"Lyrical" Quotes from Famous Books
... of mankind," they held was "man;" man, however, not in his boundless promise, but in the mean performance with which they proclaimed themselves satisfied. The poetry of the time was, at best, merely common-sense with ornamentation. It was neither lyrical nor tragic, though it may have tried to be both. It represented man neither as withdrawn into himself, nor as transported into an ideal world of action, but as observing and reasoning on his present affairs. The satire and moral essay were its ... — An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... intricate interweaving of plot and by the final appearance of all three groups at the wedding festivities of the Duke of Athens and his Amazon bride Hypolita. The characterization, light but delicate throughout, the mastery of the intricate story, the perfection of the comic parts, and the unsurpassed lyrical power of the poetry, are all the evidence we need that Shakespeare is now his own master in the drama, and can pass on to the supreme heights of his art. He has learned his ... — An Introduction to Shakespeare • H. N. MacCracken
... have named "Flint and Feather" because of the association of ideas. Flint suggests the Red Man's weapons of war; it is the arrow tip, the heart-quality of mine own people; let it therefore apply to those poems that touch upon Indian life and love. The lyrical verse herein is ... — Flint and Feather • E. Pauline Johnson
... which shrub in later years always brought back the scene before him; overhead, among the boughs of a lime-tree, a thrush fluted now cheerfully, now pathetically, like one who was testing a gift of lyrical improvisation. The elder man, wearied by a hard term's work, displayed a certain irritability of argument. Hugh held tenaciously to his points; and at last, after a silence, his friend turned to him and said, "Well, after all, it reduces itself ... — Beside Still Waters • Arthur Christopher Benson
... That sort of thing was in the air then. I was drawn into it, carried away by my subject. Perhaps I let it do so because it was so little familiar to my lines of thought. It was fresh ground and I revelled in it. I committed myself to that kind of emotional, lyrical outburst that one dislikes so much on re-reading. I was half conscious of the fact, but I ... — The Inheritors • Joseph Conrad
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