"Barbaric" Quotes from Famous Books
 ... the glitter of the stage is very characteristic of De Banville. In his Deidamie (Odeon, Nov. 18th, 1876) the players who took the roles of Thetis, Achilles, Odysseus, Deidamia, and the rest, were accoutred in semi-barbaric raiment and armour of the period immediately preceding the Graeco-Phoenician (about the eighth century B.C.). Again we notice the touch of pedantry in the poet. As for the play, the sombre thread in it is lent ...
— Essays in Little • Andrew Lang
... and on the hills where the white flocks roamed, to the plaintive notes of the mystic pipes of Pan. He beheld the flaunting banners and flashing steel of victorious hosts and heard the wild, weird chants of wandering, barbaric hordes that conquered and destroyed. The flash and roar of artillery of recent times but intensified the gloom that brooded over the world. The struggle was unending. Men still remained the victims and slaves of passion and desire. Their sighs and curses and groans and cries ...
— When Dreams Come True • Ritter Brown
... moments into a nightmare, it has still infinite plasticity and buoyancy. What perceptions are retained merge in those haunting and friendly presences, they have an intelligible and congenial character because they appear as parts and effluences of an inner fiction, evolving according to the barbaric prosody of an ...
— The Life of Reason • George Santayana
... Manzoni, and Victor Hugo, and in England by Walter Scott, Pugin, Ruskin, and above all by Wordsworth, came in to give strength to this barrier. Under the magic of the men who led in this reaction, cathedrals and churches, which in the previous century had been regarded by men of culture as mere barbaric masses of stone and mortar, to be masked without by classic colonnades and within by rococo work in stucco and papier mache, became even more beloved than in the thirteenth century. Even men who were repelled by theological ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... and no "punch." He is wrong, although an imperfect abstract like mine cannot convict him. For the narrative presents an unforgettable portrait of wistful hero-worship, set in the dim mists of a Russian river against the barbaric splendor of an Easter midnight mass. To force a climax upon this poignant story would be to spoil it. And when it appears, as it will, in reprint, in some periodical anthology of current fiction, it will not fail to ...
— Definitions • Henry Seidel Canby
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