The difference resides ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... passion rises or subsides. If a spiritual anemometer were invented it would be found that the wind which drives through the poem maintains often and for long an astonishing pace. The strangely beautiful lyric passages interspersed through the speeches are really of a slower movement than the dramatic body of the poem; they are, by comparison, resting-places. The perfumed closet of the song of Paracelsus in Part IV. is "vowed to quiet" (did Browning ever ...
— Robert Browning • Edward Dowden
... hardly less than a painting. Here we have neither the plastic effect of the sculpture nor the color of the painting. The essential features of the real model are left out. As an imitation it would fail disastrously. What is imitated in a lyric poem? Through more than two thousand years we have appreciated the works of the great dramatists who had their personages speak in the rhythms of metrical language. Every iambic verse is a deviation from reality. If they had tried to imitate nature Antigone and ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... judgment on this act of Admetus. The Leader in the dialogue blames him ("Art thou mad?") and so does Heracles hereafter, p. 56. But the Chorus glorifies his deed in a very delightful lyric. Perhaps this indicates the judgment we are meant to pass upon it. On the plane of common sense it was doubtless all wrong, but on that of imaginative poetry it ...
— Alcestis • Euripides
... in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric. ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... in Baltimore. The second was accepted and the convention took place Feb. 7-13, 1906. Half of the $1,200 raised for it was given to the National Association. Most of the delegates were entertained in homes. The meetings were held in the Lyric Theater and the audiences at the evening sessions numbered from 1,500 to 3,000. The State association sent out 20,000 invitations. Music was provided for every session by the Charles M. Stieff Piano Company and clergymen came from various churches for the opening devotional services. ...
— The History of Woman Suffrage, Volume VI • Various
... (III, ii, 25-59), while the "flyting" between him and Monsieur is perhaps the choicest specimen of Elizabethan "Billingsgate" that has come down to us. It was a versatile pen that could turn from passages like these to the epic narrative of the duel, or Tamyra's lyric invocation of the "peaceful regents of the night" (II, ii, 158), or Bussy's stately elegy upon himself, as he dies standing, ...
— Bussy D'Ambois and The Revenge of Bussy D'Ambois • George Chapman
... the latter of the two forms of speech,—the one spoken in the northern part of the country. This, the langue d'oil, became at length the French language. But the langue d'oc, a soft and musical tongue, survived long enough to become the vehicle of lyric strains, mostly on subjects of love and gallantry, still familiar in mention, and famous as the songs of the troubadours. The flourishing time of the troubadours was in the eleventh and twelfth centuries. Provencal is an alternative name ...
— Classic French Course in English • William Cleaver Wilkinson
... omitted. Lonsdale is not the only scholar questioning the basis of the canon; indeed, revisionism is fast becoming one of the more ingenious—and useful—parlor games among academics. Modern readers are no longer so squeamish about obscenity nor so uncomfortable with the purely personal lyric as were the editors at the end of the eighteenth century. And we are hardly likely to find poetry written by women objectionable on that score alone. In short, the anthologies we depend upon are out ...
— The Merry-Thought: or the Glass-Window and Bog-House Miscellany - Parts 2, 3 and 4 • Hurlo Thrumbo (pseudonym)
... gypsy lyric there came another, to which the captain especially directed my attention as being what Sam Petulengro calls "reg'lar Romany." It was I rakli adro o lolo gad (The girl in the red chemise), as well as I can recall ...
— The Gypsies • Charles G. Leland
... family, the Winstons, were accustomed to think that it was from her side of the house that he derived the most characteristic traits not only of his genius, but of his disposition. The Winstons of Virginia were of Welsh stock; a family marked by vivacity of spirit, conversational talent, a lyric and dramatic turn, a gift for music and for eloquent speech, at the same time by a fondness for country life, for inartificial pleasures, for fishing and hunting, for the solitude and the unkempt charms of nature. It was said, too, of the Winstons that their talents were in excess ...
— Patrick Henry • Moses Coit Tyler
... artistic workmanship, lyric inspiration; an absence of so much as a trace of morbid feeling, a felicitous and poetic choice of subjects and intuitive good taste raise the writer at once above the ranks of the ...
— A Beautiful Alien • Julia Magruder
... finish, compared with all that preceded them. But their happiest sentiments are frequently involved in such a cloud of metaphor, as to become nearly unintelligible; while they invoke the pagan deities with a shameless prodigality that would scandalize even a French lyric. This cheap display of school-boy erudition, however it may have appalled their own age, has been a principal cause of their comparative oblivion with posterity. How far superior is one touch of nature, as the "Finojosa" or "Querella de Amor," for ...
— History of the Reign of Ferdinand and Isabella V1 • William H. Prescott
... it is to decline to give at least their name, deeply as they feel that in giving it they are offending against all the rules of historical perspective. I should not say that my father was one of the great poets of Germany, though Heine, no mean critic, declared that he placed his lyric poetry next to that of Goethe. Besides, he was barely thirty-three when he died. He had been a favourite pupil of F. A. Wolf, and had proved his classical scholarship by his Homerische Vorschule, and other publications. His poems became popular in the true sense of the word, and there ...
— My Autobiography - A Fragment • F. Max Mueller
... among the old editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be viewed as ...
— The Book-Collector • William Carew Hazlitt
... This admirable lyric seemed to have perfect success, if one were only to judge from the thundering of voices, hands, and drinking vessels which followed; while a venerable, gray-haired sergeant rose to propose Mr. Free's health, and speedy promotion ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... feel as if he had rather trampled down the hyacinths and anemones in my wild and uncultivated woodlands. I should like, in a dim way, to have his knowledge as well as my own appreciation, but I would not exchange my knowledge for his. The value of a lyric or a beautiful sentence, for me, is its melody, its charm, its mysterious thrill; and there are many books and poems, which I know to be excellent of their kind, but which have no meaning or message for ...
— The Altar Fire • Arthur Christopher Benson
... they are vanished, these deeds of beauty and these words of wit! The bright and glorious gardens of the tiaraed poet and the royal sage, that once echoed with his lyric voice, or with the startling truths of his pregnant aphorisms, end in this wild and solitary valley, in which with folded arms and musing eye of long abstraction, Tancred halts in his ardent pilgrimage, nor can refrain from asking himself, 'Can it, then, be ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... has penetrated to the English literary consciousness is the Swabian Ludwig Uhland, the sweetest lyric poet of the romantic school. Uhland studied the poems of Ossian, the Norse sagas, the "Nibelungenlied" and German hero legends, the Spanish romances, the poetry of the trouveres and the troubadours, and treated motives from all these varied sources. His true field, however, ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... this appeal by a rural lyric which recited in somewhat wearisome tonal monotony the adventures of a Little Black Bull that came Over the Mountain, when he observed that Chum was no longer lying at his feet. Indeed, the dog was in a far corner ...
— His Dog • Albert Payson Terhune
... of MacDowell make an important section of the catalogue of his works, and are chiefly notable for their beauty and tenderness of expression, and he was at his very best when writing in the pure lyric form. His efforts comprising Ops. 56, 58 and 60 are of a rare and expressive order. He also composed a number of fine part-songs for male-voice choruses. Most of his best vocal works are set to his own verses, as ...
— Edward MacDowell • John F. Porte
... holds the first place among the lyric poets of Greece. The character and subjects of his poetry, of which the portions remaining to us are the Triumphal Odes, celebrating victories gained in the great games of Greece, are indicated by the lines ...
