"Statuesque" Quotes from Famous Books
 ... stood behind them, grave and impassive, and as there was a large mirror directly in front of them, Marjorie could see him all the time. It struck her very funny to see the four Maynards eating their ice cream soda, without laughing or chatting, and with a statuesque footman in charge of them! However, the Maynards' enjoyment of their favorite dainty was not seriously marred by the conditions, and when at last they laid down their spoons, Marjorie suddenly realized that she had no money with her ...
— Marjorie's Maytime • Carolyn Wells
... the young girl's memory as she gazed at the cold, statuesque face of her lover's father. It seemed as if he held his tall, noble figure more haughtily erect than usual, and that his plain dark garments were of richer material and more faultless cut than ever; ...
— Uarda • Georg Ebers
... the English. The atmosphere of real life present in English tragedy is absent in French. The quasi-supernatural religious awe that reigned over Greek tragedy, French tragedy does not affect. You miss also in French tragedy the severe simplicity, the self-restraint, the statuesque repose, belonging to the Greek model. Loftiness, grandeur, a loftiness somewhat strained, a grandeur tending to be tumid, an heroic tone sustained at sacrifice of ease and nature—such is the element in which French tragedy lives and flourishes. You must grant your French tragedists ...
— Classic French Course in English • William Cleaver Wilkinson
... Drama, like the Classic Architecture, is all light, graceful, airy, in its form; whereas the Gothic is in nature and design profound, solemn, majestic. The genius of the one runs to a simple expressiveness; of the other to a manifold suggestiveness. That is mainly statuesque, and hardly admits any effect of background and perspective; this is mainly picturesque, and requires an ample background and perspective for its characteristic effect. There the mind is drawn more to objects; here, more to relations. The former, ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... he was bid; and so, when adjutant's call had sounded and the blue lines of the infantry were well out on the field, he followed in glittering column of pieces, his satin-coated horses dancing in sheer exuberance of spirits and his red-crested cannoneers sitting with folded arms, erect and statuesque, upon the ammunition-chests. Mrs. Cram, in her pretty basket phaeton, with Mrs. Lawrence, of the infantry, and several of the ladies of the garrison in ambulances or afoot, had taken station well to the front of the forming line. Then it became apparent that old ...
— Waring's Peril • Charles King
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