"Leo" Quotes from Famous Books
 ... gave directions, by circular letters, to collect and transmit to him whatever had been seen or learnt, relative to the sanctity and miracles of the blessed Father. He addressed himself particularly to three of his twelve first companions: Leo, his secretary and his confessor; Angelus and Rufinus: all three joined in compiling what is called "The Legend of the Three Companions." The others noted separately what they had themselves seen, and the things which they had learnt from others. ...
— The Life and Legends of Saint Francis of Assisi • Father Candide Chalippe
... the point, and that it should consist of Susannus of Vannes, Felix of Quimper, and Convoyon, who was to carry "gold crowns inlaid with jewels" as a gift from Nomenoe to the Pope. The decision given by Pope Leo on the matter is far from clear. The Nantes chronicle asserts that Leo made Convoyon a duke, and gave him permission to wear a gold coronet. He also presented him with a valuable gift—the bones of St Marcellinus, Bishop of Rome and martyr, which Convoyon took back with him to Redon and deposited ...
— Legends & Romances of Brittany • Lewis Spence
... style." This was one of the causes of his falling out with Withsak, who supported the old-fashioned methods, while ALFRED was in favour of simplicity and brevity. You will find all this related in the work of Leo Maximus, a learned writer, the friend and admirer of ALFRED and author of ...
— Punch, or the London Charivari, Vol. 153, Oct. 24, 1917 • Various
... schiavo d'un primo uomo."[7] Now, thought I, now's the time; so turning to Antonia, I remarked, "Antonia knows nothing of such singing as that, I believe?" At the same time I struck up one of old Leonardo Leo's[8] beautiful soul-stirring songs. Then Antonia's cheeks glowed; heavenly radiance sparkled in her eyes, which grew full of reawakened inspiration; she hastened to the piano; she opened her lips; but ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... last consolation of the innately noble, which no adversity can take away; here let the lover of art feed his eyes with the mighty masterpieces of Italian art, when Raphael and Titian strove to decorate the palaces of Charles, the great emperor of the age of Leo X., or with the living nature of Velazquez and Murillo, whose paintings are truly to be seen in Spain alone; here let the artist sketch the lowly mosque of the Moor, the lofty cathedral of the Christian, in which God is worshipped in a manner as nearly befitting His glory as the power and wealth ...
— A Supplementary Chapter to the Bible in Spain • George Borrow
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