"Violoncello" Quotes from Famous Books
... the book you kindly sent me on "The Technics of Violoncello Playing," which I found excellent, particularly for beginners, which naturally was your scope. With many thanks for kindly ... — The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... discussion upon the subject of Glueck's music; and suddenly, some piece from the "Iphigenia" being mentioned, she shouted for her man-servant, to whom on his appearance she gave orders to bring her a chair and footstool, and "the big fiddle" (the violoncello) out of the hall; and taking it forthwith between her knees, proceeded to play, with excellent taste and expression, some of Glueck's noble music upon the sonorous instrument, with which St. Cecilia is the only female I ever saw on terms of ... — Records of Later Life • Frances Anne Kemble
... from which paths lead to right and left into a garden. On the right are several garden benches and tables. A lamp is burning on one of the tables. It is evening. As the curtain rises sounds of the piano and violoncello are heard. ... — Ivanoff - A Play • Anton Checkov
... is larger than the violin, has heavier and thicker strings, and is pitched to a lower key; in all other respects the two are similar. The violoncello, because of the length and thickness of its strings, is pitched a whole octave lower than the violin; otherwise it is similar. The unusual length and thickness of the strings of the double bass make it produce very low notes, so that ... — General Science • Bertha M. Clark
... are solemn old foggies, who appear strongly inclined to go to sleep, and, in fact, sometimes do. Meantime, the music goes on. A long, long sonata or concerto—piano and violin, or piano, violin, and violoncello—is listened to in profound silence, with a low murmur of applause at the end of each movement. Then perhaps comes a little vocalism—sternly classic though—an aria from Gluck, or a solemn and pathetic song from Mendelssohn: the performer being either a well-known concert-singer, or a young ... — Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
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