— MacMillan's Reading Books - Book V • Anonymous
... swing the axes and haul the frozen cod-lines are mostly aliens. The pride that once broke into singing has turned harsh and silent. "Labor" looms vast upon the future political and social horizon, but the songs of labor have lost the lyric note. They have turned into the dramas and tragedies of labor, as portrayed with the swift and fierce insistence of the short story, illustrated by the Kodak. In the great agricultural sections of the West and South the old bucolic sentiment ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... out that Galds lacks the lyric flame which touches with poignant emotion the common things of life. He did not entirely escape the rhetoric of his race. And he was curiously little interested in the passions of sex—too little to be altogether human, perhaps. But his work appears extraordinarily vast and many-sided when one ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... from the little-read play, The Two Gentlemen of Verona, may serve to illustrate the perfection of the Shakespearean lyric. ...
— An Introduction to Shakespeare • H. N. MacCracken
... state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute it with the Augustan ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... bought by a high-class publication. The Atlantic Monthly is always on the lookout for new writers and other magazines are prompt to recognize what pleases them even in the work of a newcomer. Perhaps the most standard popular forms of serious verse are the sonnet and the short love lyric. ...
— Rhymes and Meters - A Practical Manual for Versifiers • Horatio Winslow
... should not be able to laud heartily, for he had not lost his desire to be truthful—but she was an artist! There was indeed nothing original in her music; it was mainly a reconstruction of common phrases afloat in the musical atmosphere; but she managed the slight dramatic element in the lyric with taste and skill, following tone and sentiment with chord and inflection; so that the music was worthy of the verses—which is not saying very much for either; while the expression the girl threw into the song went to the heart of the youth, ...
— Home Again • George MacDonald
... with an eloquence found nowhere else in his work, likens Lincoln to a tree so mighty that its branches reach the heavens and its roots the primal rock and nations of men may rest in its shade; Edgar Lee Masters, whose work is full of the shadow and light of Lincoln, has made his most moving lyric an epitaph upon Ann Rutledge, the girl Lincoln loved and lost; and Vachel Lindsay, in Lincoln's own Springfield, during the World War thought of him as so stirred even in death by the horrors which then alarmed the universe that he ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... remarkable collection of lyrics Heine appears at his best, because the ability to compose songs that are the spontaneous utterance of emotion, at one and the same time personal and representative, is a Hebrew heritage. The Hebrew genius was essentially lyric, rather than epic or dramatic; and in consequence, the lyrics of ancient Hebrew literature are its chief glory. In proof of this, we have but to recall the dirges and triumph songs, the reflective lyrics, and the liturgical hymns that compose the collection ...
— The Menorah Journal, Volume 1, 1915 • Various
... all over Poe seemed very little disturbed. The truth is, he was a wreck, and feeling utterly dependent, clutched frantically at every hope of sympathy and consolation. His only real love was for his dead wife, which he recorded shortly before his death in the exquisite lyric, "Annabel Lee." ...
— Selections From Poe • J. Montgomery Gambrill
... touch too of Emerson's transcendentalism, and rising occasionally to Whittier's moral fervor, but he brought to all this much beside. In one vein he produced such a masterpiece of mingled pathos and nature painting as we find in the tenth Biglow letter of the second series; in another, such a lyric gem as The Fountain; in another, The First Snow-Fall and After the Burial; in another, again, the noble Harvard Commemoration Ode.... He had plainly a most defective ear for rhythm and verbal harmony. Except when he confines himself ...
— The Vision of Sir Launfal - And Other Poems • James Russell Lowell
... interlinking of the figures, and suggests the difficulty that may be encountered in the effort to define melodic figures. The difficulty is probably greatest in melodies of a lyric character, where it is necessary to sustain the coherency of the sentence; for instance, in many of the Songs Without Words,—see No. 40, No. 22, and others, in which an entirely definite separation of the figures is ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... more variously designated than Comus. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the form of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and partly ...
— Milton's Comus • John Milton
... of his feeling that he was in some measure a help and comfort to his sister." Under the influence of this great sorrow he wrote The Two Voices, Ulysses, "Break, Break, Break," and began that exquisite series of lyric poems, afterwards joined together in the In Memoriam. His friendship for Hallam remained throughout life with him as one of his ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... write poetry himself, but he read poetry with a good deal of effect, and he would sometimes take a hint from one of Gifted Hopkins's last productions to recite a passionate lyric of Byron or Moore, into which he would artfully throw so much meaning that Myrtle was almost as much puzzled, in her simplicity, to know what it meant, as she had been by the religious fervors of the ...
— The Guardian Angel • Oliver Wendell Holmes, Sr.
... that we are a nation in full literary production, boasting authors who rank with the greatest of other countries, there is hardly one poet or prose-writer to-day, of recognized ability, who works for the stage, nor can we count more than one or two high-class comedies or lyric dramas of American origin. ...
— The Ways of Men • Eliot Gregory
... Phineas Fletcher in his Purple Island as long ago as 1633. Three centuries have brought to the development of lyric passion no higher form than that of the sonnet cycle. The sonnet has been likened to an exquisite crystal goblet that holds one sublimely inspired thought so perfectly that not another drop can be added without ...
— The Love Sonnets of a Hoodlum • Wallace Irwin
... received into the circle of the gods. This at least is the case in Sanscrit as in Greek literature, where the hymn and ballad precede the epic. The epic poem becomes the stable form of poetry during the middle period in the history of literature, both in India and Greece. The union of the lyric and the epic produces the drama. The speeches uttered by the heroes in such poems as the "Iliad" are put into the mouths of real personages who appear in sight of the audience and represent with fitting gestures and costumes the characters of the story. The dialogue is interspersed ...
— Hindu Literature • Epiphanius Wilson
... romantic love of youth; this was the basis of nearly all novels and of most short stories; its presence was demanded for either primary or secondary interest in the drama; and it was the chief source of inspiration for the lyric. But within the last thirty years all sorts of other subjects have been opened up. To-day the writer's difficulty is, not that he is restricted by literary convention in his choice of material, but that he is so absolutely unrestricted ...
— Modern American Prose Selections • Various
... unapproachable law as the French organist-composer, C.M. Widor: stringent, petulant observance of free uncurbed metronome time, allied to picturesque handling; punctuality of tidal consort rigidly regarding, when each, the one to the other, linked; less a care, by virtuous intuition displaying for lyric measure. The writings of Nathaniel Hawthorne more forcibly and piquantly evince cylindrical flow, and strike at the object lesson with less artificial, cadavre, fastidious touch; but Mr. Shorthouse, speaking strictly, as to temper and tempo is a trifle more rugged; and never ...
— Original Letters and Biographic Epitomes • J. Atwood.Slater
... has probably lessened the vogue of Calderon in other countries. In the construction and conduct of his plots he showed great skill, yet the ingenuity expended in the management of the story did not restrain the fiery emotion and opulent imagination which mark his finest speeches and give them a lyric quality which some critics regard as his ...
— Life Is A Dream • Pedro Calderon de la Barca
... splendour or its terror in permanent images of tone. The melancholy beauty of the autumn woods, the loveliness of quiet waters under fading skies, the sapphire and emerald glories, or the ominous chantings, of the sea, the benign and mysterious majesty of summer stars, the lyric sweetness of a meadow: these things urged him to musical transcripts, notations of loving tenderness and sincerity. His music is redolent of the breath and odour of woodland places, of lanes and moors and gardens; or it is saturated with salt spray; or it communicates ...
