"Choir" Quotes from Famous Books
 ... box pews of oiled wood, with handrails gleaming from the touch of many generations, with wooden buttons and protruding hinges proclaiming an ancient fashion; but the unique feature of the New North Church is its slave galleries. These two small galleries, between the roof and the choir loft, held for thirty years, in diminishing numbers, negroes and Indians. The last occupant was a black Lucretia, who, after being freed, was invited to sit downstairs with her master and mistress, which she did, and which she continued to do until her death, ...
— The Old Coast Road - From Boston to Plymouth • Agnes Rothery
... preacher looming above the pulpit, the peculiar way the light came through the coarse colour of the windows, the barrenness and stiffness of the great empty room, the raw girders overhead, the prim choir. There was something in that preacher, gaunt, worn, sodden though he appeared: a spark somewhere, a little flame, mostly smothered by the gray dreariness of his surroundings, and yet blazing up at ...
— Adventures In Contentment • David Grayson
... he reached the distant portal of the church, and pushing open a wicket, cut in the folding doors, we found ourselves in the deep arched vestibule of the sacred edifice. To our left was the choir, forming one end of the church, and having a low vaulted ceiling, which gave it the look of a cavern. About this were ranged the monks, seated on stools, and chanting from immense books placed on music-stands, and having the notes scored in such ...
— The Crayon Papers • Washington Irving
... I want to go to the church and practice for the last time on the organ. After to-morrow, I may never sing again in our dear choir. Perhaps I may come back after awhile and stay an hour ...
— St. Elmo • Augusta J. Evans
... the cathedral scene in Le Prophete. It must have been Meyerbeer, for Scribe was not temperamentally a revolutionist, and this scene was really revolutionary. The brilliant procession with its crowd of performers which goes across the stage through the nave into the choir, constantly keeping its distance from the audience, is an impressive, realistic and beautiful scene. But directors who go to great expense for the costumes cannot understand why the procession should file anywhere except before the footlights as near the audience ...
— Musical Memories • Camille Saint-Saens
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