"Sheepskin" Quotes from Famous Books
 ... the midst of a kettle of ice; the rattling of sea-pebbles in an old sheep-skin, on which account many call the owl the hag of the Rhugylgroen. The Rhugylgroen, it will be as well to observe, is a dry sheepskin containing a number of pebbles, and is used as a rattle for frightening crows. The likening the visage of the owl to the dirty face of an old abbess is capital, and the likening the cry to the noise of the rhugylgroen is anything but unfortunate. For, ...
— Wild Wales - Its People, Language and Scenery • George Borrow
... to have stayed at the law, sor; I'd be a magistrate by now a-sittin' on a sheepskin instead ...
— The Underdog • F. Hopkinson Smith
... also (in whom I find it impossible to repress, even during school-hours, certain oral and telegraphic communications concerning the expected show), upon some fine morning the band enters in a gayly painted wagon, or triumphal chariot, and with noisy advertisement, by means of brass, wood, and sheepskin, makes the circuit of our startled village streets. Then, as the exciting sounds draw nearer and nearer, do I desiderate those eyes of Aristarchus, 'whose looks were as a breeching to a boy.' Then do I perceive, with ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... and the saints, and they seemed to him so pleasant that he feared to forget them, so after much debate with himself he decided to ask a friendly priest from the valley, who sometimes visited him, to write down the lauds; and the priest wrote them down on comely sheepskin, which the Hermit dried and prepared with his own hands. When the Hermit saw them written down they appeared to him so beautiful that he feared to commit the sin of vanity if he looked at them too often, so he hid them between two smooth stones in his cave, and vowed that he would ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... been considerably modified. The Kashmir shawls and turbans, and the red-cloth gaiters, which were de rigueur at the court of Fath Ali Shah, are now only seen at the salams or official levees of Nasr-ed-Din Shah. Nor does the young dandy of modern Tehran wear the lofty black sheepskin kolah or hat, indented at the top and stuck on sideways, as described by Morier. A lower and less pretentious variety of the same head-gear adorns the brow of the fin de siecle Iranian gallant. Secondly, the Tehran of "Hajji Baba" has been transmogrified almost out of existence; ...
— The Adventures of Hajji Baba of Ispahan • James Morier
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