— Edward MacDowell • Lawrence Gilman
... we have let the gift of lyric improvisation die out. Sitting islanded on some gray peak above the encompassing wood, the soul is lifted up to sing the Iliad of the pines. They have no voice but the wind, and no sound of them rises up ...
— The Land of Little Rain • Mary Austin
... shelves a little volume of Whittier, bound in calf, handling it as tenderly as if it were a priceless possession. Some pressed violets dropped out as she opened it, and she replaced them with devotional fingers. After some time she decided upon a lyric lament entitled "Eva." I was asked to run over the verses, and found them remarkably easy to learn; fatally impossible to forget. I presently arose and with an impish betrayal of the poverty of rhyme and the plethora of sentiment, repeated ...
— Painted Windows • Elia W. Peattie
... how or when Shall we, thy guests, Meet at those lyric feasts, Made at the "Sun," The "Dog," the "Triple Tun," Where we such clusters had As made us nobly wild, not mad? And yet each verse of thine Outdid the meat, outdid the frolic wine. My Ben! Or come again, Or send to us, Thy wit's great overplus. But teach us yet Wisely ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to those of the French lady in sprightly ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... . Od in locos communes ad lyric poseos studiosorum utilitatem digest. Studio & oper Josephi Langii. Hanovi, typis Wechelianis, apud Claudium Marnium & heredes Joannis Aubrii, ...
— The Library of William Congreve • John C. Hodges
... black African slave captured in war; so was Aesop, the world's greatest fabulist; so was Terence, among the grandest of Rome's lyric poets; so was Pushkin, the national poet to-day of Russia; so was Alexander Dumas the first, the greatest, not only of French novelists, but of novelists of all times and the infinite storehouse from ...
— Twentieth Century Negro Literature - Or, A Cyclopedia of Thought on the Vital Topics Relating - to the American Negro • Various
... primarily to the Revolutionary epoch in modern history. Though he wrote several long narrative poems and one great tragedy, he was above all a lyric poet—according to some the greatest lyric poet of England. His life, like his poetry, was almost untrammelled by convention. Both gave great offence to the stricter elements of English society. In some respects Shelley was peculiarly unfortunate. ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... lose my soul and lie Blind to the beauty of the earth, Deaf tho' a lyric wind goes by, Dumb in a storm ...
— Rivers to the Sea • Sara Teasdale
... that is the kind of thing they like). This she did let slip. Generally, throughout all the centuries, she kept up a pretence of thinking history the greatest of all the arts. She always held her head high among her Sisters. It was only on the sly that she was an omnivorous reader of dramatic and lyric poetry. She watched with keen interest the earliest developments of the prose romance in southern Europe; and after the publication of "Clarissa Harlowe" she spent practically all her time in reading novels. It was not until the ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... neither the plastic effect of the sculpture nor the color of the painting. The essential features of the real model are left out. As an imitation it would fail disastrously. What is imitated in a lyric poem? Through more than two thousand years we have appreciated the works of the great dramatists who had their personages speak in the rhythms of metrical language. Every iambic verse is a deviation from reality. If they had tried to imitate nature Antigone and Hamlet would ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... at 'A New Blue Book,' at 'To a Boy-Poet of the Decadence,' and at 'To Julia in Shooting Togs.' But, after all, Mr. Seaman's masterpiece up to date is certainly 'To the Lord of Potsdam.' ... This will live, or we are greatly mistaken, among the most effective examples of historical satire-lyric."—The Saturday Review. ...
— The Battle of the Bays • Owen Seaman
... aspre et affreux." Even the early troubadours and trouveres, poets and rhapsodists, loving to admire and enlarge and extol, are silent concerning the mountains. Despourrins, the poet of the Pyrenees, sang of love and lyric inspiration; but he rarely looked up to seek the higher inspiration of their hills and snows. It is inexplicable that the power of the sublime should have been withheld from the age of romance and poetry ...
— A Midsummer Drive Through The Pyrenees • Edwin Asa Dix
... appear that in the three great departments of poetry,—the epic, the lyric, and the dramatic,—the old Greeks were great masters, and have been the teachers of all subsequent nations ...
— Beacon Lights of History, Volume I • John Lord
... word. He is said to have displayed both diligence and remarkable quickness of apprehension, combined too with the utmost gravity and modesty. He not only acquired great familiarity with the poets, but composed poetry of his own—dithyrambic, lyric, and tragic; and he is even reported to have prepared a tragic tetralogy, with the view of competing for victory at the Dionysian festival. We are told that he burned these poems, when he attached himself to the society of Socrates. No compositions in verse remain ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... I have some slight control, But deem her of a feeble soul That doth not love my naked sword Above my sweetest lyric word," ...
— Among My Books • James Russell Lowell
... musical accompaniment. Choirs of boys gathered and performed their dance to the sound of flute and lyre, and the best of them were chosen to act characters; the songs written for these occasions were known as chorales; and the ancient lyric poetry abounded ...
— Works, V2 • Lucian of Samosata
... good in quality, but then There's not sufficient of it for a queen Of the lyric stage. Yet such she claims to be, But is ...
— Punchinello, Vol. 1, No. 11, June 11, 1870 • Various
... the book, laid it back in her basket, and raising the lid of the piano, she sang that sad, wailing lyric ...
— St. Elmo • Augusta J. Evans
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down the spine, —then a gasp and a great jump of the ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... her before he saw her. The rhythms of a song, a tender and gay little lyric which she had sung to crowded drawing-rooms, but for him alone, long years past, floated out to him, clear and pure, through the clear, pure balm of the forest. He slipped quietly from his horse and saw her, through the window, seated at ...
— Success - A Novel • Samuel Hopkins Adams
... is successful, he's steeped in renown, His lyric effusions have tickled the town; Dukes, dowagers, dandies, are eager to trace The fountain of verse in the verse-maker's face: While, proud as Apollo, with peers tete-a-tete, From Monday till Saturday dining off plate, His heart full of hope, and his head full of gain, The Poet ...
— English Satires • Various
... that?" cried Soelling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have that arm at ...
— The Continental Classics, Volume XVIII., Mystery Tales • Various
... them in Sparta. Some others he rejected. Among the friends he gained in Crete was Thales, with whom he had interest enough to persuade him to go and settle at Sparta. Thales was famed for his wisdom and political abilities: he was withal a lyric poet, who under colour of exercising his art, performed as great things as the most excellent lawgivers. For his odes were so many persuasives to obedience and unanimity, as by means of melody and numbers they had great grace and power, ...
— Ideal Commonwealths • Various
... the lyrics, are of almost no importance. The business was to show a number of pretty scenes, and noble ladies, and to give them a chance of exhibiting their clothes, and their voices. The last gave Jonson his chance; the fine Horatian workman that he was could always produce a lyric that would fit any situation and give some dignity to any trivial personage. But the taint of vanity and fashion, pomp and externality, inevitably clung to the whole thing. Too many personages were introduced, probably because in such plays there were always a great ...
— Milton • John Bailey
... the string By lyric fingers crossed, To Laura Secord's praise and fame, When forty years ...
— Laura Secord, the heroine of 1812. - A Drama. And Other Poems. • Sarah Anne Curzon
... a contemporary of Pushkin and a lyric poet of some originality and talent. The "Feasts" is a short brilliant poem in praise of conviviality. Pushkin is therein praised as the best ...
— Eugene Oneguine [Onegin] - A Romance of Russian Life in Verse • Aleksandr Sergeevich Pushkin
... he that bent the lyric bow And laid the lord of darkness low And bade the fire of laughter glow Across his grave, And bade the tides above ...
