"Pedal" Quotes from Famous Books
 ... we have been routed night after night from our warm quarters, in the dead of winter, to kindle fires and fill frosty kettles from water-pails thickly crusted with ice, that we might get the writhing pedal extremities of our little heir into a tub of water as quickly as possible. But lately we have learned that all this work and exposure is needless. We simply wring a towel from salted water—a bowl of it standing in our sleeping ...
— The Whitehouse Cookbook (1887) - The Whole Comprising A Comprehensive Cyclopedia Of Information For - The Home • Mrs. F.L. Gillette
... even distinguishing them, and then stared obstinately at his own feet. When at last a stray musician with a worn face, long hair, and an eyeglass stuck into his contorted eyebrow sat down to the grand piano and flinging his hands with a sweep on the keys and his foot on the pedal, began to attack a fantasia of Liszt on a Wagner motive, Aratov could not stand it, and stole off, bearing away in his heart a vague, painful impression; across which, however, flitted something incomprehensible to him, but grave ...
— Dream Tales and Prose Poems • Ivan Turgenev
... wasteful and indirect and empirical is the process. We want a small range of rapid vibrations, and we know no better than to make the whole series leading up to them. It is as though, in order to sound some little shrill octave of pipes in an organ, we are obliged to depress every key and every pedal, and ...
— Scientific American Supplement, No. 717, September 28, 1889 • Various
... it. The hammer weighs 15 lb., and has a stroke variable from 21/2 in. to 91/2 in., and makes 250 blows per minute. The driving shaft, A, is fitted with fast and loose belt pulleys, the belt fork being connected to the pedal, P, which when pressed down by the foot of the workman, slides the driving belt on to the fast pulley and starts the hammer; when the foot is taken off the pedal, the weight on the latter moves the belt quickly ...
— Scientific American Supplement, No. 344, August 5, 1882 • Various
... are some—there are half a dozen—" muttered Marzio, relapsing into sullen discontent and slowly turning the body of the chalice beneath the cord stretched by the pedal on which he pressed his foot. Having brought under his hand a round boss which was to become the head of a cherub under his chisel, he rubbed his fingers over the smooth silver, mechanically, while he contemplated the red wax model before him. Then there was silence for a space, broken only by ...
— Marzio's Crucifix and Zoroaster • F. Marion Crawford
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