"Symbolism" Quotes from Famous Books
 ... be found here and there superficial accounts of strange customs and ceremonies, of which the symbolism or inner meaning was largely hidden from the observer; and there has been a great deal of material collected in recent years which is without value because it is modern and hybrid, inextricably mixed with Biblical legend and Caucasian philosophy. Some of it has even been invented for commercial ...
— The Soul of the Indian - An Interpretation • [AKA Ohiyesa], Charles A. Eastman
... in my little wood and paper house; but how much more Japanese it really was, in its bare emptiness, such as M. Sucre and Madame Prune had conceived it. There are now many lamps of sacred symbolism hanging from the ceiling; many stools and many vases, as many gods and goddesses as in ...
— Serge Panine • Georges Ohnet
... sunlight of the streets and fields. A village vicar was slain with inconceivable stripes, and his corpse set on fire with frightful jests about a roasted priest. Rape became a mode of government. The violation of virgins became a standing order of police. Stamped still with the same terrible symbolism, the work of the English Government and the English settlers seemed to resolve itself into animal atrocities against the wives and daughters of a race distinguished for a rare and detached purity, and of a religion which makes of innocence ...
— The Crimes of England • G.K. Chesterton
... became general, this began to be understood; since it was soon seen that the only photographer who could lay any claim to artistic work was the man who selected and altered and posed—arranged his subject, that is to say, in more or less symbolic form. Then people began to see again that Symbolism was the underlying spirit of Art—as they had known perfectly well, of course, in medieval days: that Art consisted in going beneath the material surfaces that reflected light, or the material events that happened, in painting and literature respectively, and, by ...
— Dawn of All • Robert Hugh Benson
... more than revolutions. Fashion cut into the living flesh, attacked the very skeleton and framework of art; it chopped and hewed, dismembered, slew the edifice, in its form as well as in its symbolism, in its logic no less than in its beauty. But fashion restored, a thing which neither time nor revolution ever pretended to do. Fashion, on the plea of "good taste," impudently adapted to the wounds of Gothic architecture the paltry gewgaws of a day,—marble ribbons, ...
— Seeing Europe with Famous Authors, Volume 3 • Various
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