— A Channel Passage and Other Poems - Taken from The Collected Poetical Works of Algernon Charles - Swinburne—Vol VI • Algernon Charles Swinburne
... civilisation in the world comes in; the dear old peuple de Paris, the most interesting people in the world, pass by. I have a little book in my pocket; it is exquisitely printed, a modern Elzevir. It is a lyric cry from the heart of young France, and is full of the sentiment of form. There is no form here, dear Harvard; I had no idea how little form there was. I don't know what I shall do; I feel so undraped, so ...
— The Point of View • Henry James
... 31) based on poems of Heine's are particularly successful, especially in the excellent opportunity of the lyric describing the wail of the Scottish woman who plays her harp on the cliff, and sings above the raging of sea and wind. The third catches most happily the whimsicality of the poet's reminiscences of childhood, ...
— Contemporary American Composers • Rupert Hughes
... umpires animated snow-men, the heap of sawdust at either end a pyramid of powdered gold upon an emerald ground. And in the expectant hush before the appearance of the fielding side, I still recall the Yorkshire accent of the Surrey Poet, hawking his latest lyric on some "Great Stand by Mr. Webbe and Mr. Stoddart," and incidentally assuring the crowd that Cambridge was going to win because ...
— Mr. Justice Raffles • E. W. Hornung
... and councils of the Roman people is defaced by the inconsiderate levity of a few, who never recollect where they have been born, but who fall away into error and licentiousness, as if a perfect impunity were granted to vice. For as the lyric poet Simonides teaches us, the man who would live happily in accordance with perfect reason, ought above all things to have a ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... gets watching a handicraftsman at his work, a goldsmith hammering out his gold into those thin plates as delicate as the petals of a yellow rose, or drawing it out into the long wires like tangled sunbeams, so perfect and precious is the mere handling of it; or the little lyric interludes that break in here and there like the singing of a thrush, and are as swift and as sure as the beating of a bird's wing, as light and bright as the apple-blossoms that flutter fitfully down to the orchard grass after a spring shower, and look the lovelier for the rain's ...
— Miscellanies • Oscar Wilde
... realm of magic, into the upper air of spontaneous spiritual activity, his imagination has, for the romantic imagination which it is, a trifle too much self-possession—too much sanity, if one chooses. He has the ambitions, the faculties, of a lyric poet, and he gives us ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... This charming lyric, the pathetic tenderness of which commends it to every feeling heart, is all that Burns has left in evidence that the sea had to him, ...
— Chambers's Edinburgh Journal, No. 429 - Volume 17, New Series, March 20, 1852 • Various
... little poems are less artificial than most French verse; they are the result of a less obvious effort. He lisped in numbers; and with him it was rather prose that had to be consciously acquired. His lyric note, although not keen and not deep, is heard again and again in his novels, and it sustains some of the most graceful and tender of his short stories,—"The Death of the Dauphin," for instance, and the "Sous-prefet ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... and landscape reveal a remarkably receptive artistic temperament; splendid and vigorous movement of lines shows that the artist is a poet. Then we are in a cul-de-sac. There is no hint of what kind of poet—too reserved to be consistently lyric, there is not sufficient evidence of the dramatic faculty to help us on to the true scent. All we can say is that we have before us a mind capable of very complete and real illusions, haunted by imagination, always ...
— Emily Bront • A. Mary F. (Agnes Mary Frances) Robinson
... Purcell's opera of King Arthur has been lately revived at Drury-Lane, where it has had a considerable run. The public prints have been loud in its praise; and this work has been styled "the perfect model of the lyric drama of England." The intervention of spoken dialogue, by many in their innocence hitherto supposed to be a defect in the construction of a musical drama, is strangely metamorphosed into a beauty in King Arthur. In short, from some of these critiques, ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... both in youth and maturer age, he seems to have indulged in conviviality. He liked choice wine, and in the society of friends scrupled not to enjoy the luxuries of his time. He was never married. The Odes of Horace want the higher inspirations of lyric verse. His amatory verses are exquisitely graceful, but they have no strong ardor, no deep tenderness, nor even much light and joyous gayety; but as works of refined art, of the most skillful felicities of language and ...
— A Smaller History of Rome • William Smith and Eugene Lawrence
... has been received into the circle of the gods. This at least is the case in Sanscrit as in Greek literature, where the hymn and ballad precede the epic. The epic poem becomes the stable form of poetry during the middle period in the history of literature, both in India and Greece. The union of the lyric and the epic produces the drama. The speeches uttered by the heroes in such poems as the "Iliad" are put into the mouths of real personages who appear in sight of the audience and represent with fitting gestures and costumes the characters of the story. The dialogue is interspersed ...
— Hindu Literature • Epiphanius Wilson
... when he was ask'd to sing, He gave the different nations something national; 'T was all the same to him—'God save the king,' Or 'Ca ira,' according to the fashion all: His muse made increment of any thing, From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from being as pliable ...
— Don Juan • Lord Byron
... suddenly before the next episode, a languorous song of lower strings (molto appassionato), strangely broken into by sighing phrases in the high wood (flebile). After further interruption, the love song is crowned by a broad flowing melody (sehr getragen und ausdrucksvoll)—the main lyric utterance of all. It has a full length of extended song, proportioned to its distinguished beauty. The dual quality is very clear throughout the scene. Much of the song is on a kindred phrase of the lyric melody sung by the clarinet with dulcet ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... the earlier years had almost entirely disappeared, and in its place appeared the perfect concerted music of the stanzas (from the sonnet and the Spenserian downwards), the infinite variety of the decasyllable, and the exquisite lyric snatches of song in the dramatists, pamphleteers, and music-book writers. Following the general law already indicated, the formal advance in prose was less, but an enormous stride was made in the direction of applying it to its various uses. ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... children fragments and bits of verse and prose to commit to memory. One of the greatest services we can do the young mind is to accustom it to the perception of wholes, and whether this whole be a lyric or a narrative poem like Evangeline, it is almost equally important that the young reader should learn to hold it as such in his mind. To treat a poem as a mere quarry out of which a particularly smooth stone can be chipped is to misinterpret ...
— Verse and Prose for Beginners in Reading - Selected from English and American Literature • Horace Elisha Scudder, editor
... is idle to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every authentic utterance of the spirit of man under the ...
— The Book of Old English Ballads • George Wharton Edwards
... with new surprise, Who seem'd of Love in choral notes to sing, While all around them breathed Elysian spring.— Here Alighieri, with his love I spied, Selvaggia, Guido, Cino, side by side— Guido, who mourn'd the lot that fix'd his name The second of his age in lyric fame.— Two other minstrels there I spied that bore His name, renown'd on Arno's tuneful shore. With them Sicilia's bards, in elder days Match'd with the foremost in poetic praise, Though now they ...
— The Sonnets, Triumphs, and Other Poems of Petrarch • Petrarch
... absurd to some who read these lines—some practical people!—but I cannot convey the pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty will say the ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... volume is a reprint of the 1891 volume; but it has been thought well to include, in an appendix, certain of the poems which appeared in one or other of the first two issues, but were omitted from the 1891 issue, together with a little Greek lyric, with its English equivalent, from ...
— Ionica • William Cory (AKA William Johnson)
... pagan folk-lore. Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship of the Finns ...
— The Kalevala (complete) • John Martin Crawford, trans.
... respectively: The Colored Press, The New Era, The Negro's Reaction to the World War, The Negro's Grievances and Demands, Riots, Lynchings, The South and the Negro, The Negro and Labor Unionism and Bolshevism, Negro Progress, and The Lyric Cry,—a remarkable assortment of first-hand information concerning Negro thought with regard to ...
