"Buckler" Quotes from Famous Books
 ... cast the view aside, And crested morions, with their plumy pride. Knights, with a long retinue of their squires, In gaudy liveries march, and quaint attires. One laced the helm, another held the lance; A third the shining buckler did advance. The courser pawed the ground with restless feet, And snorting foamed, and champed the golden bit. The smiths and armourers on palfreys ride, Files in their hands, and hammers at their side, And nails for loosened spears ...
— Palamon and Arcite • John Dryden
... apparently one of the most distinguished dandies. Jean, the monk of Marmontier, in his description of the fetes given by the count at Rouen, speaks of the splendid habiliments of this prince—of his Spanish barb, his helmet, his buckler, his lance of Poitou steel, and his celebrated sword taken from the treasury of his father, and renowned as the work of "the great Galannus, the most expert of armourers." Even in this very guise does ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... the emperor, and both steed and rider fell to the ground. Rhodolph, encumbered by his heavy coat of mail, and entangled in the housings of his saddle, was unable to rise. He crouched upon the ground, holding his helmet over him, while saber strokes and pike thrusts rang upon cuirass and buckler like blows upon an anvil. A corps of reserve spurred to his aid, and the emperor was rescued, and the bold assailants who had penetrated the very center ...
— The Empire of Austria; Its Rise and Present Power • John S. C. Abbott
... for redress, so that in a short space of time, with the assistance, no doubt, of the divine favour, all the world became subject to them. Flamininus especially prided himself on having liberated the Greeks, and when he dedicated at Delphi silver shields and his own Roman buckler, he wrote upon them the ...
— Plutarch's Lives, Volume II • Aubrey Stewart & George Long
... easy to prove from documentary evidence that artists so eminent as Simone Martini, Gentile da Fabriano, Perugino, and Ghirlandajo kept open shops, where customers could buy the products of their craft from a highly-finished altar-piece down to a painted buckler or a sign to hang above the street-door. The commercial status of fine art in Italy was highly beneficial to its advancement, inasmuch as it implied a thorough technical apprenticeship for learners. The defective side of the system was apparent in great ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
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