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Lessing   /lˈɛsɪŋ/   Listen
Lessing

noun
1.
German playwright and leader of the Enlightenment (1729-1781).  Synonym: Gotthold Ephraim Lessing.
2.
English author of novels and short stories who grew up in Rhodesia (now Zimbabwe) (born in 1919).  Synonyms: Doris Lessing, Doris May Lessing.



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"Lessing" Quotes from Famous Books



... Protestant writers. This author holds a high rank in the Catholic literature of Germany, and has been chosen Bishop of Mayence. Professor Hillebrand is occupied with a revision of his highly esteemed History of German national literature since Lessing. There seems to be no reason to fear that Giessen is doing less than its share toward keeping the ocean of German books up at ...
— The International Magazine, Volume 2, No. 2, January, 1851 • Various

... life occurred in 1754, when he made the acquaintance of Lessing. The two young men became constant friends. Lessing, before he knew Mendelssohn, had written a drama, "The Jews," in which, perhaps for the first time, a Jew was represented on the stage as a man of honor. In Mendelssohn, Lessing recognized a new Spinoza; in Lessing, Mendelssohn ...
— Chapters on Jewish Literature • Israel Abrahams

... the pretty widow's here, too—my wife's sister, Ellen Lessing. We've a great plan for tomorrow, Red. I can't venture to drive this elephant of a car yet, but the women are wild for a trip in her. She holds seven. Martha wants you to drive us and the Chesters to-morrow ...
— Red Pepper Burns • Grace S. Richmond

... there were among the Maimunists, or rationalists, Levi ben Abraham, an extraordinarily liberal man; Shemtob Palquera, one of the most learned Jews of his century, and Yedaya Penini, a philosopher and pessimistic poet, whose "Contemplation of the World" was translated by Mendelssohn, and praised by Lessing and Goethe. Despite this array of talent, the opponents were stronger, the most representative partisan being the Talmudist ...
— Jewish Literature and Other Essays • Gustav Karpeles

... Weltanschauung, or the relation of his work to its environment. Nothing of that historical and sympathetic method—that endeavor to put the reader at the poet's point of view—by which modern critics, from Lessing to Sainte-Beuve, have revolutionized their art. Addison looks at "Paradise Lost" as something quite distinct from Milton: as a manufactured article to be tested by comparing it with standard fabrics by recognized makers, like the authors of the ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers


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