— The Journal of Negro History, Volume 6, 1921 • Various
... specially attracted by "The Buffalo Battery," a rollicking lyric known to all Anglo-India from Peshawur to Tuticorin. The air is the familiar one of the "Hen Convention," and the opening ...
— The Wings of the Morning • Louis Tracy
... horses in the rapid career. [41] Ten, twenty, forty chariots were allowed to start at the same instant; a crown of leaves was the reward of the victor; and his fame, with that of his family and country, was chanted in lyric strains more durable than monuments of brass and marble. But a senator, or even a citizen, conscious of his dignity, would have blushed to expose his person, or his horses, in the circus of Rome. The games were exhibited at the expense of the republic, ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... In other cases, as in the few poems of shipwreck or of mental conflict, we can only wonder at the gift of vivid imagination by which this recluse woman can delineate, by a few touches, the very crises of physical or mental struggle. And sometimes again we catch glimpses of a lyric strain, sustained perhaps but for a line or two at a time, and making the reader regret its sudden cessation. But the main quality of these poems is that of extraordinary grasp and insight, uttered with ...
— Poems: Three Series, Complete • Emily Dickinson
... to Queen's Gate!" said Alexander, when Piers began to look at his watch. "No hurry, my boy! The night is young! 'And'"—he broke into lyric quotation—"'haply the Queen Moon is on her throne, clustered around with all her starry fays.'—I shall never forget this dinner; shall you, Biddy? We'll have a song ...
— The Crown of Life • George Gissing
... half-humorously disclaims the capacity for lofty themes, but, especially as he grows older and more philosophic, and perhaps less lyric, half-seriously attributes whatever he does ...
— Horace and His Influence • Grant Showerman
... more expansive, wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity of his caricatures, he has displayed all the forces and weaknesses of an artist, all ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... in those who believe it possible for music to drive away the pestilence. Antiquity, however, as mentioned above, relates that Thaletas, a famous lyric poet, contemporary with Solon, was gifted with this power; but it is impossible to render the fact credible, without qualifying it by several circumstances omitted in the relation. In the first place, it is certain, that this poet was received among the Lacedemonians ...
— Thaumaturgia • An Oxonian
... than the idea which fascinates. Professor Walker, speaking of the most exquisitely harmonious lyric ever written in English, or perhaps in any other language,[31] says with great truth: "The reader of Lycidas rises from it ready to grasp the 'two-handed engine' and smite; though he may be doubtful what the engine is, and ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... sensitive child, with strange reserves and reticences, not easily putting herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and utterly condemned by the writer's later judgment, they are, nevertheless, highly interesting ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... as one with you and me, being, in fact, the third canto cut into two, because I found it too long. Remember this, and don't imagine that there could be any other motive. The whole is about 225 stanzas, more or less, and a lyric of 96 lines, so that they are no longer than the first single cantos: but the truth is, that I made the first too long, and should have cut those down also had I thought better. Instead of saying in future ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... caught the fragments of a song, so distantly and absently sung that she could not locate it. There were singers among the Israelites, but they sang with wild exultation and more care for the sense than the melody. They had cultivated the chant and forgotten the lyric, because they had more heart for prophecy than passion. Rachel had revered her people's song, but there was something in this half-heard music that touched her youth and her love of life. She stopped to hear ...
— The Yoke - A Romance of the Days when the Lord Redeemed the Children - of Israel from the Bondage of Egypt • Elizabeth Miller
... light The grey and sparkling crags. The breath of morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of ...
— Venetia • Benjamin Disraeli
... Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of Homer, ...
— The Iliad of Homer • Homer
... little love lyric which Baroni himself had set to music specially for the voice of his favourite pupil, and as Diana's low rich notes took up the plaintive melody, the audience settled itself down with a sigh of satisfaction to ...
— The Splendid Folly • Margaret Pedler
... inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of the ...
— The Way of Ambition • Robert Hichens
... attempt in a new walk of poetry; but in the then barbarous state of our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... obtained among them never altogether perfect, and dependent for its charm frequently on strange complexities and unexpected rising and falling of weight and accent in its marble syllables; bearing the same relation to a rigidly chiselled and proportioned architecture that the wild lyric rhythm of Aeschylus or Pindar bears to the finished measures ...
— Stones of Venice [introductions] • John Ruskin
... exciting occasions. A quadruple friendship ensued, and the Burtons, Drake and Palmer made several archaeological expeditions together. To Palmer's poetical eyes all the Lebanon region was enchanted ground. Here the lovely Shulamite of the lovelier Scripture lyric fed her flocks by the shepherd's tents. Hither came Solomon, first disguised as a shepherd, to win her love, and afterwards in his royal litter perfumed with myrrh and frankincense to take her to his Cedar House. This, too, was the country of Adonis. In Lebanon the wild boar slew him, and ...
— The Life of Sir Richard Burton • Thomas Wright
... the rhymes, passing as the subject or the accompaniment of the word-music may require, from the couplet to the quatrain, and from the quatrain to the irregularly rhymed 'Pindaric'; always, however, taking care that, except in the set lyric, the quatrain shall not fall too much into definite stanza, but be interlaced in sense or sound sufficiently to carry on the narrative. The result, to some tastes, is a medium quite unsurpassed for the particular purpose. The only objection to it at all capable of being maintained, that ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... his Hound: Retrospections of Secundus Parnell, are an infliction upon the reader; and these, with two mediocre tales, and a sketch or two, make up the prose contents. The poetry has greater merit, though almost in one unvaried strain. Mr. Watts has contributed but one lyric, and Mrs. Watts a stirring ballad of Spanish revenge; Mary Howitt has contributed a fairy ballad, pretty enough; and the Sin of Earl Walter, a tale of olden popish times in England, of some 60 or 70 verses. We quote two specimens ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, No. - 582, Saturday, December 22, 1832 • Various
... have to notice is the collected edition of Motherwell's Poems, which has just issued from the Glasgow Press, under the auspices of Mr James M'Conechy. William Motherwell must always stand very high in the list of the minor Scottish poets, and one lyric of his, "Jeanie Morrison," is as pathetic as any in the language. But of him so much has already been said in former numbers of MAGA, that we may dispense with present criticism: and we shall merely draw the attention of the lovers of the supernatural to a more terrific temptation of Saint ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847 • Various
... reading,—or trying to read. He was conscious of a great depression,—a 'fit of the blues,' which he attributed partly to the damp, lowering weather. Idly he turned over the leaves of a first edition of Tennyson's poems,—pausing here and there to glance at a favourite lyric or con over a well-remembered verse, when the echo of a silvery horn blown clear on the wintry silence startled him out of his semi-abstraction. Rising, he went instinctively to the window, though from that he could see nothing but ...
— God's Good Man • Marie Corelli
... mainly along the three straight lines of ascent, enjoyment, and fall, its literary fortunes express themselves, when we try to generalise, in a series of curves, alternate rises and declines, which may be repeated again and again. In English literature out of the unknown past rose the Anglo-Saxon lyric and epic, Deor's Complaint, Beowulf, and the poems of Caedmon and Cynewulf. From the death-like sleep of our language which followed the Norman Conquest rose the heights of thirteenth-century romance. From the dull poetic pedantries of the age ...
