"Tails" Quotes from Famous Books
... encouragement in his labour. Not only that the sparrows noisily criticized his work, and the chestnuts scornfully whisked their tails under his nose, but the harrows also objected, and resisted at every little stone or clod of earth. The tired horses continually stumbled, and when Slimak cried 'Woa, my lads!' and they went on, the harrows ... — Selected Polish Tales • Various
... stinging, and hath not so much venom as other serpents: for to the end to slay anything, to him venom is not needful, for whom he findeth he slayeth, and the elephant is not secure of him, for all his greatness of body. Oft four or five of them fasten their tails together, and rear up their heads, and sail over sea and over rivers to get good meat. Between elephants and dragons is everlasting fighting, for the dragon with his tail bindeth and spanneth the elephant, ... — Mediaeval Lore from Bartholomew Anglicus • Robert Steele
... and war had been resolved upon by the English, it might have been expected that active operations would have been commenced forthwith. Such was not the case. An English soldier remarked:—"We were kept on the Neck twisting our tails and powdering our heads, while the Yankees were gathering in our front and in our flanks like clouds." It seems to be generally acknowledged that this inactivity was fatal to the cause of the British arms in America, and that if General Gage had employed ... — The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... carefully along the boulder-strewn bottom. The man's back was toward him, but the general look of him was Mexican. The horse was bay with a rusty black tail, but there were in New Mexico thousands of bay horses with black tails, so there was nothing gained there. The rider seemed to be making toward Medina's ranch, though that was only a guess, since the arroyo he was following led in that direction at that particular place. Later it took a sharp turn to the south, ... — Starr, of the Desert • B. M Bower
... leaning forward, twisting themselves into strange attitudes, and adapting their bodies to the several degrees of the framework. The same may be said of the arabesques around the portraits of the poets, where men, women, and children, some complete, some ending in foliage or in fish-tails, are lavished with a wild and terrible profusion. Hippogriffs and centaurs, sirens and dolphins, are here used as adjuncts to humanity. Amid this fantastic labyrinth of twisted forms we find medallions painted in chiaroscuro ... — Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
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