"Gregorian" Quotes from Famous Books
 ... poetry, professing in its preface to be a Short Cut to Culture; and he would read with what at that time, it being new to them, seemed to the twins a strange exotic pronunciation, Wordsworth's "Ode to Dooty," and the effect was as if someone should dig a majestic Gregorian psalm in its ribs, and make ...
— Christopher and Columbus • Countess Elizabeth Von Arnim
... soon to give birth to the characteristic genius of the opera, was as yet unborn, though dormant. In Rome, the chief seat of the Belgian art, the exclusive study of technical skill had frozen music to a mere formula. The Gregorian chant had become so overladen with mere embellishments as to make the prescribed church-form difficult of recognition in its borrowed garb, for it had become a mere jumble of sound. Musicians, indeed, carried their profanation so far as to take secular melodies as the themes for ...
— Great Italian and French Composers • George T. Ferris
... what is more likely than that Anne should have told her new English friends all about that jolly, popular brother of hers? The tune and its quaint harmonization is surely from some time in the joyous fifteenth century; if it had to deal with St. Wenceslaus it would have to grunt about in Gregorian phrasing. No doubt Anne's ladies who accompanied her from Bohemia would invoke the patron saint from time to time, and English people, hearing a strange and difficult name, and thinking it impossible that several well-known men had borne it, would be ...
— From a Terrace in Prague • Lieut.-Col. B. Granville Baker
... ciboriums, faldstools, lecterns, ante-pend turns, piscinas, roodlofts, and sedilia": wears a long cassock which shows absurdly under the tails of his coat; and would tolerate no architecture but Gothic in English churches, and no music but the Gregorian. Bateman is having a chapel restored in pure fourteenth-century style and dedicated to the Royal Martyr. He is going to convert the chapel into a chantry, and has bought land about it for a cemetery, which ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... and finished each verse with a refrain, piercing, sad, running up and down large and easy intervals. The tunes were many and seemingly familiar, all barbaric, often ending in the minor key, and reminding us much, perhaps too much, of the old Gregorian tones. The words were all but unintelligible. In one song we caught 'New York' again and again, and then 'Captain he heard it, he ...
— At Last • Charles Kingsley
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