— Fifteenth Century Prose and Verse • Various
... of his musical genius led to his becoming the King's Superintendent of Music, and one of the most influential composers that has ever lived. He composed the occasional music for Moliere's comedies, besides about twenty lyric tragedies; which succeeded beyond all others in France, not only because of his dramatic genius, which enabled him to give to the persons of these operas a musical language fitted to their characters and expressive of the situations ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... not long ago befell The tear-compelling incident I now propose to tell; So come, my sweet collector friends, and listen while I sing Unto your delectation this brief, pathetic thing— No lyric pitched in vaunting key, but just a requiem Of blowing twenty dollars in by nine ...
— Songs and Other Verse • Eugene Field
... quatrains. Immortal they are, no doubt, and deserve to be by reason of their style—"fame's great antiseptic." But their philosophy is thin after all, and will not bear discussion. As exercise for a grown man's thought, I will back a lyric of Blake's or Wordsworth's, or a page of Ibsen's Peer Gynt against the whole of it, ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... none other than that illustrious personage, whose shining countenance may be beheld many a night, clouds and fogs permitting, beaming good-naturedly on the dark earth, and singing, in the language of a lyric bard, ...
— Moon Lore • Timothy Harley
... that "love" can rhyme to "prove" Requires some force of will, Yet in the ancient lyric groove ...
— New Collected Rhymes • Andrew Lang
... intelligence, a passionate theorist, and an ardent specialist in grammar and the use of words, Malherbe reacted violently both against the misplaced and artificial erudition of the Pleiade and their unforced outbursts of lyric song. His object was to purify the French tongue; to make it—even at the cost of diminishing its flavour and narrowing its range—strong, supple, accurate and correct; to create a language which, though it might be incapable of expressing the fervours of personal passion ...
— Landmarks in French Literature • G. Lytton Strachey
... added attractions of closer intimacy. In its course, the shadows lifted from her eyes; and Maurice ceased to remember that he had made a mess of his affairs. But the very next one failed—as far as Louise was concerned—to reach the same level: it was like a flower ever so slightly overblown. The lyric charms that had so pleased her—the dewy freshness of the morning, the solitude, the unbroken sunshine—were frail things, and, snatched with too eager a hand, crumbled beneath the touch. They were not made to stand the wear and tear of repetition. ...
— Maurice Guest • Henry Handel Richardson
... Dryden himself, every line seems to flow in its natural and most simple order; and where the music required repetition of a line, or a word, the iteration seems to improve the sense and poetical effect. Neither is the piece deficient in the higher requisites of lyric poetry. When music is to be "married to immortal verse," the poet too commonly cares little with how indifferent a yoke-mate he provides her. But Dryden, probably less from a superior degree of care, ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... there's a pregnant phrase. Bravo! let me write it down; Hold it with a hopeful gaze, Gauge it with a fretful frown; Tune it to my lyric lyre . . . Ah! upon starvation's brink, How the words are dark and dire: It is later ...
— Ballads of a Bohemian • Robert W. Service
... I do claim some capacity in the diviner flights of lyric letters, friend. You are not to despise poetry. Nay—rather contemn those who bring scorn to the name of poet—vain writers for filthy pence—fellows like this ...
— The Panchronicon • Harold Steele Mackaye
... I have designedly omitted all special treatment of the lyric metres of Horace and Catullus, as well as of the measures of the comic poets. Our standard editions of these authors all give such thorough consideration to versification that repetition in a separate place ...
— New Latin Grammar • Charles E. Bennett
... Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja. This is the more remarkable, because Filicaja was the favourite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels is dedicated. The truth is, that Addison knew little, ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest ...
— The Sport of the Gods • Paul Laurence Dunbar
... of public interest, and constantly sends out bulletins for the benefit of anxious friends. His manuscript was poetical, but I took good care to hide it in the bottom of the basket. By the way, Sibyl, how did you like Graham Marr's Lyric? Pretty deep, ...
— The Old Stone House • Anne March
... difficult to say whether the paragraph of which these lines are the conclusion is a sketch of the history of poetry in general or of lyric poetry in particular. The former would be rather inartistic after the other historical notices of poetry that have occurred in the poem: the latter is not easily reconciled with the mention of Homer. On the other ...
— The Satires, Epistles, and Art of Poetry • Horace
... that something evaporates—some quite peculiar freshness, naivete, indiscreetness, which, can never be recaptured. Take a few typical instances. Coleridge lost the poetical gift altogether when he left his youth behind; Wordsworth wrote all his best poetry in a few early years; Milton lost his pure lyric gift. But the most salient instance of all is Tennyson; in the two earliest volumes there is a perfectly novel charm, a grace, a daring which he lost in later life. He became solemn, mannerised, conscious of responsibility. Sometimes, as in some of the lyrics ...
— The Silent Isle • Arthur Christopher Benson
... himself alone with his canvases and whole-hearted toward them. He recognized that he had been dividing his interest, that his ambition had suffered, that his hand did not leap as it had before at the suggestion of some lyric or dramatic possibility of color. He even fancied that his drawing, which was his vulnerable point, had worsened. He worked strenuously for days without satisfying himself that he had recovered ground appreciably, and then came desperately to the conclusion that he wanted ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... as possible—Pope introduced into a note his wicked little brazen solution of his own wicked and brazen conundrum. France, such was the proposition, had worked a miracle upon English ground; as if with some magician's rod, she had called up spawn innumerable of authors, lyric, epic, dramatic, pastoral, each after his kind. But by whom had France moved in this creation as the chief demi-urgus? By whom, Mr. Pope? Name, name, Mr. Pope! 'Ay,' we must suppose the unhappy man to reply, 'that's ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... "In a Gondola" is a lyric dialogue between two Venetian lovers who have stolen away in a gondola spite of "the three"—"Himself'," perhaps a husband, and "Paul" and "Gian," her brothers—whose vengeance discovers them at ...
— Dramatic Romances • Robert Browning
... their wisdom in state matters was one Thales, whom Lycurgus, by importunities and assurances of friendship, persuaded to go over to Lacedaemon; where, though by his outward appearance and his own profession he seemed to be no other than a lyric poet, in reality he performed the part of one of the ablest lawgivers in the world. The very songs which he composed were exhortations to obedience and concord, and the very measure and cadence of the verse, conveying impressions of order and tranquility, had so great an influence ...
— Plutarch's Lives • A.H. Clough
... successful in the delineation of character and in the description of actions as in the interpretation of feeling, being by nature a lyric rather than an epic poet. But his happy choice of subject,—for the Crusades were still fresh in the memory of the people, and chivalry was a thing of the present—his zeal for the Christian cause, his impassioned delineations of ...
— National Epics • Kate Milner Rabb
... song. Mrs. M'Cosh said, "Awa wi' ye, laddie," and "Sic havers," but after much urging owned that she knew a song which had been a favourite with her Andra. It was sung to the tune of "When the kye come hame," and was obviously a parody on that lyric, beginning: ...
— Penny Plain • Anna Buchan (writing as O. Douglas)
... of technical elements, the precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry ...
— A Shropshire Lad • A. E. Housman
... fiery lyric breathe Above her hero-urns; And Scotland, with her holly, wreathe The flower ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... and their smiling valley under the blue canopy of heaven, and near the shimmering sea, form a picture of entrancing loveliness. It is the most peaceful spot on the Adriatic. It seems as if the breezes from sea and land wafted a lyric harmony over the valley, expanding the heart and filling the soul with visions of beauty and happiness. Pesaro is the birthplace of Rosini, and also of Terenzio Mamiani, the brilliant poet and statesman who devoted his great talents to ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... most exploited in literature was the romantic love of youth; this was the basis of nearly all novels and of most short stories; its presence was demanded for either primary or secondary interest in the drama; and it was the chief source of inspiration for the lyric. But within the last thirty years all sorts of other subjects have been opened up. To-day the writer's difficulty is, not that he is restricted by literary convention in his choice of material, but that he is so absolutely unrestricted that he may be in doubt where to make his choice. ...
