"Dissonance" Quotes from Famous Books
 ... expressing the rare quality of her millionaire soul—in the great drawing-room, with its bow-windows looking on to a clump of old trees powdered with snow, Christophe would find Colette sitting at her piano, repeating the same passage over and over again, delighting her ear with mellifluous dissonance. ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland
... read with the microscope of criticism, and employ their whole attention upon minute elegance, or faults scarcely visible to common observation. The dissonance of a syllable, the recurrence of the same sound, the repetition of a particle, the smallest deviation from propriety, the slightest defect in construction or arrangement, swell before their eyes into enormities. As they discern with great exactness, they comprehend but a narrow compass, ...
— The Works of Samuel Johnson, LL.D, In Nine Volumes - Volume the Third: The Rambler, Vol. II • Samuel Johnson
... other and cried over each other, without precisely knowing why, or, at least, without troubling to put the reason into words. But the events of the past few days had, imperceptibly, wrought a change in their relations. An impalpable veil had come between them, a subtle dissonance in point of view. They were pledged, as it were, ...
— Affairs of State • Burton E. Stevenson
... of the smell of orchard blossoms blown through the open window, of the odour of the pomegranate in the hedge; but his eyes were fascinated by the crouching passion of the figure before him and the dissonance of the low, unhuman voice. There was no pause in the broken, turgid torrent, which was like a muddy flood pouring over the boulders ...
— The Judgment House • Gilbert Parker
... speech, once more let loose, seeks out its old windings, or overflows musically in unpractised channels. The service which Spenser did to our literature by this exquisite sense of harmony is incalculable. His fine ear, abhorrent of barbarous dissonance, his dainty tongue that loves to prolong the relish of a musical phrase, made possible the transition from the cast-iron stiffness of "Ferrex and Porrex" to the Damascus pliancy of Fletcher and Shakespeare. It was ...
— Among My Books • James Russell Lowell
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