"Mantlepiece" Quotes from Famous Books
 ... mantlepiece, and taking down a silver cigarette box, opened and offered it to his visitor. Kara was wearing a grey lounge suit; and although grey is a very trying colour for a foreigner to wear, this suit fitted his splendid figure and gave him just that bulk ...
— The Clue of the Twisted Candle • Edgar Wallace
... youngest visibly grew uglier and uglier, and the eldest became every day more and more stupid; she either made no answer at all to what was asked her, or said something very silly; she was with all this so unhandy, that she could not place four pieces of china upon the mantlepiece, without breaking one of them, nor drink a glass of water without spilling half of it upon her cloaths. Tho' beauty is a very great advantage in young people, yet here the youngest sister bore away ...
— The Fairy Tales of Charles Perrault • Charles Perrault
... Mark down on a pile of bagging in a corner of a room at the head of the stairs. Then, still glancing behind him, as if fearful of being observed, the man walked over to a mantlepiece, fumbled about a bit of carving that adorned the centre, and pressed on a certain spot. A moment later the mantle seemed to swing out, and there was revealed a secret room, the existence of which would never have been suspected by the ...
— Lost on the Moon - or In Quest Of The Field of Diamonds • Roy Rockwood
... the house to look for Mr. Keller's opera-glass? The more I thought of it, the more I recoiled from the idea of throwing a frightful suspicion on Minna's mother which would overshadow an innocent woman for the rest of her life. What proof had I that she had lied to me about the sketch and the mantlepiece? And, without proof, how could I, how dare I, open my lips? I succeeded in deciding firmly enough for the alternative of silence, during the intervals when my attendance on the sick man was not required. But, when he wanted his medicine, when his pillows needed a little arrangement, ...
— Jezebel • Wilkie Collins
... Trevelyan Hotel, in the High Street, which presents to the street a most unpretentious exterior, and where, indeed, the principal rooms are the Victorian of Dickens, with ugly curtains and carpets, wall-papers and furniture, Victorian pictures, and Victorian bronzes on the coffee-room mantlepiece, has treasures hidden away up its dark staircases and in its cheaper and more modest bedrooms—defaced and disregarded, alas!—an Italian ceiling of fine scroll-work cut in half by a partition boarding, and a fine mantlepiece, with figures in relief, ...
— Lynton and Lynmouth - A Pageant of Cliff & Moorland • John Presland |