— Modern American Prose Selections • Various
... I was much struck with his frequent happy application of quotations to the little events of the drive and phases of feeling that came up as the day went on. The sun set gloriously, "So stirbt ein Held," said Bancroft, as he burst with feeling into the beautiful lyric of which these words are a line. The best German poetry seemed to be at his tongue's end and he recited it with sympathy and accuracy which called out much admiration from the cultivated German ladies with whom we were driving. Most interesting of all was Bancroft's ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... meadows growing Up to birch pastures, where we heard the lowing Of one disconsolate cow. All the warm afternoon, Lulled in a reverie by the myriad tune Of insects, and the chirp of songless birds, Forgetful of the spring-time's lyric words, Drowsed round us while we tried to find the lane That to our coming feet had been so plain, And lost ourselves among the sweetfern's growth, And thickets of young pine-trees, nothing loath, Amidst the wilding loveliness to stray, And spend, if need were, looking ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... Gipsy lyric then came another to which the captain especially directed my attention as being what Sam. Petalengro calls 'The girl in the red chemise'—as well as I can recall his words. A very sweet song, with a simple but spirited chorus, and as the sympathetic ...
— Gipsy Life - being an account of our Gipsies and their children • George Smith
... short, the embodiment of Moliere's Don Juan, Goethe's Faust, Byron's Manfred, and Maturin's Melmoth—grand pictures drawn by the greatest geniuses of Europe, and to which neither the harmonies of Mozart nor the lyric strains of Rossini are lacking. Terrible pictures in which the power of evil existing in man is immortalized, and which are repeated from one century to another, whether the type come to parley with mankind by incarnating itself in Mirabeau, or be ...
— International Short Stories: French • Various
... Potchefstroom, over a thousand Burghers packed the Lyric Hall on Friday, October 2, 1914, to hear General De Wet speak against the invasion of German South West Africa. Apparently this was an attempt by the Backvelders to challenge the enthusiasm of the townspeople in the various centres ...
— Native Life in South Africa, Before and Since • Solomon Tshekisho Plaatje
... and an accurate observation of her various feelings and sensations gave birth to art. But in verse the use of number is more obvious; though some particular species of it, without the assistance of music, have the air of harmonious prose, and especially the lyric poetry, and that even the best of the kind, which, if divested of the aid of music, would be almost as plain and naked as common language. We have several specimens of this nature in our own poets [Footnote: It must here be remarked, that the Romans had no lyric ...
— Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker. • Marcus Tullius Cicero
... swift to turn from him and to prefer to him not only foreigners, which would not necessarily be bad, but oftentimes the least respectable of musicians. The triumph of Rameau was of the briefest. Scarcely had his magnificent lyric tragedies established themselves when the Guerre des bouffons broke out, and popular taste, under the direction of Jean Jacques Rousseau and the other Encyclopedists, discovered the light Italian music of the day more "natural" and infinitely preferable to the severe and noble forms of ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several noblemen, ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... of lyric stuff; Her bows, I grant, are merely bluff, Her sternmost pile of windy fluff Would leave one cool; Yet never since the world was planned Was aught more lofty and more grand Regarded as a mother—and Such ...
— Punch, or the London Charivari, Vol. 146, February 18, 1914 • Various
... life is wrought In movements of melodious thought; In symphony, great wave on wave— Or fugue, elusive, swift, and grave; A singing land, whose lyric rhymes Float on the air like village chimes: Music and Verse—the deepest part Of a whole nation's thinking heart! * * * * * Oh land of Now, oh land of Then! Dear God! the dreams, ...
— Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 • Various
... which were set by that admirable composer, Mr. Henry James.' True it is, that the songs are excellent, as are all Cartwright's; for grace, simplicity, and sweetness, equal to any (save Shakspeare's) which the seventeenth century produced: but curiously enough, his lyric faculty seems to have exhausted itself in these half-dozen songs. His minor poems are utterly worthless, out Cowleying Cowley in frigid and fantastic conceits; and his varied addresses to the king and queen are as bombastic and stupid and artificial as anything which ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?" and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father's which had been set to an absurdly and charmingly sentimental air ...
— Night and Day • Virginia Woolf
... extracts or by anybody's extracts from his last-published volume.[68] Do you remember his grand ode upon Childhood—worth, to my apprehension, just twenty of Dryden's 'St. Cecilia's Day'—his sonnet upon Westminster Bridge, his lyric on a lark, in which the lark's music swells and exults, and the many noble and glorious passages of his 'Excursion'? You must not indeed blame me for estimating Wordsworth at his height, and on the other side I readily confess to you that he is occasionally, and not unfrequently, heavy and ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... have summoned myself as a witness I take the stand once more to confess that Alan Seeger's lofty lyric, 'I have a rendezvous with Death' has a diminished appeal because of the foreign connotations of 'rendezvous'. The French noun was adopted into English more than three centuries ago; and it was used as a verb nearly three centuries ago; it does not interfere with the ...
— Society for Pure English, Tract 5 - The Englishing of French Words; The Dialectal Words in Blunden's Poems • Society for Pure English
... interlude, in prose or verse, representing the "talk by the way," of art-students, Austrian police, and poor girls, all bearing on some part of the action. Pippa's prologue and epilogue, like her songs, are in varied lyric verse. The blank verse throughout is the most vivid and dignified, the most coloured and yet restrained, that Browning ever wrote; and he never wrote anything better for singing than some ...
— An Introduction to the Study of Browning • Arthur Symons
... Song. Poets and critics have been unanimous in their praise of this exquisite lyric, which, had she written nothing more, would alone have been amply sufficient to vindicate Aphara Behn's genius and immortality. It was a great favourite with Swinburne, who terms it 'that melodious and magnificent song'; Mr. Bullen is warm in its praise, whilst Professor Saintsbury justly acknowledges ...
— The Works of Aphra Behn, Vol. II • Aphra Behn
... the most splendid ecclesiastical lyric ever poured forth by the genius of man. I give to every clause of it an implicit assent. It does not pretend to be divine; it is human, but the Church has hallowed it, and the Church ever acts under the influence ...
— Endymion • Benjamin Disraeli
... Climbing the staircase paths beside the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly ...
— New Italian sketches • John Addington Symonds
... from 1150 to 1190. The lyric poets of this period were for the most part Austrian and Bavarian knights who lived remote from the French border and were little influenced by the now well-developed art of the troubadours and trouvres. They got their impulse rather from the simple love-messages ...
— An anthology of German literature • Calvin Thomas
... definition of a ballad,—is truly an epic in germ, lacking the finish of a miniature, but holding the promise of a seed. Where the narrative is highly colored by emotion, as in Helen of Kirconnell or Waly Waly, the ballad merges into the lyric. It is difficult here to draw the line of distinction. A Lyke-Wake Dirge is almost purely lyric in quality, while The Lawlands o' Holland, Gilderoy, The Twa Corbies, Bonny Barbara Allan, have each a pronounced lyric element. From the ballad of dialogue we look ...
— Ballad Book • Katherine Lee Bates (ed.)
