"Chiaroscuro" Quotes from Famous Books
 ... Grano. Their first work in partnership may probably have been the "Baptism of Christ,'' for the Florentine Compagnia dello Scalzo, a performance of no great merit, the beginning of a series, all the extant items of which are in monochrome chiaroscuro. Soon afterwards the partnership was dissolved. From 1509 to 1514 the brotherhood of the Servites employed Andrea, as well as Franciabigio and Andrea Feltrini, the first- named undertaking in the portico of the Annunziata three frescoes illustrating the ...
— Project Gutenberg Encyclopedia
... of Parenzo, who was much employed in his day; pictures by him are preserved in the Accademia at Venice, the Doria Gallery, Rome, in the Louvre, and at Modena. He studied at Padua with Mantegna, under Squarcione, and executed frescoes and chiaroscuro arabesques in the cloister of S. Giustina in that city. When the Austrians converted the convent to military uses the paintings were plastered over, and, although again uncovered in 1895, they were found to be in a much damaged ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... Fra Angelico in Florence, probably in recognition of the benefits bestowed by Cosimo on the monks of San Marco; moreover, we do not think the work could have been done at Fiesole after the first visit to Rome in 1452, because the figures, weak in chiaroscuro, are still treated as if they were enlarged miniatures, and do not show the character of his later works. On the other hand the picture of the Osservanza in Mugello displays the whole power of the artist, and may be compared, as Rio says, to the panel at San ...
— Fra Angelico • J. B. Supino
... one of his lazy days, I'm afraid. He's hardly added a touch—just a little heightened the chiaroscuro, sharpened the nose a trifle, deepened some little the shadows ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... dark, but the exhibition had been so successful that day, and the crowd was still so large, that the hunchback was loath to desist. At a sign from him, Jan put his colored chalks into a little pouch in front of him, and drew in powerful chiaroscuro with soft black chalk and whitening. These sketches were visible for some time, and the interest of the ...
— Jan of the Windmill • Juliana Horatia Ewing |
