"Last supper" Quotes from Famous Books
 ... stands before the artist like a world to discover. Michael Angelo said, "one paints, not with one's hands, but with one's brain." Leonardo shocked the prior of the convent delle Grazie by standing for days together opposite the "Last Supper" without touching it with the brush. He remarked of this attitude "that men of the most lofty genius, when they are doing the least work, are then the most active, seeking invention with their minds." The painter ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... without spoil. And their captain for his portion claimed the Catino, the famous vessel, fashioned as was thought of a single emerald, truly, as was believed, the vessel of the Holy Grail, the cup of the Last Supper, the basin of the Precious Blood. To-day, if you are fortunate, as you look at it in the Treasury of S. Lorenzo, they tell you it is only green glass, and was broken by the French who carried it to Paris. But, indeed, what crime would be too great in order to possess oneself of ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... idealized view of the impulse of love to bite and devour is presented in the following passage from a letter by a lady who associates this impulse with the idea of the Last Supper: "Your remarks about the Lord's Supper in 'Whitman' make it natural to me to tell you my thoughts about that 'central sacrament of Christianity.' I cannot tell many people because they misunderstand, and a clergyman, a very great friend of mine, when I once told what I thought and ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis
... obnoxious to some of the more extreme members of the High Church section, by his answer to Sacheverell's sermon upon 'false brethren.'[927] Dr. Welton, Rector of Whitechapel, put up at this juncture in his church a painted altar-piece in representation of the Last Supper, with Bishop Kennet conspicuous in it as Judas Iscariot. 'To make it the more sure, he had the doctor's great black patch put under his wig upon the forehead.'[928] It need hardly be added that the Bishop of London ordered the picture ...
— The English Church in the Eighteenth Century • Charles J. Abbey and John H. Overton
... from that which the Grail assumes in "Lohengrin," where it can only be visible to the eye of faith, while in "Parsifal" it distinctly performs its wonders. Let it be remembered that the Grail is the chalice from which Christ drank with his disciples at the Last Supper, and in which his blood was received at the cross. The first of these motives is of the same general character as the Grail motive in the "Lohengrin" vorspiel; the second is an impressive phrase for trumpets and trombones, which will be heard again when the Knights of the Grail ...
— The Standard Operas (12th edition) • George P. Upton
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