... I perceive that Mr. Swinburne has dedicated a rousing lyric and some vigorous sonnets to the memory of Gondremark; that name appears twice at least in Victor Hugo's trumpet-blasts of patriot enumeration; and I came latterly, when I supposed my task already ended, on a trace of the fallen politician and his Countess. ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 7 (of 25) • Robert Louis Stevenson
... forming the true musical climax of the oratorio, admits of a briefer description than the first part. The wave of emotion answering to the sensuously dramatic element having partly spent itself, the wave of lyric emotion gathers fresh strength, and one feels that one has reached the height of spiritual exaltation, while, nevertheless, there is not so much which one can describe to others who may not happen to ...
— The Unseen World and Other Essays • John Fiske
... Corot, and at moments I have thought of him as the heir and successor to some of Corot's haunting graces; but there was all the difference between them that there is between lyric pure and tragic pure. Ryder has for once transcribed all outer semblances by means of a personality unrelated to anything other than itself, an imagination belonging strictly to our soil and specifically to our Eastern geography. In his ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... of public decorum, which was even already growing up in English society, should not be shocked by the too frequent reminder that the King had several children who were not born in wedlock. Beranger, the once popular French lyric poet, satirized a certain royal personage, a contemporary of William the Fourth, as the King of Yvetot. There was a French legend which told of the conditions under which the descendants of a certain lord of the manor in Brittany ...
— A History of the Four Georges and of William IV, Volume IV (of 4) • Justin McCarthy and Justin Huntly McCarthy
... verses are imitated in the Comedia de Rubena, 1521). We may note that the story of Troy is running in Vicente's head as in the Exhorta[c,][a]o of 1513 (he had probably just read the Cronica Troyana). The last lyric, A la guerra, caballeros, is out of keeping with the rest of the play, but fighting in Africa was so frequent that it cannot help to determine the play's date. It is in this period (1512-14) that it is customary ...
— Four Plays of Gil Vicente • Gil Vicente
... annuity, or small independent income, to some village or country town of which he was not a native, or in which he had not been accustomed to live. Such men having nothing to do become credulous and talkative from indolence'. But in a poem, still more in a lyric poem—and the Nurse in Shakespeare's Romeo and Juliet alone prevents me from extending the remark even to dramatic poetry, if indeed even the Nurse itself can be deemed altogether a case in point—it is not possible to imitate truly a dull and garrulous discourser, without repeating the effects ...
— English Critical Essays - Nineteenth Century • Various
... native to India. Although this discussion does not bear directly upon the {14} origin of our numerals, yet it is highly pertinent as showing the aptitude of the Hindu for mathematical and mental work, a fact further attested by the independent development of the drama and of epic and lyric poetry. ...
— The Hindu-Arabic Numerals • David Eugene Smith
... that the pleasure he would continue to give would remind people of his trivial personality, which indeed he never particularly celebrated and which had much better lie buried with his bones. He was thinking, of course, of that pleasure itself; thinking that the delight, half lyric, half sarcastic, which those delicate cameos had given him to carve would be perennially renewed in all who retraced them. Nay, perhaps we may not go too far in saying that even that impersonal satisfaction ...
— The Life of Reason • George Santayana
... knowledge with so much life and fancy. His prose is always intelligible and always entertaining. In poetry he has attempted almost every species of composition known before, and he has added new ones; and if we except the highest lyric,—(in which how few, how very few even of the greatest minds have been fortunate)—he has attempted every species successfully; from the political song of the day, thrown off in the playful overflow of honest joy and patriotic exultation, to the ...
— Biographia Literaria • Samuel Taylor Coleridge
... in spite of your caveat for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... Hasse, a man of true genius, who in his old age instructed some of the most splendid singers in the history of the lyric stage. He also married one of the most gifted and most beautiful divas of Europe, Faustina Bordoni. The following anecdote does equal credit to Hasse's heart and penetration: In after-years, when he had left England, he was again sent for to take Handel's place as conductor of opera and oratorio. ...
— The Great German Composers • George T. Ferris
... immortal lords of fame. So far from there being any lack of permanent value and power in his verse, any falling from his established rank, the most authoritative critics, more generally today than ever before, acknowledge him to be the greatest lyric poet that ever lived. One can hardly help being awed at the thought of the genius and fascination of the young man whom the ...
— The Friendships of Women • William Rounseville Alger
... he is very valuable to a collector of English sound sense.... Burns's 'Scots wha hae' is poor as a lyric composition. ...
— The Prose Works of William Wordsworth • William Wordsworth
... as an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its purpose will have ...
— French Lyrics • Arthur Graves Canfield
... half lines of lyric—especially when it came to the last verse—here, there, and everywhere he scored them through with a ruthless hand; and with a renewed sense of usefulness, and a conscience well at ease, he returned the much deleted copy ...
— King John of Jingalo - The Story of a Monarch in Difficulties • Laurence Housman
... after another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, and Pericles statesmanship. This was their election, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... after the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Childe Roland" and "The Statue and the Bust"—from their more complex companions, which ...
— Men and Women • Robert Browning
... of epic should be included the half descriptive, half lyric poems which were popular among the English, dealing chiefly with nature, the seasons of the year, etc. There belong also to this division numerous didactic poems in which a prosaic content is dressed up in poetic form, such as compendiums ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... assertion, believed and affirmed by hundreds. The feelings of Great Britain on this awful event have been described well and worthily by a living poet, who has happily blended the passion and wild transitions of lyric song with the swell ...
— Confessions of an Inquiring Spirit etc. • by Samuel Taylor Coleridge
... accompany the villagers to their white-walled, green-domed church, and afterwards listen to the songs which the girls sing in the summer choral dances, or take part in the merriment of the social gatherings, which enliven the long nights of winter. Sometimes the quaint lyric drama of a peasant wedding is performed before our eyes, sometimes we follow a funeral party to one of those dismal and desolate nooks in which the Russian villagers deposit their dead. On working days ...
— Russian Fairy Tales - A Choice Collection of Muscovite Folk-lore • W. R. S. Ralston
... the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... overflows the lips in song As sweet and limpid as a mountain spring; But—when it's bitter with base treachery— It dams itself against all utterance, And either mines the soul, or, breaking forth, Sweeps downward to destruction. Oh! 'tis true, Love is the lyric happiness of youth; And they, who sing its perfect melody, Do from the honest parish register Still take their tune. And so must you. For you Are now in the very period of youth When myriads of unborn beings knock loud and long Upon the willing portals of the heart For ...
— The Scarlet Stigma - A Drama in Four Acts • James Edgar Smith
... the piano rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung by him on ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... than either of Wordsworth's, superior to Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. The sentiment ...
— The Song of the Flag - A National Ode • Eric Mackay
... religion, morality, or good manners, or to the disturbance of the state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute it with the Augustan age, flourished under the despotism of Lewis XIV.; ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... The lyric "The Voice of Spring" was written in 1823. It was followed by "Breathings of Spring." The season of spring had a marked influence upon her. It was, with all its joy and beauty, generally "a time of thoughtfulness rather than mirth." It has been well observed that autumn in one way is a more joyous ...
— Excellent Women • Various
... lunch with the curious other girls. Before fifteen-cent lunches of baked apples, greasy Napoleons, and cups of coffee, at a cheap restaurant, Miss Moynihan and she talked about the office-manager, the editors, the strain of copying all day, and they united in lyric hatred of the lieutenant of the girls, a satiric young woman who was a wonderful hater. Una had regarded Miss Moynihan as thick and stupid, but not when she had thought of falling in love with Charlie Martindale at ...
— The Job - An American Novel • Sinclair Lewis
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