"Maupassant" Quotes from Famous Books
 ... Madam, babies don't grow in the cabbage patch, and you are all well aware they don't, and it's criminal of your English writers to mislead the young as to the facts of existence. Charlotte Yonge is infinitely more immoral than Guy de Maupassant." ...
— The Beloved Vagabond • William J. Locke
... stooped and kissed the filthy beggar outside the church door in Rome. Nor do we find in any of these sketches of outcasts that sense of humanity bruised and exiled that we get in such a story as Maupassant's Boule de Suif. Mr. Graham gloriously insists upon our recognizing our human relations, but many of them he introduces to us as first cousins once removed rather than as brothers and sisters by the grace ...
— Old and New Masters • Robert Lynd
... tree, in three volumes. An author of experience soon finds out how he should treat his material. One writer informs me that, given the idea, the germinal idea, it is as easy for him to make a novel out of it as a tale—as easy, and much more satisfactory and remunerative. Others, like M. Guy de Maupassant, for example, seem to find their strength in brevity, in cutting down, not in amplifying; in selecting and reducing, not in allowing other ideas to group themselves round the first, other characters ...
— Adventures among Books • Andrew Lang
... her of having a cold, indifferent heart. Others, more penetrating, have seen that Marie considered love as a religion for which a god was necessary. Hence her dream as a young girl: "to love a superior being." And she wrote to Maupassant. ...
— Marie Bashkirtseff (From Childhood to Girlhood) • Marie Bashkirtseff
... her punishment. These contrasts are developed not by reasoning but by action, each action plunging Madame Loisel deeper and deeper into misery. The author's attitude toward his work forms also a part of the real background. Maupassant shows neither sympathy nor indignation. He writes as if he were the stenographer of impersonal ...
— Short Stories Old and New • Selected and Edited by C. Alphonso Smith
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