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Baritone   /bˈɛrətˌoʊn/   Listen
Baritone

noun
1.
A male singer.  Synonym: barytone.
2.
The second lowest adult male singing voice.  Synonym: baritone voice.
3.
The second lowest brass wind instrument.  Synonym: baritone horn.
adjective
1.
Lower in range than tenor and higher than bass.  "Baritone oboe"



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"Baritone" Quotes from Famous Books



... of us hear voices calling," broke in Katherine. "And each is a different voice according to our natures. Now Margaret's voice is soprano, but Jessie hears a deep baritone——" ...
— Molly Brown's Senior Days • Nell Speed

... most popular amusement halls in the city. It was called Irvine hall, and at one time Melodeon hall. Dan Emmet had a minstrel company at this hall during the years 1857 and 1858, and an excellent company it was, too. There was Frank Lombard, the great baritone; Max Irwin, bones, and one of the funniest men who ever sat on the stage; Johnny Ritter, female impersonator and clog dancer, and a large number of others. Frank Lombard afterward achieved a national reputation as one of the best baritone singers in ...
— Reminiscences of Pioneer Days in St. Paul • Frank Moore

... and lifted his fine, pale face upward: his low, clear baritone flooded the broken woods, carried far out across the silent frozen lake, unechoed; it was vibrant with the very spirit of ...
— Terry - A Tale of the Hill People • Charles Goff Thomson

... sympathetic friends, and by her side were Mr. Brann's sister and her husband, who came to Waco to attend the funeral, being summoned from their Fort Worth home. A brass quartette, composed of L. N. Griffin, first cornet; J. C. Arratt, second cornet; H. C. Collier, trombone; Fred Podgen, baritone horn, rendered sweet sacred music, one selection being Nearer My God to Thee. Mrs. Tekla Weslow Kempner sung Mr. Brann's favorite selection, The Bridge. The service was conducted by Rev. Frank Page of ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann

... Howells in front. His passion for music was scarcely less than his interest in speculation and history. He knew well the great composers, and had himself composed. Though the master of no instrument, he could touch the piano with feeling. He had a pleasant baritone voice, and nothing gave him more refreshment after a week of study or lecturing than to pour himself out in song. His accompanist had need not only of great technical skill but of stout vertebrae, and strong wrists; for hours at a time the piano ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer


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