"Modulate" Quotes from Famous Books
 ... which the sense is too subtile and evanescent to be fixed in a paraphrase; such are all those which are by the grammarians termed expletives, and, in dead languages, are suffered to pass for empty sounds, of no other use than to fill a verse, or to modulate a period, but which are easily perceived in living tongues to have power and emphasis, though it be sometimes such as no other form of expression ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... intermediate notes of the scale. Hawkins gives pictures of a treble, a tenor, and a bass cornet, copied from Mersennus, who remarks that the sounds of the cornet are vehement, but that those who are skilful, such as Quiclet, the royal cornetist (i.e., of France, 1648) are able so to soften and modulate them, that ...
— Shakespeare and Music - With Illustrations from the Music of the 16th and 17th centuries • Edward W. Naylor
... very difficult to find such a thing in Nagasaki; above all, very difficult to explain in Japanese what is a sailor's whistle of the traditional shape, curved and with a little ball at the end to modulate the trills and the various sounds of official orders. For three hours we are sent from shop to shop; at each one they pretend to understand perfectly what is wanted and trace on tissue-paper, with a paint-brush, the addresses of the shops where we shall without ...
— Madame Chrysantheme • Pierre Loti
... in some proportion, its moral and its meaning. The woodcutter did not cut down so many trees a day, that the hamadryads had not time to make their plaints heard; the shepherd tended his sheep, and did no jobs or chores the while; the idyl had a chance to grow up, and modulate his oaten pipe. But now the poet must be at the whole expense of the poetry in describing one of these positions; the worker is a true Midas to the gold he makes. The poet must describe, as the painter sketches ...
— Summer on the Lakes, in 1843 • S.M. Fuller
... musical indication observe that in the "Pater noster" I simply modulate and develop somewhat,—in the somewhat confined limits of a sentiment of trusting and pious submission,—the Gregorian intonation as sung in ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
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