"Aesthetic" Quotes from Famous Books
 ... little home in the country with all outdoors to breathe in as worth the half-hour journey and the early breakfast, and that the woman will have time set free by the labor-saving devices sure to come as fast as she will use them wisely. This free time she will give to the aesthetic side of life and will make of her home a more attractive ...
— The Cost of Shelter • Ellen H. Richards
... the William Morris type. The mind of William Morris was profoundly reactionary He hated the whole trend of later nineteenth-century modernism with the hatred natural to a man of considerable scholarship and intense aesthetic sensibilities. His mind turned, exactly as Mr. Belloc's turns, to the finished and enriched Normal Social Life of western Europe in the middle ages, but, unlike Mr. Belloc, he believed that, given private ownership of land and the ordinary materials of life, there must necessarily be an ...
— An Englishman Looks at the World • H. G. Wells
... was far away the best. It dealt with Religion. Addressed to an audience ready for such philosophical views, it would have met with a flattering reception. Egremont's point of view was, strictly, the aesthetic; he aimed at replacing religious enthusiasm, as commonly understood, by aesthetic. The loveliness of the Christian legend—from that he started. He dealt with the New Testament very much as he had formerly dealt with the Elizabethan poets. He would have no appeal to ...
— Thyrza • George Gissing
... fair or foul, which resides within one and all of us. How would this one look, divested of ephemeral appurtenances and standing there, in bronze or marble; what were the essential qualities of those features—their aesthetic mission to men like himself; to what type or relic of the classic age might they be assimilated? He was for ever disentangling the eternal from mundane accessories. And there was an element of the eternal, he used to declare, in every creature ...
— South Wind • Norman Douglas
... its dilapidated entrance gates involved an adventurous march through a number of miniature shell craters. Night, however, was merciful in that it hid the desolation which is called Stivvins' from the fastidious eye of man. Mr. Sole, who was not aesthetic and by no means poetical, admitted that Stivvins' ...
— Bones in London • Edgar Wallace
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