"Modelling" Quotes from Famous Books
... among mankind who can enjoy no relish of their being except the world is made acquainted with all that relates to them, and think everything lost that passes unobserved; but others find a solid delight in stealing by the crowd, and modelling their life after such a manner as is as much above the approbation as the practice of the vulgar. Life being too short to give instances great enough of true friendship or good-will, some sages have thought it pious to preserve a ... — Isaac Bickerstaff • Richard Steele
... forgetting not my form, and my hands and feet, and my hair, and the whiteness of my skin, and then tell me truly, hast thou ever known a woman who in aught, ay, in one little portion of her beauty, in the curve of an eyelash even, or the modelling of a shell-like ear, is justified to hold a light before my loveliness? Now, my waist! Perchance thou thinkest it too large, but of a truth it is not so; it is this golden snake that is too large, and doth not bind it as it should. It is a wide snake, and knoweth that ... — She • H. Rider Haggard
... of half a Mile high, as from one of twenty Yards. He has his Choice of the Winds, and can turn the Course of his Rivers in all the Variety of Meanders, that are most delightful to the Reader's Imagination. In a word, he has the modelling of Nature in his own Hands, and may give her what Charms he pleases, provided he does not reform her too much, and run into Absurdities, by endeavouring ... — The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... probably the greatest artist soul in Holland. He is expert in almost every domain of art. Etching, pastel and water-colour drawing, oil-painting, wood-cutting, lithography, working in silver, copper, and brass, and modelling in clay, belong equally to his accomplishments, though as a painter he is, ... — Dutch Life in Town and Country • P. M. Hough
... quite hitch on—always he was too busy, too uncertain, confused. Wavering, he began to study modelling. To his surprise he found he could do it. Modelling in clay, in plaster, he produced beautiful reproductions, really beautiful. Then he set-to to make a head of Ursula, in high relief, in the Donatello ... — The Rainbow • D. H. (David Herbert) Lawrence
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