"Bagpipe" Quotes from Famous Books
 ... they might discover their pigs and move them away. As soon as they had crossed the drawbridge they seized upon the master, threw off their false clothes, drew their weapons, and blew a blast upon the bagpipe; and forthwith appeared their comrades from their hiding-places in the neighboring woods. They took possession of the castle, its master and mistress, and all their folk; and, settling themselves there, they scoured from thence the whole ...
— A Popular History of France From The Earliest Times - Volume II. of VI. • Francois Pierre Guillaume Guizot
... to give out the nasal whine of the bagpipe, or the throat of a nightingale to emit the caw of a raven, the aesthetic sense would not be more startled and offended than to hear from feminine lips, rosily wreathed by beauty and youth, issue the words, "The concert will come off on Wednesday." This vulgarism should never be ...
— Essays AEsthetical • George Calvert
... swore with delight,—all save the Spaniard, who was ever like a thundercloud, and Paradise, who only smiled like some languid, side-box lord. There was wine on board, and during the long, idle days, when the wind droned in the rigging like a bagpipe, and there was never a cloud in the sky, and the galleons were still far away, the pirates gambled and drank. Diccon diced with them, and taught them all the oaths of a free company. So much wine, and no ...
— To Have and To Hold • Mary Johnston
... knew, was in their boudoir, which was situated at the end of the long and rather gloomy corridor of the upper storey. Highly incensed at her sister's slowness, she was hastening along the corridor, when, to her supreme astonishment, she suddenly saw the figure of a man in kilts, with a bagpipe under his arm, emerge through the half-open door of the boudoir, and with a peculiar gliding motion advance towards her. A curious feeling, with which she was totally unfamiliar, compelled her to remain ...
— Scottish Ghost Stories • Elliott O'Donnell
... decorated with public monuments, whose object is to enliven or to embellish." Their religion forbids them every sort of painting, sculpture, or engraving; thus the fine arts cannot exist among them. They have no music but vocal; and know of no accompaniment except a bass of one note like that of the bagpipe. Their singing is in a great measure recitative, with little variation of note. They have scarcely any notion of medicine or surgery; and they do not allow of anatomy. As to science, the telescope, the microscope, ...
— Historical Sketches, Volume I (of 3) • John Henry Newman
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