"Chine" Quotes from Famous Books
 ... man, not knowing of the former, and comming in before the houre appointed, found the first man, and enraged thereat, he whipped out his cattan [katana] and wounded both of them very sorely,—hauing very neere hewn the chine of the mans back in two. But as well as hee might he cleared himselfe, and recouering his cattan, wounded the other. The street, taking notice of the fray, forthwith seased vpon them, led them aside, ...
— Japan: An Attempt at Interpretation • Lafcadio Hearn
... splintered wood away, he drew his famous Durindal. The naked blade shone in the sun and fell upon the helmet of Chernuble, Marsil's mighty champion. The sparkling gems with which it shone were scattered on the grass. Through cheek and chine, through flesh and bone, drove the shining steel, and Chernuble fell upon the ground, a black and hideous heap. "Lie there, caitiff!" cried Roland, "thy Mahomet cannot save thee. Not unto such ...
— Young Folks Treasury, Volume 2 (of 12) • Various
... tails behind must be more dignified than short ones, am I right?" We told her it was so. Then she said: "Go and put on your most beautiful gowns at once." We immediately went and changed. My sister and myself wore our pink crepe de chine gowns, trimmed with Brussels lace and transparent yokes of the same color chiffon. My mother wore her gray crepe de chine embroidered with black roses and a little touch of pale blue satin on her collar and belt. We dressed in a great hurry, as Her Majesty had sent eunuchs to see if we were ready. ...
— Two Years in the Forbidden City • The Princess Der Ling
... observations, which at Yedo were more extended and unimpeded than those of any preceding visitor, are recorded in the most lively and charming manner. The history of the embassy of Baron Gros (Souvenirs d'une Ambassade en Chine et au Japon, par le Marquis de Moges) is less complete and entertaining, but by no means destitute ...
— Atlantic Monthly, Vol. 5, No. 32, June, 1860 • Various
... greens of the old illuminations in her hangings, upholstery and cushions, and as a striking contribution to the decorative scheme, costumes herself in white, some soft, clinging material such as crepe de chine, liberty satin or chiffon velvet, which take the mediaeval lines, in long folds. She wears a silver girdle formed of the hand-made clasps of old religious books, and her rings, neck chains and earrings are all of hand-wrought silver, with precious stones cut in ...
— Woman as Decoration • Emily Burbank
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